Cuando Jimmy Rabbitte quiere comenzar una banda, tiene audiciones abiertas en su casa.Cuando Jimmy Rabbitte quiere comenzar una banda, tiene audiciones abiertas en su casa.Cuando Jimmy Rabbitte quiere comenzar una banda, tiene audiciones abiertas en su casa.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 11 premios ganados y 12 nominaciones en total
Maria Doyle Kennedy
- Natalie Murphy
- (as Maria Doyle)
Ken McCluskey
- Derek Scully
- (as Kenneth McCluskey)
Opiniones destacadas
I love this film. Everything about it might seem like it is just another cliche ridden story about the rise and fall of a band, but this movie is totally different somehow. It rises above anything previous in its genre. The characters are all both interesting, and their personality flaws are used to greatly illustrate the ending of the movie. The writing was superb, and acting from a cast of mostly unknowns top notch. The musical sequences were great, and served as an introduction for me to the songs and artists that they covered. Colm Meaney was hilarious as the very skeptical father of Jimmy.
10madam_Q
Who needs expensive movie stars when a group of unknowns can light up the screen like this lot?
On paper, it sounds like a failure - a cast comprising almost entirely of untrained and untested performers, set in working class Dublin, based on the novella by Roddy Doyle. By God, does it defy expectations.
Jimmy Rabbitte is a working class Dublin lad who's been collecting unemployment benefits for two years. But he dreams of bigger things, namely making it big in the music industry. He sets out to form a soul band, and assembles a motley crew of musicians and singers, most of whom don't know each other and many of whom can't stand each other.
The look of the film is gritty and realistic - nothing is glossed over. North Dublin is presented in all it's glory. The home lives of the band members are depicted warts and all - their private lives set the scene for the inevitable personality clashes that are almost as explosive as the music. In the mix is the unique character of the Irish people - at one point Jimmy enters a tenement block and, as he waits for the lift, looks over to see a boy with a horse. "You aren't taking that in the lift, are you?" he asks. "I have to," the boy replies. "The stairs would kill him."
The real star of the show is the music - this film spawned two hugely successful soundtrack albums. The band members were cast partly due to their musical ability, and the results are superlative. The stand out is Andrew Strong as Deco - would you believe this kid was only 16 when the film was made? His amazing voice belies his tender years, and suggests that he's been smoking a packet a day since the age of about four. At the end of the day with is a fine ensemble piece, much like the band. The acting may be a little wonky at times, but the hysterical dialogue makes up for that.
Most remarkably, this is a feel good film that does not rely on any of the conventional feel good plot devices. There are no group hugs, no plot conveniences, no trite happy endings. Just a shrewdly observed and wittily captured human story about people who dream of making it out of their dreary world. And isn't that something we can all relate to?
On paper, it sounds like a failure - a cast comprising almost entirely of untrained and untested performers, set in working class Dublin, based on the novella by Roddy Doyle. By God, does it defy expectations.
Jimmy Rabbitte is a working class Dublin lad who's been collecting unemployment benefits for two years. But he dreams of bigger things, namely making it big in the music industry. He sets out to form a soul band, and assembles a motley crew of musicians and singers, most of whom don't know each other and many of whom can't stand each other.
The look of the film is gritty and realistic - nothing is glossed over. North Dublin is presented in all it's glory. The home lives of the band members are depicted warts and all - their private lives set the scene for the inevitable personality clashes that are almost as explosive as the music. In the mix is the unique character of the Irish people - at one point Jimmy enters a tenement block and, as he waits for the lift, looks over to see a boy with a horse. "You aren't taking that in the lift, are you?" he asks. "I have to," the boy replies. "The stairs would kill him."
The real star of the show is the music - this film spawned two hugely successful soundtrack albums. The band members were cast partly due to their musical ability, and the results are superlative. The stand out is Andrew Strong as Deco - would you believe this kid was only 16 when the film was made? His amazing voice belies his tender years, and suggests that he's been smoking a packet a day since the age of about four. At the end of the day with is a fine ensemble piece, much like the band. The acting may be a little wonky at times, but the hysterical dialogue makes up for that.
Most remarkably, this is a feel good film that does not rely on any of the conventional feel good plot devices. There are no group hugs, no plot conveniences, no trite happy endings. Just a shrewdly observed and wittily captured human story about people who dream of making it out of their dreary world. And isn't that something we can all relate to?
I've lived in Detroit all my life, and the great soul music of the 1960's and 70's which was created here (and is still enjoyed here) is featured throughout "The Commitments." The Irish lads and lasses really do up the soul staples, from "Try a Little Tenderness" to "Mustang Sally." The actual musical talent is reinforced by the strong character development, industrial setting (North Dublin), and masterful plot, adapted from the novel of the same name by Roddy Doyle. "Say it once, say it loud...I'm black and I'm proud," is never more irreverently humorous than when questionably repeated by Jimmy Rabbite's soul disciples. I own this film, and I could watch it over and over. The soundtrack is excellent, and the pop culture references throughout the movie are hilarious (especially during the audition scene.) This film delighted both the hard-core Detroiter in me, as well as the Irish lass. The working class Irish youth depicted in the movie are sincere, and so is their project, The Commitments. (All the great bands were a "The ...")
10sev127
I first heard of the Commitments when I heard someone playing the soundtrack on their car radio. I quickly bought myself a copy and played it about 10 times a day - the music and the singing were unlike anything I'd ever heard before, even though all the songs are covers.
It wasn't until about 6 months later that the film was on an obscure cable channel, and I literally got goosebumps as soon as the opening credits rolled with "Treat her right". It was so incredible to actually see the characters performing the songs that I'd grown to love. It all became complete actually seeing the story unfold, and by the end you're really rooting for the band to succeed. When they perform "Try a Little Tenderness" I've never managed to watch that scene without tears in my eyes, it's such a fantastic version of the song and the energy Andrew Strong brings to it is just incredible, especially as he was only 16 at the time.
Anyone who loves music has to see this film, even you're not familiar with soul music - I promise you'll be hooked after seeing The Commitments!
It wasn't until about 6 months later that the film was on an obscure cable channel, and I literally got goosebumps as soon as the opening credits rolled with "Treat her right". It was so incredible to actually see the characters performing the songs that I'd grown to love. It all became complete actually seeing the story unfold, and by the end you're really rooting for the band to succeed. When they perform "Try a Little Tenderness" I've never managed to watch that scene without tears in my eyes, it's such a fantastic version of the song and the energy Andrew Strong brings to it is just incredible, especially as he was only 16 at the time.
Anyone who loves music has to see this film, even you're not familiar with soul music - I promise you'll be hooked after seeing The Commitments!
This is the simple and captivating story of Jimmy Rabbitte (Robert Arkins, fantastic like the whole cast), a young guy who decides to form a soul band in Dublin, and all the amazing people who join him. They've got musical talent and big dreams, but is that enough to climb to the top (and stay there)?
Alan Parker has made some very diverse films ("Midnight Express", "Angel Heart", "Mississippi Burning", "Angela's Ashes") in his long career, but you can see that music is in his blood and one of his favourite themes ("Bugsy Malone", "Fame", "Pink Floyd The Wall", "Evita"). He orchestrates a mostly unknown cast (which includes a very young Glen Hansard, from the recent hit "Once") in a tale of hope, determination, and great music. The British have a great eye for the bittersweet side of life and misfits in general ("The Full Monty", "Little Voice", "Billy Elliot" are fine examples), often with music as an important factor in the background (coincidence? I don't think so!). "The Commitments" is a beautiful, cheerful film, as passionate and memorable as Cameron Crowe's masterpiece "Almost Famous", and certainly one of the best music films of all time. 10/10.
Alan Parker has made some very diverse films ("Midnight Express", "Angel Heart", "Mississippi Burning", "Angela's Ashes") in his long career, but you can see that music is in his blood and one of his favourite themes ("Bugsy Malone", "Fame", "Pink Floyd The Wall", "Evita"). He orchestrates a mostly unknown cast (which includes a very young Glen Hansard, from the recent hit "Once") in a tale of hope, determination, and great music. The British have a great eye for the bittersweet side of life and misfits in general ("The Full Monty", "Little Voice", "Billy Elliot" are fine examples), often with music as an important factor in the background (coincidence? I don't think so!). "The Commitments" is a beautiful, cheerful film, as passionate and memorable as Cameron Crowe's masterpiece "Almost Famous", and certainly one of the best music films of all time. 10/10.
¿Sabías que…?
- TriviaThe kid on the skateboard who appears outside Jimmy's window during the first third of the movie when the band are recruiting members is Peter Rowen, the then boy from the covers of U2's "Boy" (1980) and "War" (1983) albums. At the time this movie was filmed, he owned a skate shop in Dublin and was a champion skateboarder.
- ErroresWhen the photographer tells everyone to say "testicles", only three people move their lips enough to make an audible sound (they are actually mouthing the word "lesbians"), but the sound is as if everyone was saying "testicles" out loud.
- Citas
Jimmy Rabbitte: Do you not get it, lads? The Irish are the blacks of Europe. And Dubliners are the blacks of Ireland. And the Northside Dubliners are the blacks of Dublin. So say it once, say it loud: I'm black and I'm proud.
- ConexionesEdited into The Commitments: Try a Little Tenderness (1991)
- Bandas sonorasMustang Sally
Written by Mack Rice
Performed by Andrew Strong, with Angeline Ball, Maria Doyle Kennedy and Bronagh Gallagher
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Los Reyes del Ritmo
- Locaciones de filmación
- Musical Hall, Ricardo's Snooker Hall - Lower Camden Street, Dublin, County Dublin, Irlanda(The Band's Rehearsal Room)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 12,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 14,919,570
- Fin de semana de estreno en EE. UU. y Canadá
- USD 271,333
- 18 ago 1991
- Total a nivel mundial
- USD 14,921,072
- Tiempo de ejecución1 hora 58 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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