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El padre de Jimmy, de diecinueve años, es un despiadado e impotente veterano de Vietnam que obliga a su esposa e hijo a tener incesto. Tiene un secreto por el que matará. Jimmy no abandonará... Leer todoEl padre de Jimmy, de diecinueve años, es un despiadado e impotente veterano de Vietnam que obliga a su esposa e hijo a tener incesto. Tiene un secreto por el que matará. Jimmy no abandonará a sus dos hermanos pequeños si se va.El padre de Jimmy, de diecinueve años, es un despiadado e impotente veterano de Vietnam que obliga a su esposa e hijo a tener incesto. Tiene un secreto por el que matará. Jimmy no abandonará a sus dos hermanos pequeños si se va.
- Premios
- 2 premios ganados en total
Kenneth Wayne Bradley
- Trooper with Shovel
- (sin créditos)
Floyd Lloyd
- Coroner
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A boy named Jimmy West (Phillippe), who longs for a better life, learns some harsh realities about his existence. After years of dealing with an abusive and sexually disturbed "father" (Savage) and being protector to his "mother" (Kinski) and younger brothers, he is given a chance by his wealthy girlfriend to get away. The only problem is, guilt, love and fear for his family makes him stay. Upon realizing Jimmy is growing up and has been snooping around where he shouldn't, his father decides its time to reveal some startling news to him. The shocking news makes Jimmy more desperate than ever to tear himself and his family away from his father before something worse happens. At the same time, a woman named Doris (Knight) appears in town, and she reveals to the police why she is searching for the West family. The police lend their help, but she ultimately takes matters into her own hands when she shows up at the West's trailer. The ending is not at all what one would expect and many questions are left unanswered, leaving the viewer wishing for more explanation.
I was sorry to see that this movie was not highly publicized because I thought the acting was intense by all. Having forgotten that I first saw Phillippe (along with John Savage) in "White Squall", this was really the first time I saw him in a leading role and, might I say, what a performer he is. As for Savage and Kinski, one of the reasons I watched this movie was to see them together again as I had enjoyed them so much in "Maria's Lovers". It was nice to see the chemistry still there. Admittedly, some of the sex scenes are a bit harsh and you need to see this movie more than once to really understand it, but don't let that stop you from seeing it at all.
I was sorry to see that this movie was not highly publicized because I thought the acting was intense by all. Having forgotten that I first saw Phillippe (along with John Savage) in "White Squall", this was really the first time I saw him in a leading role and, might I say, what a performer he is. As for Savage and Kinski, one of the reasons I watched this movie was to see them together again as I had enjoyed them so much in "Maria's Lovers". It was nice to see the chemistry still there. Admittedly, some of the sex scenes are a bit harsh and you need to see this movie more than once to really understand it, but don't let that stop you from seeing it at all.
We were still talking about this three days after seeing it. So many questions are left unanswered that it is easy to see why studio executives chickened out and didn't hype this as a major theatrical release: they probably decided that Little Boy Blue it is too challenging to the "lowest common denominator" mindset which THEY have created among American movie-goers.
One wonders if Alfred Hitchcock's The Birds would have been released by an American studio nowadays; we think probably not -- some idiot would think that American audiences wouldn't understand, appreciate or care to see a movie which leaves ANY questions unanswered at the end, let alone one which leaves open as many questions as does Little Boy Blue.
Bah! Make a challenging movie and the audience will rise to meet the challenge. Little Boy Blue surely ranks among the most intellectually challenging movies of all time; decades from now film students will probably be writing dissertations about the cryptic symbolism of the book kept in the clothesline pole or the name of Jimmy's dog! This is not to suggest that the movie is an all-time great, but it certainly works on many more levels than that of Ryan Phillippe humping someone in the station wagon.
A Ryan Phillippe movie which forces the viewer to think! No wonder he found it so challenging: directors have had him playing blond pretty boys for so long that he probably had a difficult time portraying a character who is as savvy and insightful as he himself is in real life.
One wonders if Alfred Hitchcock's The Birds would have been released by an American studio nowadays; we think probably not -- some idiot would think that American audiences wouldn't understand, appreciate or care to see a movie which leaves ANY questions unanswered at the end, let alone one which leaves open as many questions as does Little Boy Blue.
Bah! Make a challenging movie and the audience will rise to meet the challenge. Little Boy Blue surely ranks among the most intellectually challenging movies of all time; decades from now film students will probably be writing dissertations about the cryptic symbolism of the book kept in the clothesline pole or the name of Jimmy's dog! This is not to suggest that the movie is an all-time great, but it certainly works on many more levels than that of Ryan Phillippe humping someone in the station wagon.
A Ryan Phillippe movie which forces the viewer to think! No wonder he found it so challenging: directors have had him playing blond pretty boys for so long that he probably had a difficult time portraying a character who is as savvy and insightful as he himself is in real life.
Evocative drama deals with some touchy subjects while barely scratching the surface and therefore demanding that the viewer actually think for themselves. Complete with some intriguing characters, thanks to great storytelling and good acting, this has a realistic feel to it. Almost like a generation X "Lone Star" this movie deserved way better attention than it got.
I am a huge fan of Ryan Phillippe. He has been my idol for forever (visit my website on him: http://www.geocities.com/Hollywood/Movie/7977) Anyway, I was in Suncoast one day and it was on sale, so I decided to buy it and check it out. It was the best choice of my film-oriented life. It is such an amazing film. It captures modern-society so well, its frightening. Everyone gives amazing performances. At times disturbing, but realistic. The realism is what is the scariest part about it. Everyone says that about "Blair Witch", but come on, who HONESTLY liked it. If you find this video in the store, buy it or rent it. You will not regret it.
P.S.- This movie is a very shocking and disturbing movie. It is aimed at an adult audience.
P.S.- This movie is a very shocking and disturbing movie. It is aimed at an adult audience.
This "sleeper" is a masterfully done, complex drama. The story unfolds slowly at first, and the relationships among the characters remain somewhat ambiguous during the first part of the movie. However, once the plot starts to unravel, the film becomes a compelling mystery, revealing only hints of the true horror that propels the action. This is probably Phillippe's best work as an actor; he is given the chance to act--and not simply stand around and look pretty--and he is quite good. Savage and Kinski also deliver powerful performances. You'll probably have no trouble finding this one at the video store, since it didn't get much publicity. But it's definitely worth watching.
¿Sabías que…?
- TriviaIn a flashback, Kaitlin Hopkins plays a younger version of the character played by Shirley Knight. Kaitlin Hopkins is the real-life daughter of Shirley Knight.
- ErroresAt the end of the movie, a policeman buys a six pack of local Texas beer, the bottles of which are dark brown. They remove the six pack from the brown bag and put it on the table. After Doris Knight talks for a while, the beers become the Dutch import Heineken, and the beer package seems to be back in the brown bag again.
- Bandas sonorasClinging To You
Performed by Texas Tornados
Written by Doug Sahm
Courtesy of Reprise Records
By arrangement with Warner Special Products
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- How long is Little Boy Blue?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Little Boy blue - Warte, bis es dunkel ist
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 12,958
- Total a nivel mundial
- USD 12,958
- Tiempo de ejecución1 hora 45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the Spanish language plot outline for Little Boy Blue (1997)?
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