CALIFICACIÓN DE IMDb
6.2/10
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TU CALIFICACIÓN
Historia de los primeros años de vida del genio y físico ganador del Premio Nobel Richard Feynman.Historia de los primeros años de vida del genio y físico ganador del Premio Nobel Richard Feynman.Historia de los primeros años de vida del genio y físico ganador del Premio Nobel Richard Feynman.
- Dirección
- Guionistas
- Elenco
Raffi Di Blasio
- Robert
- (as Raffi DiBlasio)
Josh Keaton
- David
- (as Joshua Wiener)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This was kind of a strange, low-key movie, one that isn't going to get a lot of attention, especially with a younger audience which wants anything but a slow- moving story. But, whatever your age, if you want simply a nice movie, you have one here.
Other reviewers here have gone into the details about the real-life persons this film is based on, so I will just make a few general comments I had while watching this.
First, I enjoyed Matthew Broderick's narration. Broderick usually plays likable roles and is an underrated actor, I think. I've never seen him in a bad performance. Even though this story is an emotional one, I found little emotion in the film but that makes it intriguing in parts.
Sometime past the halfway mark, I asked myself, "What is the point of this story?" There is a point, and there is more than what meets the eye to this. Those who have seen this film know what I mean. I'm making vague statements, but I don't want to give away anything.
I enjoyed the 1940s look to this, appreciated Patricia Arquette's against-type role; appreciated the fact there were no villains in here and the profanity was low. As I said, it's a nice film and touching drama.
Broderick and his mother wrote, produced and directed this film.
Other reviewers here have gone into the details about the real-life persons this film is based on, so I will just make a few general comments I had while watching this.
First, I enjoyed Matthew Broderick's narration. Broderick usually plays likable roles and is an underrated actor, I think. I've never seen him in a bad performance. Even though this story is an emotional one, I found little emotion in the film but that makes it intriguing in parts.
Sometime past the halfway mark, I asked myself, "What is the point of this story?" There is a point, and there is more than what meets the eye to this. Those who have seen this film know what I mean. I'm making vague statements, but I don't want to give away anything.
I enjoyed the 1940s look to this, appreciated Patricia Arquette's against-type role; appreciated the fact there were no villains in here and the profanity was low. As I said, it's a nice film and touching drama.
Broderick and his mother wrote, produced and directed this film.
Not only is Matthew Broderick one of the most GORGEOUS men on the planet, he delivers a stunning and beautiful performance. One of my favorite lines is "I'm working on a job for the government. I'm getting paid. This way I can take care of her, at last." That line slays me. When she...you know, and he breaks down...well, I just start crying like a baby at that point. Patricia Arquette is always wonderful, of course, and she takes the cake as Arline Greenbaum. The running gag in the joke is when they say, "What do you care what other people think?" to each other. And when she says, "I think I'm a very lucky woman to have Richard Feynman for a friend." And then the look on Richard's face, so full of love for this woman who "knew him by heart". Patricia Arquette's voice when she sings is kinda...eecky, but it has that swinging bluesy quality that was popular when the movie takes place. All in all, Matthew Broderick is HOT and SEE THIS MOVIE. Matty is an INCREDIBLE DIRECTOR!!!!!!!
For fans of Feynman's books, this will be a disappointment. Matthew Broderick's performance doesn't capture the fire, playfulness and wonder of Feynman's personality (as do documentaries of his lectures). Furthermore, his direction botches many of the anecdotes, missing the points of emphasis and undermining the quirky humour and sense of irony in the original telling. For example, in the Chinese abacus scene (which is shifted to a much earlier period in Feynman's life), Broderick has Feynman initiate the challenge, whereas in real life, it was the hapless abacus salesman who challenged him, completely unaware that he was taking on a renowned physicist. Therefore, the sense of irony, and of Feinman's idiosyncrasy in the world of mere mortals, is lost. Only Patricia Arquette seems to have captured the essence of the memoirs, despite her often unintelligible dialogue.
There is very little more that I can add to the kudos for this film, other than utter praise. I can understand and I know. You see, I am one of these people, a Scientist.
We as a breed are seldom understood and, more often than not, badly served by cinema image. This film of the quiet, patient, dedicated love between two people, one of whom is a Scientist, is a milestone.
Might I add that I have always felt that Matthew Broderick is a fantastic actor, especially in roles that require an average looking, quiet introspective character. He is perfect for this cinematic vehicle, and equal to the talents of a Tom Hanks any day. I was also impressed that he produced, directed and shared writing credits on this film project.
We as a breed are seldom understood and, more often than not, badly served by cinema image. This film of the quiet, patient, dedicated love between two people, one of whom is a Scientist, is a milestone.
Might I add that I have always felt that Matthew Broderick is a fantastic actor, especially in roles that require an average looking, quiet introspective character. He is perfect for this cinematic vehicle, and equal to the talents of a Tom Hanks any day. I was also impressed that he produced, directed and shared writing credits on this film project.
A caution: this review reveals details of the movie.
The movie "Infinity", stars Matthew Broderick who portrays the Nobel-prize-winning physicist Richard Feynman. Broderick also co-produced and directed the movie. Keeping it in the family, the screenplay was written by Matthew's mother, Patricia Broderick. The other major role, that of Feynman's first wife Arline Greenbaum, was played by Patricia Arquette.
Infinity is not a documentary about a phase in the life of Feynman the scientist, my expectation. My first impression as the movie unfolded was disappointment. I have been intrigued by Feynman the physicist and scientist since I purchased his Quantum Mechanics lectures trilogy in 1968. As the movie progressed, I saw that it isn't a movie about science; it is a movie about the heart. The point of this movie is to portray Feynman the person, and his relationship to the love of his life, Arline Greenbaum; in this it succeeds wonderfully.
A few years back, while reading one of Feynman's books, I ran across a passage which made a big impression. Feynman wrote that his children, who were raised in private schools and visited home only during holidays, were known well enough to him that if he were to meet one on the street, he would probably recognize that person as his child. That statement helped convince me to move from academia to the business world, making becoming a better father and husband my top priority. After seeing this movie, I better understand Feynman the person. The tragic loss of his first wife probably produced a life-long desire to hold personal relationships at a distance, and to make research and teaching his top priorities.
Broderick does an impressive job of directing the film. Just one example: at the moment of the death of his wife, my expectation was for there to be intrusive weepy violins. Instead, the moment moved through silence, making a more powerful statement. That scene reminded me of George Burns pulling down his shoe box of old photos from the top shelf of his closet, and looking at them quietly in "Going in Style", a scene which packed an emotional punch without resorting to violins.
There is another dimension to the two Brodericks' intelligence which surprised me: they did not botch the physics, what little there was. Nearly every Hollywood movie which has an opportunity to do so, gets the science wrong... having space ships produce impressive sounds as they move through the vacuum of space, for example. Matthew Braderick as Feynman explains beta decay to his wife using olives from his lunch in an approach worthy of the real Feynman. Also, Feyman's father explanation of inertia, in which he differentiated between being able to name it and describe it, which he could do, and understanding the "why" of it, which no one could do, was a "deep" understanding of science which Broderick portrayed with sympathy and understanding. By staying away from complex mathematics and the physics that could have been incorporated into this story, to the delight of the geeks of the world, Broderick created a movie that is accessible to all.
"Infinity" is a gem of a small movie, a love story, a true story, told with gentleness and feeling; a movie which does not overreach itself. I strongly recommend it.
The movie "Infinity", stars Matthew Broderick who portrays the Nobel-prize-winning physicist Richard Feynman. Broderick also co-produced and directed the movie. Keeping it in the family, the screenplay was written by Matthew's mother, Patricia Broderick. The other major role, that of Feynman's first wife Arline Greenbaum, was played by Patricia Arquette.
Infinity is not a documentary about a phase in the life of Feynman the scientist, my expectation. My first impression as the movie unfolded was disappointment. I have been intrigued by Feynman the physicist and scientist since I purchased his Quantum Mechanics lectures trilogy in 1968. As the movie progressed, I saw that it isn't a movie about science; it is a movie about the heart. The point of this movie is to portray Feynman the person, and his relationship to the love of his life, Arline Greenbaum; in this it succeeds wonderfully.
A few years back, while reading one of Feynman's books, I ran across a passage which made a big impression. Feynman wrote that his children, who were raised in private schools and visited home only during holidays, were known well enough to him that if he were to meet one on the street, he would probably recognize that person as his child. That statement helped convince me to move from academia to the business world, making becoming a better father and husband my top priority. After seeing this movie, I better understand Feynman the person. The tragic loss of his first wife probably produced a life-long desire to hold personal relationships at a distance, and to make research and teaching his top priorities.
Broderick does an impressive job of directing the film. Just one example: at the moment of the death of his wife, my expectation was for there to be intrusive weepy violins. Instead, the moment moved through silence, making a more powerful statement. That scene reminded me of George Burns pulling down his shoe box of old photos from the top shelf of his closet, and looking at them quietly in "Going in Style", a scene which packed an emotional punch without resorting to violins.
There is another dimension to the two Brodericks' intelligence which surprised me: they did not botch the physics, what little there was. Nearly every Hollywood movie which has an opportunity to do so, gets the science wrong... having space ships produce impressive sounds as they move through the vacuum of space, for example. Matthew Braderick as Feynman explains beta decay to his wife using olives from his lunch in an approach worthy of the real Feynman. Also, Feyman's father explanation of inertia, in which he differentiated between being able to name it and describe it, which he could do, and understanding the "why" of it, which no one could do, was a "deep" understanding of science which Broderick portrayed with sympathy and understanding. By staying away from complex mathematics and the physics that could have been incorporated into this story, to the delight of the geeks of the world, Broderick created a movie that is accessible to all.
"Infinity" is a gem of a small movie, a love story, a true story, told with gentleness and feeling; a movie which does not overreach itself. I strongly recommend it.
¿Sabías que…?
- TriviaThe gate scene at Los Alamos is accurate and Richard had many more pranks that he pulled while working there. Most notably he picked locks. The one unique combination of locks was a series of file cabinets in a mathematicians office where the combinations began with the first few digits of the natural logarithm of e.
- Créditos curiososThe film has a 1997 copyright date in the credits, despite being released in 1996.
- Bandas sonorasUgly Chile (You're Some Pretty Doll)
Written by Clarence Williams
Published by Shapiro, Bernstein & Co., Inc. (ASCAP)
Copyright renewed
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- How long is Infinity?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Oändlig kärlek
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 195,170
- Fin de semana de estreno en EE. UU. y Canadá
- USD 78,976
- 6 oct 1996
- Total a nivel mundial
- USD 195,170
- Tiempo de ejecución1 hora 59 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
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