Un adinerado estudiante de secundaria intenta aumentar la popularidad de un nuevo alumno, pero reconoce que los asuntos del corazón no se interponen en el camino.Un adinerado estudiante de secundaria intenta aumentar la popularidad de un nuevo alumno, pero reconoce que los asuntos del corazón no se interponen en el camino.Un adinerado estudiante de secundaria intenta aumentar la popularidad de un nuevo alumno, pero reconoce que los asuntos del corazón no se interponen en el camino.
- Premios
- 6 premios ganados y 12 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'Clueless' is celebrated for its witty satire of 90s teen culture, clever adaptation of Jane Austen's 'Emma', and iconic performances, especially Alicia Silverstone's portrayal of Cher. Common themes include social standing, high school drama, and character transformation. Criticisms often point to reliance on stereotypes, predictability, and the controversial romantic subplot between Cher and her stepbrother. Despite mixed opinions on its depth and lasting impact, 'Clueless' is frequently praised for its humor, style, and cultural significance in the 90s.
Opiniones destacadas
"Let's set 'Emma' in a modern high school!" Does this sound the obvious kind of movie gimmick that everyone uses nowadays? Perhaps, but it's an inspired idea all the same. Jane Austen's characters, and her readers, and the society in which her novels are set, like Jane Austen herself, are HEAVILY conscious of class and social standing. No atmosphere quite so snobbish exists in the modern world. EXCEPT, that is, in the corridors and courtyards of the right kind of high school. And where else in the modern world would you find so many people who seem to spend all their time calling on one another?
I was reminded of how well Heckerling moulded "Emma" to fit a modern setting when I saw the idiotic 1998 version of "Great Expectations", adapted by someone who somehow failed to notice how important all the stuff about class and snobbishness was. It's clear that Heckerling understood her source. She isn't afraid to make changes - even radical changes, if the modern setting requires as much - and no character exists MERELY because they have an analogue in Austen's novel. (The most crucial thing is that the Emma-equivalent be sufficiently charming; and so she is.) The result is a film which is winning and satisfying, whether or not you know anything about the source material.
I was reminded of how well Heckerling moulded "Emma" to fit a modern setting when I saw the idiotic 1998 version of "Great Expectations", adapted by someone who somehow failed to notice how important all the stuff about class and snobbishness was. It's clear that Heckerling understood her source. She isn't afraid to make changes - even radical changes, if the modern setting requires as much - and no character exists MERELY because they have an analogue in Austen's novel. (The most crucial thing is that the Emma-equivalent be sufficiently charming; and so she is.) The result is a film which is winning and satisfying, whether or not you know anything about the source material.
Cher (Alicia Silverstone) is a popular ditz at her local high school in Beverly Hills. She's a spoiled, pampered little princess with all the right social connections and endless wealth. However she has yet to find a man in her life - all the Baldwins (as she and her clique of friends call guys they like) have been taken.
When Cher receives a foreign exchange student, she takes her under her wing and decides to try and find her a boyfriend - ironically without having her own yet. Predictability ensues.
I read "Emma" in early high school as I'm sure most kids did, and the movie puts a clever spin on the tale. Alicia Silverstone is surprisingly good in her role, perfectly playing a blond bombshell without a brain but a good heart - only Reese Witherspoon has done such a good job recently at portraying the west coast bimbos. (No offense to the west coast bimbos out there.) The movie's director, Amy Heckerling, has always been rather reliable on the whole and her direction is solid here - she could have turned "Clueless" into a crude, unfunny sex comedy with little wit or brains, but instead she takes a rather dubious idea for a film and transforms it into a well-made, well-acted, funny, inspired, lively, witty satire.
Much better than expected.
When Cher receives a foreign exchange student, she takes her under her wing and decides to try and find her a boyfriend - ironically without having her own yet. Predictability ensues.
I read "Emma" in early high school as I'm sure most kids did, and the movie puts a clever spin on the tale. Alicia Silverstone is surprisingly good in her role, perfectly playing a blond bombshell without a brain but a good heart - only Reese Witherspoon has done such a good job recently at portraying the west coast bimbos. (No offense to the west coast bimbos out there.) The movie's director, Amy Heckerling, has always been rather reliable on the whole and her direction is solid here - she could have turned "Clueless" into a crude, unfunny sex comedy with little wit or brains, but instead she takes a rather dubious idea for a film and transforms it into a well-made, well-acted, funny, inspired, lively, witty satire.
Much better than expected.
This movie is way above so many of the others of its' kind. It's consumately likable, funny, sweet and sharp- the script is a killer, and the acting is fun and enjoyable.
Part of the success of the film is due to the fact that it appeals to several different audiences, and on multiple levels.
I first watched this movie with my mom, who loved the link it has to Jane Austen's Emma- all the main characters and the plot are direct modern equivalents to the novel. For instance, the famous passage in Emma inwhich Harriet burns all her "mementos" of Mr. Elton becomes the scene where Tai does so infront of Cher's gasfire. From this perspective alone, the movie is so fun and sharp to watch- even if your forte isn't usually American Teen High School comedy!
But this movie works on a really dumbed down scale too- let's face it, not everyone is big on English literature. The movie has an awesome soundtrack, Paul Rudd is unbelievably cute as "Mr Knightly" or rather Josh- and my boyfriend leads me to believe that the same is true of Alicia Silverstone- who still sparkles 10 years later as a mid-nineties teen queen with good intentions, Cher. Her performance here is impossible not to warm too, unless you have some sort of grudge against Valley girls, inwhich case you might not like it so much. Seriously though, this film is a must see for anyone who likes some real quality comedy- I'm so fond of this film personally that I would suspect basically everyone would enjoy it.
Part of the success of the film is due to the fact that it appeals to several different audiences, and on multiple levels.
I first watched this movie with my mom, who loved the link it has to Jane Austen's Emma- all the main characters and the plot are direct modern equivalents to the novel. For instance, the famous passage in Emma inwhich Harriet burns all her "mementos" of Mr. Elton becomes the scene where Tai does so infront of Cher's gasfire. From this perspective alone, the movie is so fun and sharp to watch- even if your forte isn't usually American Teen High School comedy!
But this movie works on a really dumbed down scale too- let's face it, not everyone is big on English literature. The movie has an awesome soundtrack, Paul Rudd is unbelievably cute as "Mr Knightly" or rather Josh- and my boyfriend leads me to believe that the same is true of Alicia Silverstone- who still sparkles 10 years later as a mid-nineties teen queen with good intentions, Cher. Her performance here is impossible not to warm too, unless you have some sort of grudge against Valley girls, inwhich case you might not like it so much. Seriously though, this film is a must see for anyone who likes some real quality comedy- I'm so fond of this film personally that I would suspect basically everyone would enjoy it.
This movie is another one of those feel good pictures you can't go wrong with. It's light and breezy like cruising the boulevard with the top down and it offers lots of laughs to boot.
Amy Heckerling has brought us another winner with a great supporting cast. A young teenage girl coming of age in of all places, Beverly Hills. The lead character, "Cher" played brilliantly by Alicia Silverstone, is a self centered high school girl in the beginning of the picture who's only interests include clothes, cars and credit cards. As the film progresses, she begins to mature and actually begins to care about other people, not to mention her environment. It's worth renting anytime. Just like "European Vacation" it doesn't matter how many times you see it, it still makes you laugh and that's worth it all.
Amy Heckerling has brought us another winner with a great supporting cast. A young teenage girl coming of age in of all places, Beverly Hills. The lead character, "Cher" played brilliantly by Alicia Silverstone, is a self centered high school girl in the beginning of the picture who's only interests include clothes, cars and credit cards. As the film progresses, she begins to mature and actually begins to care about other people, not to mention her environment. It's worth renting anytime. Just like "European Vacation" it doesn't matter how many times you see it, it still makes you laugh and that's worth it all.
So if you're reading this in between a bunch of 1 ratings. You're probably wondering just what's going on? Why is it so loved. The movie is basically a reflection of the young Gen X era (more importantly how it's perceived). people also missed the classic 80s teen films and this was a bit of a jump back to that.
Most of the 1 reviews are from people born 10 years later who NEED to tell you it's based on Emma (because they're smart and have google). They also have to show they're completely against commercialism in all its forms (and again knew before you that this film is based on a Jane Austin book).
They're not watching the film for what it is. It's not trying to be Citizen Cane. Simple movie dealing with being a teen (a very rich teen) in the 1990s. Easy.
¿Sabías que…?
- TriviaAlicia Silverstone (Cher) did not know how to correctly pronounce "Haitians" in the classroom scene. Director Amy Heckerling told the crew not to correct her because she liked it so much and wanted it to be in the film.
- ErroresWhen Cher is taking her driving test, she scrapes against a white car, causing her passenger mirror to be torn off. However, when the DMV proctor asks her to pull over, the mirror is still there and the car is unblemished.
- Créditos curiososOther than the Paramount Pictures logo and the movie's title, there are no opening credits.
- ConexionesFeatured in Jill Sobule: Supermodel (1995)
- Bandas sonorasKids in America
By Ricki Wilde and Marty Wilde
Performed by The Muffs
Produced by Rob Cavallo and The Muffs
The Muffs perform courtesy of Reprise Records
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Everything New on Netflix in August
Everything New on Netflix in August
No need to waste time endlessly scrolling — here's the entire lineup of new movies and TV shows streaming on Netflix this month.
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Clueless
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 12,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 56,631,572
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,612,443
- 23 jul 1995
- Total a nivel mundial
- USD 56,753,362
- Tiempo de ejecución1 hora 37 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta