Clubbed to Death (Lola)

A very odd film this - is it about the club scene or a boxing match. The decaying urban setting is quite apt for this group of semi-estranged characters. There is an unreal atmosphere about the whole film which makes it just about watchable, just the thing to watch on Channel 4 at 12:30am on Sunday/Monday. But there were immense problems with continuity, how did Lola end up in this warehouse party in the first place. She didn't know about it when she was on the bus at the start, what was she doing - just going on the bus for no particular reason. None of the characters were particularly engaging and I did not have much idea where the plot was going. However, a big thumbs up for the soundtrack particularly the soaring orchestral Clubbed to Death track, one of MoWax's greatest ever releases. Overall 4.5-5/10

This film is one of my personal favourites, although I doubt many people would call it a classic. It has a very luscious, stylish feel to it that isn't particularly common. There is something very French about it - while depressing in one sense, it is very warm and satisfying in another. The story is a fairly empty one about a young girl turned neophyte clubber on the outskirts of Paris, but it isn't really trying to convey a story so much as a feeling. The main characters - the pretty, upbeat, confused little girl and the faintly hopeless, depressed, drug-dependent boxer have very unique qualities that counteract each other in a compelling way, and the film ultimately deals with such issues as the pointlessness of life. What really elevates this film, though, is the soundtrack. Each track was carefully handpicked, and the dream-like club scenes are a sheer joy to watch. As the director Yolande Zauberman said (I think), the soundtrack is one of the main actors in this film. Although Rob D's 'Clubbed To Death' is the central pinnacle, there are many other exquisite offerings such as the more commercial 'Leave Home' by the Chemical Brothers, or Gavin Bryars' short orchestral 'Farewell To Philosophy Bar'. Certain tracks such as 'Rollin' & Scratchin' by the pop-status Daft Punk were in the film but failed to make it to the disc. It is also worth noting that all of the tracks used in this film were pretty obscure at the time - Daft Punk didn't make their breakthrough until about a year later.

As an exercise in "cinema du look" Clubbed to Death is an outright tour de force of moody, atmospheric shot-making; yet its let down by its very sparse story which barely holds its 80 minute length and might as well have been written on a handkerchief. It's a pity, because the dank, underground club vibe is spot-on for the mid-1990s dance music scene. The best aspect of the film is the lighting and the dynamic choice of music, provided by such hipsters as Daft Punk and Masters at Work to namedrop but a few. In this sense, the film has limited appeal for clubheads. The acting is a bit dazed and confused which was probably the intention. This is an often intriguing attempt to tell a sparse story through dramatic visual flourishes.

Seeing this movie definitely doesn't stimulate to take drugs. The characters don't seem to be enjoying it much. I like the suburban background. Because it hasn't been over styled. The same for the clothing. The movie is slow paced and tells a love-story. Several scenes I really like. Emir and Lola are dancing. And out of the blue Emir walks away without looking around. He walks straight to his former lover. And the moment Emir understands he has to fight his brother.

Although the film may not stand up entirely to scrutiny, it is still a good film, especially when viewed late at night, when it works far better. There are scenes in the film which are very impressive, the kiss scene using the the 'Clubbed to Death' music, although the tunes overuse can become annoying. Overall the film merits a viewing, as it can be visually appealing