Neverwhere
- Miniserie de TV
- 1996
- 30min
CALIFICACIÓN DE IMDb
7.2/10
3.2 k
TU CALIFICACIÓN
Oscura y emocionante mezcla de metáfora, historia, humor y aventura, ambientada en Londres. En sus calles hay monstruos y santos, asesinos y ángeles. Richard entra en este mundo cuando resca... Leer todoOscura y emocionante mezcla de metáfora, historia, humor y aventura, ambientada en Londres. En sus calles hay monstruos y santos, asesinos y ángeles. Richard entra en este mundo cuando rescata a un joven ensangrentado.Oscura y emocionante mezcla de metáfora, historia, humor y aventura, ambientada en Londres. En sus calles hay monstruos y santos, asesinos y ángeles. Richard entra en este mundo cuando rescata a un joven ensangrentado.
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Opiniones destacadas
this novel was one of the better dark fantasy books i have read, a very modern Hero Epic. Anyone who has ever lived in london (as i have) will certainly appreciate this. Fans of Neil Gaiman is a must. Its flaw is that some of the performances are only so-so, and it us unfortunately incredibly Under-funded. Not that big budgets are a must (look at Blair Witch Project), but this looks a little too cheap, a lot like Dr. Who.
Too much pressure is being heaped onto film makers these days. The filming of "Neverwhere" on video rather than onto film was an incredibly good decision, if one made by budgetry consideration rather than one of style. Video gives one a much more intimate feel on a programme as opposed to the distance and unreality in film. So London Below had a much more realistic atmosphere with its filthy corners and occasional bright patch.
"Neverwhere" is a stunning idea, stylishly filmed, confidently written and (for the most part) perfectly acted. Exquisite performances by Hywell Bennett and the Marquee - dreadful, appalling, hideous acting by Richardrichard Mayhewdick. Bad, bad, baaaaaaaaaad casting decision there. Laura Fraser's alien distance giver her performance a truly detached and often unhuman feel, whilst retaining attraction and (dare I say) cuteness with her huge shimmering eyes. If she ever needs rescuing again, I'd give up *my* credit cards.... =)
Nice ending, not a surprise as such, but a very satisfactory closing to the story.
7/10 (it would've gotten 10/10 if it hadn't been for the lead man's crap acting.......)
"Neverwhere" is a stunning idea, stylishly filmed, confidently written and (for the most part) perfectly acted. Exquisite performances by Hywell Bennett and the Marquee - dreadful, appalling, hideous acting by Richardrichard Mayhewdick. Bad, bad, baaaaaaaaaad casting decision there. Laura Fraser's alien distance giver her performance a truly detached and often unhuman feel, whilst retaining attraction and (dare I say) cuteness with her huge shimmering eyes. If she ever needs rescuing again, I'd give up *my* credit cards.... =)
Nice ending, not a surprise as such, but a very satisfactory closing to the story.
7/10 (it would've gotten 10/10 if it hadn't been for the lead man's crap acting.......)
After seven years, Neverwhere is finally available on DVD, and can be found on major shopping sites like Amazon. I'm sure many of you heard of it, but much fewer have seen it. This fascinating 1996 BBC mini-series was created by Mr. Neil Gaiman, accomplished and acclaimed author of American Gods, Coraline and Good Omens (with Terry Pratchett) among others, and co-written by Gaiman and the wonderful British comedian Lenny Henry. Gaiman fans such as myself have waited for quite some time to see this series introduced to American audiences - and since Gaiman is now finally breaking ground in the States (American Gods actually won the Hugo award, and was an international bestseller) this seems like the perfect time. I was lucky enough to get my hands on a video of the series a couple of years back, but those are quite rare. If you love Neil's work, take the chance to finally see this lovely piece of work.
Neverwhere is a highly imaginative story of urban legend, rich with Gaiman's special brand of British black humor. The script is really wonderful, and Henry helps with his own experience in screenplay writing. Acting is terrific by everyone involved - I loved Gary Bakewell (frequent Paul McCartney impersonator on various BBC tele-biographies) as Richard Mayhew, the ordinary Englishman drawn into a strange adventure underground, and many other accomplished British actors - such as Laura Fraser, Trevor Peacock, Freddie Jones and Peter Capaldi - give a great performance. Unfortunately, the series suffers from the same problems shared by most British TV series - a budget lower than that of one episode of 'Dharma and Greg'. Therefore, the scenery, though highly inventive and original, doesn't look very impressive. Dewi Humphreys directs like he would direct a soap opera or a murder mystery, and though the directing of the dialogue is flawless, the action scenes are immensely disappointing, especially the 'Beast of England' battle, which is incredibly unconvincing.
Despite these weaknesses, though, the series is still well worth watching, especially if you're fond of the genre, and also if you're fond of British television. A word on two great artists who contributed much to the series: Dave McKean, for one, the great artist who collaborated with Gaiman in works like 'The Tragical Comedy or Comical Tragedy of Mr. Punch', 'Black Orchid' and Coraline, created an astounding opening sequence to every episode, which is a fascinating piece of work by itself; if you enjoy his work on such graphic novels as Arkham Asylum, Cages and his covers for Neil's Sandman series, the DVD is worth it just for this one sequence. Secondly, the brilliant Mr. Brian Eno, the inventor of Ambient music and musical collaborator of the likes of David Byrne, David Bowie and Robert Fripp, supplies the wonderful score to the series, very eerie and atmospheric synthesized music. Thank god for that, because without him we'd probably have basic British TV music, which tends to be quite awful - and Eno's sound really adds a lot to the atmosphere of the story.
It's important that, if you read and enjoyed the novel Neverwhere, you won't approach this series expecting Hollywood - or even modern American television - production values, because you'll be disappointed. A movie version of this nature, in collaboration with Jim Henson co, has been in talks for some time, but it doesn't seem very likely. If fantasy films are to you special effects and big battle scenes, you probably won't be impressed by Neverwhere. If you love fantasy literature, though, and especially Gaiman's work, you'll find Neverwhere highly rewarding. It's very entertaining, and very imaginative. And in the end, imagination is what fantasy is all about. Isn't it?
Neverwhere is a highly imaginative story of urban legend, rich with Gaiman's special brand of British black humor. The script is really wonderful, and Henry helps with his own experience in screenplay writing. Acting is terrific by everyone involved - I loved Gary Bakewell (frequent Paul McCartney impersonator on various BBC tele-biographies) as Richard Mayhew, the ordinary Englishman drawn into a strange adventure underground, and many other accomplished British actors - such as Laura Fraser, Trevor Peacock, Freddie Jones and Peter Capaldi - give a great performance. Unfortunately, the series suffers from the same problems shared by most British TV series - a budget lower than that of one episode of 'Dharma and Greg'. Therefore, the scenery, though highly inventive and original, doesn't look very impressive. Dewi Humphreys directs like he would direct a soap opera or a murder mystery, and though the directing of the dialogue is flawless, the action scenes are immensely disappointing, especially the 'Beast of England' battle, which is incredibly unconvincing.
Despite these weaknesses, though, the series is still well worth watching, especially if you're fond of the genre, and also if you're fond of British television. A word on two great artists who contributed much to the series: Dave McKean, for one, the great artist who collaborated with Gaiman in works like 'The Tragical Comedy or Comical Tragedy of Mr. Punch', 'Black Orchid' and Coraline, created an astounding opening sequence to every episode, which is a fascinating piece of work by itself; if you enjoy his work on such graphic novels as Arkham Asylum, Cages and his covers for Neil's Sandman series, the DVD is worth it just for this one sequence. Secondly, the brilliant Mr. Brian Eno, the inventor of Ambient music and musical collaborator of the likes of David Byrne, David Bowie and Robert Fripp, supplies the wonderful score to the series, very eerie and atmospheric synthesized music. Thank god for that, because without him we'd probably have basic British TV music, which tends to be quite awful - and Eno's sound really adds a lot to the atmosphere of the story.
It's important that, if you read and enjoyed the novel Neverwhere, you won't approach this series expecting Hollywood - or even modern American television - production values, because you'll be disappointed. A movie version of this nature, in collaboration with Jim Henson co, has been in talks for some time, but it doesn't seem very likely. If fantasy films are to you special effects and big battle scenes, you probably won't be impressed by Neverwhere. If you love fantasy literature, though, and especially Gaiman's work, you'll find Neverwhere highly rewarding. It's very entertaining, and very imaginative. And in the end, imagination is what fantasy is all about. Isn't it?
I watched Neverwhere when it was first aired on the BBC in 1996 and really enjoyed it, I was rather disappointed when a second series didn't materialise. When I spotted the series for sale on DVD I had to buy it.
Being made for television at a time when good quality special effects were too expensive some scenes don't look as good as they might now, thankfully the creators seem to have realised this and kept the effects scenes to a minimum instead relying on underground locations to give the series its atmosphere.
Richard Mayhew is an ordinary London office worker who's life is changed when he stops to help an apparently homeless woman. He soon learns that she is Lady Door, a resident of London Below, a strange shadow world who's inhabitants pass barely noticed amongst the people of London Above. After helping Door Richard finds himself trapped in this world; his friends and even his fiancé barely notice him and when he confronts them directly they have no memory of who he was. With nowhere else to go he heads into the sewers of London Below trying to find Door again.
Richard isn't the only person seeking Door, she is also being sought by Messrs Croup and Vandemaar, two sinister assassins who have already killed her family and appear to want to do the same to Door. There are several other interesting characters, some who help Richard and Door, some who hinder them and others who are not what they appear to be.
The story uses the various parts London to give names to characters in a delightfully literal way, Hammersmith is a blacksmith wielding a hammer, The Angel Islington is literally an Angel called Islington and Earl's Court is where the Earl holds court. The actors did a good job, I particularly liked Laura Fraser's portrayal of Door and Hywel Bennett and Clive Russell as the two assassins.
I'd certainly recommend this short series to anybody wanting to see something a little different and likes fantasy drama.
Being made for television at a time when good quality special effects were too expensive some scenes don't look as good as they might now, thankfully the creators seem to have realised this and kept the effects scenes to a minimum instead relying on underground locations to give the series its atmosphere.
Richard Mayhew is an ordinary London office worker who's life is changed when he stops to help an apparently homeless woman. He soon learns that she is Lady Door, a resident of London Below, a strange shadow world who's inhabitants pass barely noticed amongst the people of London Above. After helping Door Richard finds himself trapped in this world; his friends and even his fiancé barely notice him and when he confronts them directly they have no memory of who he was. With nowhere else to go he heads into the sewers of London Below trying to find Door again.
Richard isn't the only person seeking Door, she is also being sought by Messrs Croup and Vandemaar, two sinister assassins who have already killed her family and appear to want to do the same to Door. There are several other interesting characters, some who help Richard and Door, some who hinder them and others who are not what they appear to be.
The story uses the various parts London to give names to characters in a delightfully literal way, Hammersmith is a blacksmith wielding a hammer, The Angel Islington is literally an Angel called Islington and Earl's Court is where the Earl holds court. The actors did a good job, I particularly liked Laura Fraser's portrayal of Door and Hywel Bennett and Clive Russell as the two assassins.
I'd certainly recommend this short series to anybody wanting to see something a little different and likes fantasy drama.
10mimi-137
I was blown away back in 96 when I first watched this TV series. Not only was the story-line way out there compared with most of the rest of the TV output at the time, but also the casting and acting were both superb. I was already a fan of Peter Capaldi, which was one of the reasons I tuned in at the beginning, but I was soon swept up in the whole story and found it one of those strange stories that is completely believable although obviously fantastical. I have always been sorry that it hasn't been repeated on terrestrial TV and was thrilled last summer to find the book freely available. Reading this I found that many of the image from the original broadcast were firmly fixed in my mind and I have been searching websites for information about a DVD. To my amazement the BBC website denies all knowledge of the series at all! What's that all about? I have finally found a supplier in Australia for the DVD - but that's not much use is it? Has anyone else also watched the brilliant Gaiman recent work Mirrormask?
Argumento
¿Sabías que…?
- TriviaNeil Gaiman later published a "preferred text of Neverwhere" as a novel. His own vision of it was somewhat different from what wound up on the screen. Much of his dialogue and ideas had to be cut for one reason or another. And every time the BBC cut something he really liked, he said to himself "Not a problem. I'll put it back in the novel."
- ErroresDoor's father, who has been murdered. leaves her a message instructing her to see the Angel Islington. It transpires that the Angel Islington hired Mr Croup and Mr. Vandemar to murder Door's father and fake the message. However, Mr Croup and Mr. Vandemar spend the series actively trying to stop Door from reaching the Angel Islington, which makes no sense if their plan was for Door to reach him.
- Citas
Mr. Croup: If you cut us, do we not bleed?
Mr. Vandemaar: [pondering] No.
- Créditos curiososThe opening credits are full of surreal, distorted images from London Below. And each episode opens with a different character narrating the events of the previous episode. The end credits uses surreal imagery as a backdrop.
- ConexionesFeatured in The Worlds of Fantasy: Through the Looking Glass (2008)
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