CALIFICACIÓN DE IMDb
7.0/10
1.4 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaA cinematic portrait of the famous fight promoter and boxing manager.A cinematic portrait of the famous fight promoter and boxing manager.A cinematic portrait of the famous fight promoter and boxing manager.
- Dirección
- Escritura
- Estrellas
- Ganó 2 premios Primetime Emmy
- 11 premios ganados y 22 nominaciones en total
- Dirección
- Escritura
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
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Opiniones destacadas
Ving Rhames is the champ, Don King nothing but chump.
Don King is a self-promoter the likes that few have seen in our lifetime. This film takes a novel approach to telling the King story, blowing KING up into as big a buffoon as possible, and using King himself (actor Ving Rhames) in telling the tale. I give director John Herzfeld credit-it's a novel and appropriate approach to the biography of a man who truly is more caricature than real.
Rhames gives an inspired and convincing performance as King, breathing much life into a film from a book that was for all practical purposes stillborn.
Enjoy the movie for Rhames and pay little attention to the details.
Rhames gives an inspired and convincing performance as King, breathing much life into a film from a book that was for all practical purposes stillborn.
Enjoy the movie for Rhames and pay little attention to the details.
A compelling, riveting and humourous drama
Ving Rhames, a largely unknown actor, whom most would remember from Pulp Fiction, gives his role of Don King all he's got, and it really does pay off. It results in one of the decade's best telemovies, leaving the viewer hating yet strangely drawn toward the eccentric King.
It revolves around King's rise to stardom through strongarm tactics. His violent itchy trigger finger deals it's wrath to anyone who gets in the way, and it's his no nonsense approach to boxing which gets him where he is.
The story is revealed through flashbacks, being narrated by an older King. Those are the film's funniest moments. Watching Rhames strut around the ring, whilst smoking a huge cigar and speaking in a near-scream make for extremely humourous moments. Rhames' conviction to the part makes King a character that's both funny and threatening at the same time. He relishes in hyperbole, taking the good with the bad and seeing what you get.
The idiosyncrasies and mannerisms of King are all portrayed masterfully, right down to the wavy Kramer hairstyle. Each of the supporting characters are great, but, watching Jaleel White (that guy from 'Family Matters') play Muhammed Ali just reminds you too much of his sitcom character.
It's a highly satisfying, yet powerful movie. One of the telemovies which can be recommended, which is a rare occasion. This would be a wise choice if Saturday night's viewing is not up to standard.
Nine out of ten.
It revolves around King's rise to stardom through strongarm tactics. His violent itchy trigger finger deals it's wrath to anyone who gets in the way, and it's his no nonsense approach to boxing which gets him where he is.
The story is revealed through flashbacks, being narrated by an older King. Those are the film's funniest moments. Watching Rhames strut around the ring, whilst smoking a huge cigar and speaking in a near-scream make for extremely humourous moments. Rhames' conviction to the part makes King a character that's both funny and threatening at the same time. He relishes in hyperbole, taking the good with the bad and seeing what you get.
The idiosyncrasies and mannerisms of King are all portrayed masterfully, right down to the wavy Kramer hairstyle. Each of the supporting characters are great, but, watching Jaleel White (that guy from 'Family Matters') play Muhammed Ali just reminds you too much of his sitcom character.
It's a highly satisfying, yet powerful movie. One of the telemovies which can be recommended, which is a rare occasion. This would be a wise choice if Saturday night's viewing is not up to standard.
Nine out of ten.
BETTER THAN THE REAL THING
Even if you don't like Don King, you gotta give it up for Ving Rhames in this movie. He is an able portrayer of Don King, from looks to personality (heck, he made Don King a little likable!) The movie gave insight into a sport that you either love or hate - boxing, as well as a look into Don King's history. It made for good viewing and I found myself howling at certain points. A bonus for me happened at the end, during a three second stretch in which my boyfriend's head passed as he walked behind Ving Rhames and Vondie Curtis-Hall at LAX!
I would definitely give this movie a 10!
I would definitely give this movie a 10!
Boxing bio-pic that punches above its weight
The life of boxing promoter Don King was/is so varied and complicated that I would have thought that a low budget TV movie would struggle with it. But hats off to the producers and HBO, while not having fortunes to spend they have covered most of it competently and in Ving Rhames they have a fantastic star performance. In fact it is hard to tell him from the real thing!
As we know, boxing has a seamy side, but King seems to the kind of person that pushes the boundaries of even this biz. His silver tongue (he did a lot of reading in prison) tricks many a young boxer in to signing or doing what he wants.
From jailhouse to courthouse to penthouse Don has a quality that many an eel would admire. Somehow he always comes back from any setback and seems to be able to actually to turn anything to his own advantage. If you didn't know a lot of this was true you would call it over-the-top!
His early life as a numbers runner is not glossed over, although he portrays himself as being in the "hope business" and doing people a big favour. Even in charity he thinks of only one thing - himself.
This is great black (in more senses than one) comedy and provides many belly laughs - his treatment of Larry Holmes is a gem, even turning up with a contract on this honeymoon!
You don't have to be a boxing fan to enjoy this movie, but it helps. Boxing scenes are well recreated and the star performance by Rhames (who usually plays straight-ahead bad guy roles) is worth tuning in for all by itself. Very enjoyable and far more entertaining than many boxing films with several times the budget.
As we know, boxing has a seamy side, but King seems to the kind of person that pushes the boundaries of even this biz. His silver tongue (he did a lot of reading in prison) tricks many a young boxer in to signing or doing what he wants.
From jailhouse to courthouse to penthouse Don has a quality that many an eel would admire. Somehow he always comes back from any setback and seems to be able to actually to turn anything to his own advantage. If you didn't know a lot of this was true you would call it over-the-top!
His early life as a numbers runner is not glossed over, although he portrays himself as being in the "hope business" and doing people a big favour. Even in charity he thinks of only one thing - himself.
This is great black (in more senses than one) comedy and provides many belly laughs - his treatment of Larry Holmes is a gem, even turning up with a contract on this honeymoon!
You don't have to be a boxing fan to enjoy this movie, but it helps. Boxing scenes are well recreated and the star performance by Rhames (who usually plays straight-ahead bad guy roles) is worth tuning in for all by itself. Very enjoyable and far more entertaining than many boxing films with several times the budget.
Not A Pretty Picture Of A Flamboyant Man
Kudos to Ving Rhames for a job well done as the flamboyant boxing promoter Don King, who is still with us in the boxing game, although he's toned down quite a bit. I'll bet Rhames had a lot of fun playing this role. King, meanwhile, will always be King, and you ring fans know what I mean by that. Still, I wonder if he doesn't cringe watching this biography of him.
As interesting a career as Mr. King has, that doesn't mean I enjoyed watching this movie. It's extremely racist, at least in the first half which turned me off so much I don't recall if even finished the film. All white people were portrayed as bad people. How is that permitted, when the opposite is not. Just the typical double standard employed by most filmmakers.
However, to be fair, King was a bad, bad dude in his early days and the film is portraying that. He's a much different person today. It's just that it's not fun to watch, nor is the profanity in here fun to hear. I don't mind "language" since I'm no choir boy, but this is ridiculous in here. Don't let the "made-for-TV" label fool you. It was made for HBO, and anything goes on that network.
As interesting a career as Mr. King has, that doesn't mean I enjoyed watching this movie. It's extremely racist, at least in the first half which turned me off so much I don't recall if even finished the film. All white people were portrayed as bad people. How is that permitted, when the opposite is not. Just the typical double standard employed by most filmmakers.
However, to be fair, King was a bad, bad dude in his early days and the film is portraying that. He's a much different person today. It's just that it's not fun to watch, nor is the profanity in here fun to hear. I don't mind "language" since I'm no choir boy, but this is ridiculous in here. Don't let the "made-for-TV" label fool you. It was made for HBO, and anything goes on that network.
¿Sabías que…?
- TriviaWhen accepting the Golden Globe for "Best Actor In A Miniseries or Made For TV Movie" a tearful Ving Rhames called fellow nominee Jack Lemmon onstage and praised him for being such an inspiration. He then shocked the audience, as well as Lemmon, by giving him the award.
- Citas
[in a restroom]
George Foreman: Aren't you gonna wash your hands?
Don King: I wash my hands *before* I touch my dick.
- Créditos curiososThe credits end with Don King proclaiming "It's me, baby!".
- ConexionesFeatured in The 55th Annual Golden Globe Awards (1998)
- Bandas sonorasStagger Lee
Written by Harold Logan and Lloyd Price
Performed by Vondie Curtis-Hall
Produced by Anthony Marinelli
Arranged by Anthony Marinelli
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Don King: Người duy nhất nước Mỹ
- Locaciones de filmación
- Lincoln Heights Jail - 401 N. Avenue 19, Lincoln Heights, Los Ángeles, California, Estados Unidos(When Don King walks out of Ohio State Prison)
- Productoras
- Ver más créditos de la compañía en IMDbPro
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