Espejo de pasiones

This film's script tells a tale of identical twin sisters, played by Delia Sheppard, who have little to link them other than appearance, and of how one must pay for attempting to usurp her sister's place when the latter disappears. Kaitlin, although unhappily married, has wed into wealth and resides in a mansion; meanwhile, her sister Shauna is a stripper in a sleazy bar who mysteriously tells Kaitlin she needs money with which to immediately leave town. Kaitlin impulsively takes Shauna's place during the dark hours and soon discovers that everything is not quite all right with her sister's life style, which includes sexual and drug excess. While she more or less frolics, complications abound, including murder, and Kaitlin becomes increasingly aware that her nocturnal impersonation does not provide compensation for the difficulties with which she must deal. This scenario wobbles about as it is merely an interstice for the doffing of garments by Sheppard and others preparatory to thrashing about in various sexual liaisons, one or two of which might possibly have something to do with the plot, such as it is. There is nothing fresh here as one illogical scene follows upon the other far too slowly, to the viewer's discomfort, with the abysmally poor dialogue and tiresome exposure of flesh merely resulting in an example of softcore pornography, and that devoid of any real eroticism or any other purpose.

This film was poor even by erotic thriller standards. I have seen a fair amount of the late night erotic thrillers on TV, Video & DVD. Most of them are not much and do not warrant a second viewing this was another of these.

Delia Sheppard is quite attractive but an extremely bad actress. She has actually appeared in mainstream film most notably Rocky V. This was however an extremely bad performance, nowhere near as bad as Anna Nicole Smith, but certainly not in the class of erotic queens Shannon Tweed & Shannon Whirry. The supporting performances are equally bad.

The plot was badly executed, hackneyed and uninteresting. The same sort of storyline has been seen many times before, and done way better. The sex scenes are very dull and not very erotic.

So basically on every level this film fails. Watch this if you want to be put to sleep as that is the only thing this film is sure to do for you.

If you are interested in Erotic Thrillers there are a great deal of these that are more worthy of your time than this garbage. It is an embarrassment for all concerned and better left on the shelf.

This film essentially begins with a woman by the name of "Kaitlin Blair" (Delia Sheppard) having problems with her husband "Jeffrey Blair" (Jeff Conaway) due to the long hours he puts in as a campaign manager for a California gubernatorial candidate named "Carter Sayles" (Richard Arbolino). Then, one night, she gets a frantic phone call from her twin sister "Shauna Jameson" (also played by Delia Sheppard) telling her she needs money right away in order to get out of town fast. Quickly wiring the money to her, Kaitlin then decides to go to Shauna's apartment to try to talk to her before she leaves. When she gets there, however, she realizes that she is too late and, being quite bored with her own lifestyle, decides to don Shauna's clothing and impersonate her for a night or two. What she doesn't count on, however, is that there is a dangerous rapist who is stalking Shauna-and he has plans to visit her very soon. Now, rather than reveal any more, I will just say that this certainly had potential but the actors weren't given the script necessary for them to succeed. Not only was it badly written but the minimal plot and annoying saxophone music played every other scene didn't help matters either. Admittedly, there were several attractive actresses like Julia Strain (as "Gina Kaye"), Lee Anne Beaman ("Rebecca") and the aforementioned Delia Sheppard to keep things interesting but it just wasn't enough for me to rate this movie any higher than I have. Below average.

'Mirror Images' - A fun early 90's erotic thriller with slasher elements in this hazy dreamlike world of switched identities and seductive pleasures laced with political intrigue and murder and what could be more enjoyable than that. The movie is a rather entertaining and sleazy whodunit that features a fun cast, cheesy dialogue and plenty of deaths mixed with some classic T&A from the likes of Delia Sheppard and Julie Strain.

The Plot = Kaitlin Blair (Delia Sheppard), a bored and sexually frustrated woman adopts her twin sister Shauna's (also played by Delia Sheppard) identity when she goes out of town, but Kaitlin soon finds herself involved in a murder case.

Okay it would be a stretch to class this flick within the horror genre as it's more of a 90's sex thriller, but it does feature some light slasher elements within' its storyline and while it isn't the most original or exciting thriller out there, but the plot despite it's unoriginality is interesting enough to keep you invested and the erotic scenes are well crafted, even if the serial killer subplot and slasher elements isn't all that engaging and everything leads to a predictable and convoluted climax.

Delia Sheppard gives a convincing performance in the dual roles of the twins and proved to be good at playing both the naïve and innocent Kaitlin as well as the sexy and seductive Shauna. The rest of the cast were entertaining as well with John O'Hurley as the detective and fellow penthouse model Julie Strain as Gina and the real standout in terms of acting is Jeff Conaway as the sleazy and slimy husband.

Overall 'Mirror Images' is an entertaining and sleazy erotic thriller that features a lot of sex, some bad acting and an absurd plot that was fun if a little too ambitious to fully succeed.

"Mirror Images" is another softcore romp from Gregory Dark, the so called "Scorsese of B-movies". Do I even need to tell you that the protagonist is a neglected housewife of a powerful politician, who is putting all his energy into his career, and none into pleasing her?

Neglected housewives are soft porn's stock in trade.

The movie also features an early performance from Penthouse pet and b-movie siren Julie Strain.

An unusual twist is the inclusion of a rock band, and some glamour girl who dances on stage with them - the sister of the neglected housewife. These movies almost always take place among corporate executive types.

I guess the politician in the movie has reason to be focussed on his career. He apparently thinks that pornography is an acceptable way to advertise his campaign, and so doubtless must pay close attention to do damage control when it blows up in his face.

The bored housewife disguises herself as her sister, who, as a twin, is of course her polar opposite. The twin seems to return the favour (I think) and they both start having sex with each other's partners.

As if this wasn't enough, there's also a serial killer on the loose, running around with a mask on to hide his identity from people he's going to kill anyway.

I generally appreciate the way that the neglectful husband in these movies is generally shown to be a good guy, only "neglectful" because he's trying to make a better life for his wife and him. In "Mirror Images", though, there's really no attempt to make him likeable.

A director as limited as Dark shouldn't have gone for the old "identical twins switch identities" plot line. This would be confusing enough. Here it is so confusing as to be tiresome. You don't know who you're supposed to be watching.

There is a lesbian scene with Julie Strain which is surprisingly brief, and skimps on the nudity. It will be disappointing for any fan of hers.

John O'Hurley, known as J Peterman on "Seinfeld", has a small role, but even he, a wonderful comic actor, can't inject any life into the proceedings.

This is actually one of the more tedious straight-to-video erotic thrillers I have seen. It's impossible to care enough about the plot or even to try to follow it, and long stretches of the movie seem pointless.

Typically for '90s softcore, it ends seemingly without resolution. You only know it's over because the credits start rolling, not because the plot has been resolved. Unusual, though, that I was happy that that meant I didn't have to watch it any more.