Mondo

This film is a must-see, like Gatlif's Latcho Drom. It is poetic, cinematically poetic. There are several moments that brought me to tears, out of the sheer beauty of the human emotion expressed in acting and photography. "Acting" does not sound right - you have the impression you are watching real people living out love in their actual souls.

Mondo is based on a short story by French author J.M.G. Le Clézio. The story is the first in a collection of stories about children. In each narrative a child is in some way alienated from the dominant culture while at the same time embodying something that this culture is missing.

In Gatlif's retelling, Mondo is alienated by the busy consumer society of Nice, France: he is always hiding from city officials who try to arrest him and he feels ill-at-ease in the bustling downtown area. He makes his home among the other marginalized Niçois: the homeless, foreigners, gypsies, etc. Gatlif artfully frames the life of Mondo and his friends and makes the viewer feel sympathy for society's rejects.

Gatlif shows how Mondo changes people who let him into their lives while demonstrating the blindness of government agencies that deal with stray children.

An excellent film. Even my children love it.

This little-known film turned out to be a gem.

Mondo is a young vagrant boy living in Nice. He is free-spirited, joyful and does what he wants, with nobody telling him what to do. He would spend time walking the streets of Nice, go for a swim in the sea or join a lonely fisherman on the pier. Mondo is mostly met with a lot of goodwill. He would get cuts of freshly baked bread from the kind lady at the bakery, or fresh fruit from the open-air market. Mondo has many friends; we see him joining a beggar who has a suitcase with two beloved white doves, and meeting a busker whose effort he assists by passing his money collecting plate around. Then there is the childless Vietnamese lady who takes Mondo in and cares for him when he falls sick.

The antagonists in the story are 'welfare' officials who are out to capture Mondo and take away his freedom. In a disturbing allegory we witness how other officials catch stray dogs to take to the pound. Would Mondo escape the officials and retain his freedom?

Mondo seems mythical; he may not even be real. The film subtly compares the cost of conformity with that of freedom and individuality.

This film superficially may seem to be thin on the plot, but believe me, it is not a simple as it seems. Watch it carefully; it has a lot to offer below the surface.

This film speaks to the senses. The sound of a knife cutting through a crusty loaf of bread, the soothing splash of swells lapping against the side of a boat. Excellent cinematography accentuates the visual. A few memorable scenes: Rainwater collecting on a water-lily leaf; a wet but seemingly happy Mondo sheltering from the rain whilst a bedraggled and soaked dog in the next scene looks everything but happy; an insect moving to the sheltered side of a leaf as the rain continues. A small boat pulling against its mooring in the ebb of the tide. And then there is the surreal scene of oranges, with messages written all over them, washing up onto the beach. The attention to detail is remarkable. The soundtrack is excellent too.

'Mondo' reminds me of the importance of appreciating the world around us for what it is, uncluttered by preconceptions or indifference.

The young actor who plays Mondo, Ovidiu Balan, does so with distinction. The performances by the other actors (Philippe Petit, Schahia Aalam, Pierette Fesch, Jerry Smith and Maurice Maurin) are excellent too. The director, Tony Gatlif must be commended for producing this rewarding and splendid meditative work of art.

I score 'Mondo' a well-deserved 9/10.

Ovidiu Balan, playing a homeless Gypsy boy, made this movie worth seeing. The movie, in itself, is visually stunning. More of a video documentary than anything, it has very little dialogue....and maybe that's a good thing. Words get in the way sometimes.

From what I have heard, Ovidiu Balan is not French and was deported after the making of the movie.

Mondo, was shown here in Australia on Christmas night, and, after seeing it, I couldn't think of another movie that could rightfully replace it. This was a superb film, and one wonders why my local TV guide gave it only 3 out of 5 and described it as "moving". In my opinion, Mondo deserves a 10 out of 10, simply for its wonderful images (the scene in the garden - need I say more). Mondo was a film that seldom used words - it let its images speak for itself and tell the story. The bond between Mondo and the Vietnamese lady was a highlight of the film for me - so much so that by the end I had tears welling in my eyes. A wonderful film - now for the novel.