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Paradise Lost: The Child Murders at Robin Hood Hills

  • 1996
  • Not Rated
  • 2h 30min
CALIFICACIÓN DE IMDb
8.2/10
19 k
TU CALIFICACIÓN
Paradise Lost: The Child Murders at Robin Hood Hills (1996)
Home Video Trailer from HBO Home Video
Reproducir trailer3:51
1 video
60 fotos
CrimenDocumentalDocumental Crimen

Un horrendo triple asesinato de un niño lleva a la acusación y al juicio de tres niños sobre la base de pruebas dudosas.Un horrendo triple asesinato de un niño lleva a la acusación y al juicio de tres niños sobre la base de pruebas dudosas.Un horrendo triple asesinato de un niño lleva a la acusación y al juicio de tres niños sobre la base de pruebas dudosas.

  • Dirección
    • Joe Berlinger
    • Bruce Sinofsky
  • Elenco
    • Tony Brooks
    • Diana Davis
    • Terry Wood
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.2/10
    19 k
    TU CALIFICACIÓN
    • Dirección
      • Joe Berlinger
      • Bruce Sinofsky
    • Elenco
      • Tony Brooks
      • Diana Davis
      • Terry Wood
    • 88Opiniones de los usuarios
    • 42Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Ganó 1 premio Primetime Emmy
      • 9 premios ganados y 10 nominaciones en total

    Videos1

    Paradise Lost: The Child Murders at Robin Hood Hills
    Trailer 3:51
    Paradise Lost: The Child Murders at Robin Hood Hills

    Fotos60

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    Editar
    Tony Brooks
    • Self - KAIT-TV
    • (material de archivo)
    Diana Davis
    • Self - KAIT-TV
    • (material de archivo)
    Terry Wood
    • Self - KAIT-TV
    • (material de archivo)
    Dick Clay
    • Self - KAIT-TV
    • (material de archivo)
    Jenna Newton
    • Self - KAIT-TV
    • (material de archivo)
    Gary Gitchell
    • Self
    Tommy Stacy
    • Self
    • (as Rev. Tommy Stacy)
    Melissa Byers
    • Self
    Todd Moore
    • Self
    Dana Moore
    • Self
    Pam Hobbs
    Pam Hobbs
    • Self
    Jessie Misskelley Sr.
    • Self
    Gail Grinnell
    • Self
    Joe Hutchinson
    • Self
    John Mark Byers
    John Mark Byers
    • Self
    Jason Baldwin
    Jason Baldwin
    • Self
    Damien Wayne Echols
    Damien Wayne Echols
    • Self
    Jessie Misskelley
    Jessie Misskelley
    • Self
    • (as Jessie Miskelly)
    • Dirección
      • Joe Berlinger
      • Bruce Sinofsky
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios88

    8.219K
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    Opiniones destacadas

    strauss12

    inspires frustration and ultimately, apathy

    Despite all the praise this documentary has received, I did not find it very moving at all. Granted, it was a horrible crime, and the footage of the three young victims' bodies was shocking and almost unwatchable. But most of this film serves only to expose the extreme incompetence of everyone involved in the case. With regard to the wrongly(?) accused boys -- never have I seen three innocent people put up such a weak, pathetic fight for their innocence. Most of the time, they stare doe-eyed and slack-jawed in front of the camera, seemingly uninterested in their own fates. Sure, these boys were only 16-17 years old and very scared, but they seem to have no intuition for survival whatsoever in this life-or-death situation. Any realistic grasp of the situation eludes these boys completely -- they behave almost as if they're playing a part in a movie. It is quite possible, and perhaps even probable, that they are indeed innocent, but they themselves do not seem to care, and so dear viewer, why should you? The overwhelming impression I get from these boys is that they lead very boring lives in a very stagnant town, and they know that this whole case is the most exciting thing that will ever happen to them. They seem interested not in the issue of their guilt or innocence, but rather in the surreal quality of their quasi-celebrity (in the end, Damien waxes romantic over the notion that his name will become famous in West Memphis as a synonym for "bogeyman", scaring generations of children to come). They are genuinely pleased with all of the attention they're receiving -- not that they have much to say, but they're just happy that someone is asking.
    billybrown41

    Great Documentary

    I'll admit that I've never been too crazy about documentaries. For one thing, I think that they are generally biased and you are only seeing what the film-makers want you to see. Now, I watched Paradise Lost for several reasons. One, I've always been intrigued by peoples' ignorance and I'm still amazed at how quick they are to point a finger at something they know nothing about. Several years ago, I remember this story being all over the news, and the way it was presented then, it was very easy to believe that these three outcasts were the killers. I've been through West Memphis numerous times since the killings and I still get the chills everytime I pass by the Blue Beacon truckwash.

    I sat down to this three hour film with a pretty open mind. While the film doesn't really answer any questions, it does bring a lot to mind and never takes sides on whether the boys did or didn't do it. That's what I admire about the film-makers. They managed to stay almost completely neutral, no matter what their feelings or opinions may have been on who the actual murderer(s) were.

    Watching this movie is scary. I've polluted my mind over the years with just about every junk-horror movie that I could find and nothing has given me that icy feeling quite like this has. I've seen it three times now and it never loses its impact.

    For those who don't know, here's the story: In West Memphis, three young children are found mutilated in a patch of woods just off the interstate. For no real reason whatsoever, three nonconformist teens are brought to trial, one of which has an I.Q. that is somewhere in the 70s. When he gives a very phony sounding confession, the trials begin with absolutely no other evidence to prove that the boys are guilty. Throughout the film, we meet each of the deceased boys parents, the defendents, and the defendents' families. Most angry of all are the parents of the Byers boy who was murdered. Now, before I get started on the step-father Mark Byers, I really want to say that I can totally empathize with the guy and his rage is completely understandable. However, what I really can't get past is the guy's bizarre behavior and the impression that he left me with. The guy takes up a lot of screen time. I know that the guy is a jeweler by trade and acting may not be his thing, but this is a DOCUMENTARY and while watching him, on more than several occasions I got a little confused. Yeah, the guy has some mental problems, he's on numerous medications, he's suffering from a brain tumor and he's going through some major grieving. But why does he act like he's been watching TOO much WWF? His lines are straight out of a BAD movie and if this is how the guy really is, I'm staying the hell out of this guy's way. Throughout the film there are several subtle (or not so subtle) indications that he may be a suspect. The fact that he gave one of the film-makers a bloody knife as a Christmas present more than proves that the guy is a little off his rocker. He even admitted to having beat the child the day that he was murdered.

    Remember, there is absolutely NO physical evidence to pin on the accused and the only thing that got them there was a false confession given by a legally retarded teenager who had been interrogated for hours. Oh, and did I mention that his story KEPT changing? Listening to Jesse Misskelly, the time that the boys were murdered takes place all over the clock. Once, he states that the boys were murdered in the A.M. hours, then during broad daylight, then at night. I don't get it. It didn't matter to the jury. Two of the boys still got life sentences and the other (Damien Eckols) got the death sentence. His crime is that he had a fondness for wearing black, had a bad haircut, and a slight interest in Wicca...Not a whole lot different from myself. Anyway, there is also mention of another mysterious person who made an appearance in a Bojangles restaurant restroom, covered in blood. Oh yeah, that is another issue that is barely mentioned, and then dropped.

    After seeing this movie, I was still terribly confused and my questions were still unanswered, but I guess that is the sign of a good documentary. I'm really glad that the film-makers stuck with the facts and never let their opions get in the way of making the film. The sequel is also very good, but still leaves nothing answered. Now, it's been several years since the first time I watched this but the boys are still in prison, still trying to get out. I reccomend this film to anyone who has ever been criticized for their appearance. It'll make you realize just how lucky you are, while questioning the justice system at the same time.
    9snakejenkins

    A Modern Tragedy

    The question at hand in the film Paradise Lost is not as much did these three teenagers commit this heinous act, but rather was there enough evidence to convict them for the murders. The answer, presented by material in the film, is an unflinching no. There was only speculation and rumor to convict the three.

    The film's strengths are that it doesn't preach, at least not in an overly wrought narrative, and it contains intimate moments with the accused and their families as well as the families of the victims. Being a victim of a violent crime to something of this degree I understand the pain and confusion of the victim's families. What is hard to understand is the bloodlust and need for revenge and retribution that immediately takes hold of them. The victims' families are the most terrifying aspect of this film. At one point the mother of the Byrnes child says in a hateful and spiteful tone "I hate them... I hate them and the mother's that bore them."

    Is there anything wrong with being hellishly angry with someone who has butchered your child? No, quite natural really. But the point of this film is that judgment was passed on these kids long before the trial even started. I imagine the Bible belt is a very scary place to be raised in... I'll have to ask Brad Pitt what he thinks about it some time.

    On the issue of the prosecution. They had next to nothing. A very questionable confession from a terrified kid, Jessie, with a 72 IQ, hearsay from a couple of kids who claim they heard Damien bragging about the murder but have no proof, a knife found behind Damien's house which doesn't match the wounds on the bodies, and the assertion that because Damien read about Wicca, he must be a Satanist.

    To look at the three kids is also an interesting aspect of the film. Jessie, a very small and slow kid seems a bit lost in the world. His IQ is low but he has no previous records of any type of behavior that would associate him with murder. Jason speaks in short breathless words and seems also to suffer from a low IQ. Damien is the key to everything in this film though. The defense made the key mistake of letting Damien take the stand for two reasons. The first reason is that Damien appears to have ADD and after the first 10 minutes of questioning he sort of fades away and answers in bland yes and no's. The second reason, and the most important, is that Damien is obviously extremely bright. Normally this wouldn't seem to be a problem but judging from every single person the filmmakers put on camera, smart people are hard to come by in that area of the world. Damien scared them.

    All of this adds up to the fact that there was not enough evidence to put these kids away and there were other, more sinister and shocking, suspects that needed to be pursued. The war rages on for the West Memphis Three and it is indeed frightening to think that they did it, and terrifying to think they didn't.
    xtine1217

    None is free as long as these three young men are imprisoned.

    Absolutely shocking and riveting from beginning to end. A brutal murder of three young boys leads to the wrongful conviction of three teens who were fingered for the crime because the police and townspeople found them "weird." Two of the teens are currently (2004) serving life sentences, and one is sitting on death row! This documentary brilliantly unfolds the story of the tragedy in West Memphis through interviews with the murdered boys' families, the accused and convicted teens, and footage of the court trials. The directors remain unbiased and let the audience decide for themselves "who did it," but there's no disputing that the police investigation was a travesty and that the West Memphis Three did not get fair trials--were found guilty before even taking the stand. Also check out the sequel: "Paradise Lost: Revelations." Be warned, though--both documentaries will make you want to scream with the injustice of it all, and rightfully concern you that despite an absence of any physical evidence linking three young men to a crime, and despite mounds of evidence indicating that the young men are innocent, the desire by influential individuals to convict won out over justice.
    chaosnbeer

    disturbing documentary

    I remember watching this documentary when it appeared on HBO and being completly disgusted. This was a witch hunt. The trial of these boys was based more on their look and taste in music more than actual hard evidence. I grew up around this area and I know exactly what it's like to be a noncormist..you're automatically accused of being a satanist and associated with murders just because you look and think a certain way. Now I can't honestly sit here and say that these boys didn't do it..because I don't know..it's possible..and my heart tells me they didn't..but ya know i'd look like an ass if the evidence came up that they did. What disgusted me was the trial..and the assassination of the boys . There was no real concrete facts..just their lifestyle of music and fashion. The second one focused more on the father of the murdered children..all evidence pointed at him and away from the boys..just my opinion. This is a disturbing look at corrupted justice in the Bible belt.

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    • Trivia
      First feature film to contain licensed music of Metallica, something that the band was initially opposed of doing. The band was involved in raising public awareness of the accused. Joe Berlinger would later do a documentary on Metallica in "Metallica: Some Kind of Monster".
    • Errores
      Damien reads this Shakespearean quote while on trial: "Life's but a walking shadow...full of sound and fury signifying nothing." He incorrectly refers to it as being from A Midsummer Night's Dream. It is, in fact, a soliloquy famously from Macbeth.
    • Citas

      Damien Wayne Echols: I knew from when I was real small people were gonna know who I was, I always had that feeling... I just never knew how they were gonna learn. I kind of enjoy it now because even after I die, people are gonna remember me forever. People are gonna talk about me for years. People in West Memphis will tell their kids stories... It'll be sorta like I'm the West Memphis boogie man. Little kids will be looking under their beds - "Damien might be under there!"

    • Conexiones
      Featured in Siskel & Ebert & the Movies: The First Wives Club/Big Night/Surviving Picasso/Last Man Standing/Paradise Lost: The Child Murders at Robin Hood Hills (1996)
    • Bandas sonoras
      Welcome Home (Sanitarium)
      By Metallica

      Written by James Hetfield, Lars Ulrich, and Kirk Hammett

      Produced by Flemming Rasmussen (uncredited) with Metallica (uncredited)

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    • How long is Paradise Lost: The Child Murders at Robin Hood Hills?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 10 de junio de 1996 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • arabuloku.com
    • Idioma
      • Inglés
    • También se conoce como
      • America Undercover: Paradise Lost - The Child Murders at Robin Hood Woods
    • Locaciones de filmación
      • West Memphis, Arkansas, Estados Unidos
    • Productoras
      • Creative Thinking International Ltd.
      • Home Box Office (HBO)
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 2h 30min(150 min)
    • Color
      • Color
    • Mezcla de sonido
      • Stereo
    • Relación de aspecto
      • 1.37 : 1

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