Do or Die

I've seen most of writer/director Andy Sidaris' movies. "Do or Die" is not the pick of the litter. The girls are dreamy, of course, but the movie seems to drag a little. It still delivers the cheap thrills I expect but for some reason this movie seems to be a little longer than its actual running time. It's not a deal breaker. It's just not my favorite.

The sixth in Andy Sidaris' series of Playboy Playmate/CIA agent extravaganzas is probably one of the most entertaining, although the story actually makes more sense than usual -- which robs it of some of its camp value. (Part of the fun of Andy's movies is trying to make sense of his unnecessarily convoluted plots, which he gleefully admits to cranking out in longhand on legal pads in "about four days.") Asian crime boss Pat Morita (so that's what happened to Arnold after he left "Happy Days"!) puts out a hit on CIA bikini-stuffers Dona Spier and Roberta Vasquez, which basically sets in motion Sidaris' take on "The Most Dangerous Game," except we've got Erik Estrada and lots of nudity thrown into the mix. It's all utterly silly, but so funny and do with so much zest that you can't help but get a big kick out of it. In many ways, it's actually better than the James Bond films of the same period (ugh! Timothy Dalton!). "Do or Die" makes its DVD debut on March 25, 2003.

This movie is so hopelessly inept, that if it was played in a more tongue-in-cheek manner it might have been considerable fun. Now, it's just corny. The sex scenes are reasonably stylish, but are arbitrarily thrown into various parts of the film, usually under the least likely circumstances. As for the action, there isn't even one minute of genuine danger or suspense. If the villain, played by Pat Morita(!) wasn't so show-offy, there wouldn't have been a movie, either. Don't do it. (*)

"Do Or Die" begins with a colorful tribal dance. Hawaii was always one of the favorite locations to shoot for Sidaris. This time, a gangster boss challenges the Lethal Ladies team: He'll send 6 pairs of killers against them, and to make it impossible for them to hide, he uses a computer tracking device. "This is gonna be easy", one of the killers says - of course a fatal mistake.

Among the playful variety of assassins, my faves are the cooks from New Orleans who work on their accent and try to poison our heroes - a brilliant comedy interlude in between the sex and the violence. Of course Dona Speir and her friends have some gadgets as well, including a small model helicopter which can fire missiles. Boom, there goes another villain, and I can't say I regret one minute I spent with this entertaining production. This is the 6th out of my 12 reviews for the works of Andy Sidaris, in chronological order.

My review was written in June 1991 after watching the film at a Times Square screening room.

Pat Morita switches to a heavy role with excellent results in "Do or Die". Sixth entry in the "Malibu Express" series of campy actioners is a potent picture to titlllate home video and pay-cable audiences.

Due to a tough marketplace for smaller indies, this feature is getting only minimal theatrical exposure in Nahsville ahead of RCA/Columbia's video release. It's a shame since voyeuristic action audiences would get a kick out of "Do or Die' on the big screen.

Writer-director Andy Sidaris has a streamlined plot line this time, inspired by "The Most Dangerous Game". The pair of beautiful CIA underover operatives in Hawaii, Dona Speir and Roberta Vasquez, are informed by international gangster Pat Morita that he has assigned six two-man death squads to hunt them down in fair combat. It's a trial run for his plan for world domination.

Aided by a crack team organized by their boss William Bumiller, the Molokai-based duo trek to Nevada, Louisiana and Texas with the mercenary assassins in hot pursuit. It's not surprising to fans of this pic series that the macha femmes handily dispose of the villains, even in hand-to-hand combat during a climactic ninja battle. Morita's underplaying, aided by moody lighting by Mark Morris, lends panache to his scheming role and the "Karate Kid" star also has fuin in several scenes dallying romanticlally with his statuesque Asian-American assistant Carolyn Liu. Erik Estrada, the villain of the previous entry "Guins", is back in a new role as a good guy this time.

Full complement of movie veterans from this series is augmented by several impressive newcomers: notably Atlanta's extremely bosomy dancer Stephanie Schick who has a memorable, nearly NC-17 sex scene under a watefall with handsome series regular Michael Shaen; and Ava Cadell as a smug villainess quickly dispatched by Speir and Vasquez.

Sidaris changes the action series' balance by finding time for numerous sex and/or nud scenes no matter how perilous the situation. For action fans, excellent location work in atmospheric locales delivers the goods with motorcycle, speedboat and dune buggy chases. One highlight is a quarter-scale model airplane show in the Nevada desert to set the stage for model gimmickry a la James Bond flicks.

Tech credits are above average, giving this well-produced (by the director's wife, Arlene Sidris) picture a look and scale well beyond its modest budget.