Los Borg viajan al pasado para evitar el primer contacto de la Tierra con una especie alienígena. El capitán Picard y su tripulación los persiguen para asegurarse de que Zefram Cochrane real... Leer todoLos Borg viajan al pasado para evitar el primer contacto de la Tierra con una especie alienígena. El capitán Picard y su tripulación los persiguen para asegurarse de que Zefram Cochrane realice su primer vuelo a velocidad warp.Los Borg viajan al pasado para evitar el primer contacto de la Tierra con una especie alienígena. El capitán Picard y su tripulación los persiguen para asegurarse de que Zefram Cochrane realice su primer vuelo a velocidad warp.
- Nominado a 1 premio Óscar
- 8 premios ganados y 21 nominaciones en total
- Geordi
- (as Levar Burton)
Opiniones destacadas
One of the best sci-fi movies ever!
In addition to fine performances from the crew (highlighted as always by Patrick Stewart as Captain Picard), the supporting cast is more than equal to the task. Its too bad that the crew didn't bring Alfre Woodward back home with them........ she's one of the very few actors/actresses in Star Trek history who have been able to match Patrick Stewart's personality, acting skills, and histrionics. Also, I thought I detected a touch of romance between the two that could have been further developed at another time.
James Cromwell makes a perfect Zefrem Cochrane. It was a humorous touch to portray him as somewhat of an anti-hero, in contrast to the god-like reverence with which the characters in the film viewed him from a distance of 300 years.
The protagonists in the film, the Borg, have never looked more dangerous. I'm glad that this film returned them to their "roots", unlike their last few appearances in the television series in which they were becoming a little too domesticated.
This is a film to savor for any science fiction fan. 9.5/10.0 !
'First Contact'- first rate
The first "Next Generation" 'Star Trek' film, 'Generations', was to me not that bad but was frustratingly uneven (namely the treatment of Kirk and the emotion chip subplot). The next film, 'First Contact', was a significant improvement and highly deserves its reputation as the best film based of 'The Next Generation' series and one of the best 'Star Trek' films overall. Giving some of the supporting characters, like Worf and Crusher, more to do rather than giving them little screen time and not having them do much, was pretty much the only thing that 'First Contact' could have improved on.
'First Contact' is one of the best looking 'Star Trek' films, feeling more expansive and cinematic and benefiting from significant technology advances. The cinematography is intimate, colourful, brooding and immersive, while the sets rich in detail and the special effects are first rate with a real sense of awe. Bringing Jerry Goldsmith back was a good move, and he and his son Joel produce a score that's rousing, haunting, menacing, melancholic and sometimes even pastoral. Oh and the main theme tune is a classic.
Writing-wise, 'First Contact' is one of the best written and balanced of the films. The humour is genuinely funny and sometimes affectionate with the in-jokes, the emotional moments have real poignancy and a grandiose sweep and there is a real tension at times too. The story is perhaps the best paced, with no wasted or extraneous scenes and the one that gets to the point the most. The action is simply thrilling, and while some characters are underused there is still some interesting character development and interaction, namely a more conflicted Picard (in a way that's reminiscent of Captain Ahab), the scene between him and Lily and Data and the Borg Queen.
Patrick Stewart gives his most intense and moving performance of all the 'Next Generation' films, and still has the commanding presence and the dignified gravitas. Brent Spiner is strong too, and he is much more restrained here with Data significantly better written. Jonathan Frakes is compelling as Riker but does even better in the director's chair, he doesn't lose any of what makes the series so great in the first place or what makes it so influential while showing some freedom to show his own style and open things up.
Alice Krige is on seductive and deliciously slimy villainous form, while the Borgs are genuinely fearsome even now. James Cromwell and Afre Woodard excel in atypical roles to the work they're best known for, Cromwell in particular.
In conclusion, first rate and a high point of the 'Star Trek' franchise. 9/10 Bethany Cox
The Next Generation's best film hands down
My Grade: B+
DVD Extras: Disc 1) Commentary with director/actor Jonathan Frakes; Second commentary with writers Brannon Braga and Ronald Moore; Text Commentary with Michael and Denise Okuda Disc 2) 12 featurettes (Making 'First Contact', The Art Of 'First Contact', "The Story, The Missile Silo, The Deflector Dish,From 'A' to 'E', Jerry Goldsmith: A Tribute, The Legacy Of Zefram Cochrane, 'First Contact': The Possibilities, Unimatrix One, The Queen, and Design Matrix); 3 Scene Deconstruction;Storyboards, Photo Gallery; Teaser & Theatrical Trailers; and Trailer for the Borg Invasion Hilton show in Vegas
3 Easter Eggs: In the Main Menu, click on the sun for a list of all the alternative titles considered; In the Star Trek Universe menu highlight a circle for an interview with Ethan Philips; In The Borg Collective menu highlight a circle for an interview with Alex Jaeger
Enjoyable mix of light TV touches and sci-fi drama
The trend of the `even good, odd bad' continues in Star Trek with this good entry in the series. Linking to previous story lines, the film starts immediately and continues at a good pace. Where the previous time travel excursion for the crew was more funny than anything else, this film goes down a more dramatic route with the main plot not turning out to be on the ground (as I first thought it would be) but on the ship where the crew struggle to contain the Borg's advances. This aspect works well - it is not edge of the seat stuff, but it is dramatic and involving.
In contrast the stuff on the surface is more a side issue that is used well to contrast with the pace on the Enterprise itself. There aren't many laughs but it does have a nice little bit of self mocking humour that raises it's head occasionally. The cast (crew?) all do good work, but it is Stewart's film and his Borg past help to enrich his character well. Frakes does an able enough job as director but as an actor he has little to do, as indeed do most of those on the Earth aside from a cameo from Cromwell who adds humour. Woodard is OK in her role but not as good as I've seen her be in other things.
Overall this is a solid Star Trek film, which although not excelling in any one area, has a strong backbone of drama and action aboard the ship that works well with the lighter stuff on the earth.
"Borg? Sounds Swedish."
"I am the beginning, the end, the one who is many."
I like Star Trek, but the TNG/DS9/Voyager series are more about smarmy franchise-building than hardcore S/F. I give this film seven (7) stars.
¿Sabías que…?
- TriviaOn account of budgetary restrictions, the crew of Viaje a las estrellas: La nueva generación (1987) was never quite satisfied with the Borg sets and costumes as used during the series. However, the significantly bigger budget for this film finally allowed them to design the Borg in a way that was much closer to what they had intended. As a result, the suits and sets were reused extensively on Viaje a las estrellas: Voyager (1995).
- ErroresWhen Geordi is asking Cochrane to look at the intermix chamber blueprints, he is wearing sunglasses, even though his artificial eyes don't require protection from the sun. The sunglasses are probably needed in case a local comes looking around. Only Cochrane and Lily knew about time travelers, and Geordi's futuristic implants could blow their cover. Geordi used dark glasses for the same purpose in Time's Arrow, Part II (1992) as well.
- Citas
Captain Jean-Luc Picard: [Quoting "Moby Dick"] And he piled upon the whale's white hump, the sum of all the rage and hate felt by his whole race. If his chest had been a cannon, he would have shot his heart upon it.
Lily Sloane: What?
Captain Jean-Luc Picard: "Moby-Dick".
Lily Sloane: Actually, I never read it.
Captain Jean-Luc Picard: Ahab spent years hunting the white whale that crippled him, a quest for vengeance, but in the end, it destroyed him and his ship.
Lily Sloane: I guess he didn't know when to quit.
- Créditos curiososAfter 'Stunt Players' are listed, the 'Stunt Borg' are listed.
- Bandas sonorasTheme from 'Star Trek: The Motion Picture
Composed by Jerry Goldsmith
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Star Trek 8
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 45,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 92,027,888
- Fin de semana de estreno en EE. UU. y Canadá
- USD 30,716,131
- 24 nov 1996
- Total a nivel mundial
- USD 146,027,888
- Tiempo de ejecución
- 1h 51min(111 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1






