El lado oscuro de la justicia

NIGHT FALLS ON MANHATTAN (1997) *** Andy Garcia, Richard Dreyfuss, Ian Holm, Lena Olin, James Gandolfini, Ron Leibman, Shiek Mahmud-Bey. Excellent, gritty and absorbing crime drama dealing with Garcia as an assistant DA who becomes an overnight sensation after tackling a disturbing case of a drug dealer killing three cops on a raid gone awry that leads to a sticky web of corruption, lies, deceit and ultimately personal integrity. Garcia and Holm as his cop father, give superb performances as does Leibman as his teeth gnashing mentor (a delightful to watch turn) and Gandolfini as Holm's partner with some skeletons in his closet. Based on Robert Daley's book `Tainted Evidence' and adapted by the film's director Sidney Lumet with colorful panache of a true helmsman. – Letterman stooge Leonard Tepper is an extra in the jury (!)

A newly elected district attorney (Andy Garcia) finds himself in the middle of a police corruption investigation that may involve his father (Ian Holm) and his partner.

This was a pretty good film. At first, I thought it was going to be about tracking down and then convicting the cop killer. But we find out that the killing, tracking and convicting are all accomplished relatively quickly, and only serve as a premise to open up the idea that certain police officers were working with the drug dealers.

This is very well scripted, very well acted. And knowing a little bit about police corruption, the story does not even seem far fetched. Though it does have its darkly comical moments, such as having the killer strip naked for reporters.

In "Night Falls on Manhattan", Garcia plays a rookie NYC District Attorney who finds himself struggling to cope with moral dilemmas and compromised principles in the "real world" of lawyering. Offering a solid cast with good performances, this Hollywood tinged film builds quickly and maintains momentum while digging into fundamental issues which bedevil characters from cops to judges in their personal and professional lives. Worth a look for anyone into dramas, especially those dealing with questions of ethics. (B)

An interesting, complex and balanced film with good acting performances.

The film evokes complex life stories, characters who are not perfect, but still try to do something good.

Andy Garcia plays Sean Casey, a prosecutor who tries to put a dangerous criminal in jail who may be involved in a much bigger scandal.

The story is perfectly balanced, and the film itself does not choose the political side, but presents us with a complex world full of difficult choices.

Films like this are rare, precisely because they don't choose sides, and therefore are interesting and deal with universal things that interest everyone.

A film like this does not alienate the viewer, but draws him into an interesting world and tries to portray the struggle for the principles that make us who we are.

The cast is good, the actors made an effort to bring these interesting characters to life and show their emotions. The film is well directed and the cinematography is excellent.

An interesting film with complex characters and an excellent cast.

Here's yet another film with a too low IMDb average. Really 6.6. I'm so glad I came to view this film, a few years back. I just came to view it again, where I enjoyed it as much as last time. I love Sidney Lumet films. He makes good ones, rarely a bad one. I mean, he gave us Network, Equus, Family Business, and the lesser known, Guilty As Sin. This is just another one that holds up to the others, and another one on Lumet's notch of good films. This one has been constructed gingerly, attentively, as far as plot and story goes. One would even say judiciously, with great performances to boot, Dreyfuss, and Ron Leibman, a scene stealer, and terribly underused actor, most of his stuff t.v. related. Corruption runs high in a few cop beats, where Garcia's cop father (Holm, really good) is shot badly by a burst of machine gun fire, when a drug bust goes bad. Three beats were called in, where there should of only been one, which leads us to consider a few bad apples were involved. Even Garcia's father could be bad too like his partner and childhood mate, Joey (the late great Gandofini) a modest performance. Garcia, an ex cop, now a promising lawyer, is assigned to this criminal case, by Leibman who runs a law firm, to the disgust and anger of a slick lawyer adversary, Colm Feore (just another top form performance here), where the big black drug dealer, a nasty piece of work in a quite threatening performance, by Shiek Mahmud- Bey is caught, so it's really gonna get heated in that courtroom, where you don't want this black dude mad. Garcia's amusing remark, a moment I loved, sealed that deal. The turning point or second story, let's call it, takes off when a black book is recovered from one of the dead cops in that failed bust, a number of cops names including Holm's, all supposedly on the take are in there, and things get really juicy, plot wise, which sees Garcia back in the court room. This film has really been constructed thriller wise, as many characters, mostly the ones in question, aren't telling us everything. Dreyfuss's admittance about his teenage daughter to Garcia in those spa room scenes was something unexpected too. The film is very well written, all of it, it's treatment, etc, all shaped to perfection, solely by Lumet, the first scene in the lecture room, with budding lawyers, grabbing us straight away, with in your face frankness. The film has a very well researched feel, Garcia's performance though, not as good as the others. The character's choices and their situations, make sense, and we very well understand. If you're a cop and you go crooked, well the ball's in your caught, baby. Highly underrated and very much recommended cop/courtroom drama, Dreyfuss's performance as the black guy's defendant, the one you'll remember. He's brilliant.