Bienvenidos a la casa de muñecas

This movie was great. I was shocked to see no one had posted a comment on it. A fantastic performance by Heather Matazarro. The movie is all about growing up in a world that expects you to already be an adult. Because Dawn Weiner is "ugly" she is mistreated, harassed, and ignored by everyone she comes across. I don't think I've ever seen a movie that featured a character more emotional alone. There is a scene where Dawn's mother offers Dawn's dessert to her siblings to get back at her. They take it, eagerly. Most movies like this are either black comedies or feature a character who is stoicaly non-conformist or just stoic. Dawn is neither. She bleeds, right up until the movies end, which I won't spoil but I will say that it is all the more heartbreaking for its inertia as for its action. Go find this one. You'll either love it or hate it. It's not a movie that just lets you go.

... and I somewhat agree with another reviewer who said Dawn's teacher should be euthanized. Except euthanasia is a final release for animals to end their suffering. I expect better from grown women who should have more empathy, if not why are they in teaching? And Dawn's parents - they have no respect or regard for her as a human being whatsoever. She is just a disappointing outgrowth of themselves while they pay attention to Dawn's older brother Mark, who is somewhat like a teenage Bill Gates - an intellectual looking for activities to put on a college application to an Ivy League school, but with zero consideration for anybody but himself. They also dote on Dawn's younger daughter, who although she is only about eight knows she is beautiful and liked and uses it as a weapon against her older sister Dawn. She'll no doubt grow up to be married to a Wall Streeter and be president of her HOA, spending her days measuring the height of other peoples' lawns. So as for the parents AND her teacher - stake them out to an ant hill covered in honey. They deserve it.

Dawn Weiner is a 13 year old girl bullied by the entire junior high school, who write obscene things on her locker due to her unfortunate last name, throw spitballs in her hair, question her sexual identity to embarrass her, and even the tough girls confront her and assault her in the bathroom. She is safe nowhere. Nobody has her back and she only exists to be a source of mirth or scorn to everybody else. A less than. She talks to whoever will talk to her, including a boy who introduces himself by threatening sexual assault. I've heard some people say they "want to shake some sense into her". But she is 13. What do you expect of somebody who has her life as an experience of what the human race is like?

And then she strikes back, in what appears to be a small but passive aggressive way, and suddenly the film segues into an episode of Law & Order SVU, something Dawn was not intending. I'll let you watch and see how this all works out.

Dawn is a young girl who is bullied. Of course she is is clueless. She'll arrive at college clueless because she'll never have the confidence building experiences that would cure her cluelessness. This film is essential viewing but be warned it is an exhausting tragedy.

"Welcome to the Dollhouse" is a fresh, creative, no frills pic about a junior high school girl who is the personification of "uncool". This poignant film could be dark comedy, light drama, satire or even farce depending on how its interpreted. However that may be, it shows in painful detail the assassination of the self esteem of a sweet, kind, and thoughtful girl who wants little more than to be liked. Entertaining as it may be, "...Dollhouse" is a movie with a message for everyone who has ever been 12.

Grimly convincing portrayal of life in junior high school for the unpopular. If you aren't blown away by how realistic this is then you weren't unpopular enough: this is the real deal.

This movie strips away the rosy patina of nostalgia that covers most other films that portray the grim nature of childhood. I admire the film for avoiding the common trap of making the lead an innocent victim. Heather is, when the opportunity arises, just as cruel as anyone else in the film. The movie doesn't make Heather a child, but instead makes her a confused human being full of conflicting emotions such as hatred, lust, anguish and guilt.

I think to understand this movie though, you need to realize that you are viewing everything from Heather's point of view. Teachers and parents are ridiculously unfair, classmates are alarmingly sadistic, and you could point at some action and say, oh, I doubt that would happen, but there's a strong emotional truth; this is what it feels like to be an unhappy child.

When I watch movies about unpopular kids, I am always disappointed because their lives are better than mine was, and this is the first movie I could point to and say, if you want to see what I was dealing with in Junior High, watch Dollhouse. But while I always wanted a movie that shows the unvarnished truth, it is really difficult to watch. Although if you can make it through the first half hour it gets just a shade less horrific. And it does have a quirky sense of humor that lightens it some. I avoided this movie for years because I was afraid it would be too painful, and a friend said no, it's not that painful, and she was sort of right and sort of wrong. But it's definitely worth seeing.

WELCOME TO THE DOLLHOUSE (1996) **** Heather Matarazzo, Brian Sexton Jr., Eric Mabius, Matthew Faber, Daria Kalinina, Angela Pietropinto. Easily one of the best independent films ever produced. Matarazzo is brilliant perfection as 11 year old Dawn Wiener - Wiener Dog - who is trying desperately to survive the 7th grade NJ suburban hell with her existence as a gawky, nerdy yet smarter- than-the-rest protagonist facing every conceivable roadblock to hurdle including a dimwitted hunky high schooler and a seemingly threatening classmate (Sexton who is also great) who can't decide if he wants to "rape" her. Heartbreaking and all too close to the bone perfectly realized depiction of how judgemental we all are and just how harrowing adolescence really is. Dare not to be angered when her self-indulgent mother takes away her cake at the dinner table while the rest of the monstrous family greedily eat their desserts. Black comedy satire and documentarian genres blending seamlessly to a genuine masterpiece of poignancy sharply observant parable of anomie and angst by writer and director Todd Solondz (who won the Best Picture prize at Sundance). Wickedly funny and dead on accurate.