Il colosso di Roma

This Italian sword and sandal film tells a story from the early history of Rome. It's about the transition to the Roman Republic. It was directed by Giorgio FERRONI, who also made WHO BREAKS...PAYS (1975) with Brad HARRIS and Giancarlo PRETE.

In 510 B. C. In the 4th century BC, the Etruscan king Lucius Tarquinius Superbus (Massimo SERATO) is expelled from Rome, which of course he cannot tolerate. He seeks support from his colleague King Porsenna (Roldano LUPI) in order to recapture Rome together. But the Romans are very motivated to defend their new freedom. The hardened fighter Gaius Mucius (Gordon SCOTT) sets out to eliminate the opposing kings. When that goes wrong, he holds his right fist into the fire and is henceforth nicknamed Scaevola (left-handed). Of course, that's not the end of the story, because Mucius, who is only left-handed, is still urgently needed...

After leaving Hollywood, Gordon SCOTT made one sword and sandal film after another at Rome's CINECITTA. This is quite successful in the numerous fight scenes, but offers too few surprises to be remembered for a long time. Gabriella PALLOTTA, Gabriele ANTONINI and Maria Pia CONTE can be seen in other roles.

Among Italian peplums of the period around 1960, there were some concerned with Roman legend, including "Coriolano, eroe senza patria", which was also helmed by Giorgio Ferroni. "Il colosso di Roma" is another example.

After having overthrown their king, Tarquinius Superbus (Massimo Serato), Rome is a young republic. Tarquinius tries to regain his throne with the military assistance of the Etruscan king, Porsenna (Roldano Lupi). Film sets in with Romans suffering from hunger, and top-notch soldier Mucius first securing the arrival of a corn transport, then deciding to kill Porsenna. In the king's camp he kills the wrong man, is captured, but proves his boldness by voluntarily burning his right hand in an open flame. The tiny, but crucial story about Roman bravery, which originally has a noble youngster as the failing killer, is generously embellished and furnished with a muscular experienced military leader as Mucius instead, played by ex-Tarzan Gordon Scott.

As the story progresses, it is interwoven with another heroic character from Latin legend, Cloelia, who is presented as Mucius' fiancée. She is among the hostages produced to secure the peace with Porsenna, but organizes the escape across the River Tiber when they find themselves betrayed. Her rôle is performed by one of the countless second-rate beauties of Italian screens, Gabriella Pallotta.

Although it may be deemed interesting to illustrate a national saga of yore, the film's pathetic hero-worship seems out of date for the mid-sixties. Still, monumental adventures were fashionable, and Italy's writers happy with any adaptable material. It is almost surprising how much of the legend's original idea can be recognized.

Expectations of a grand epic, as nurtured by the heavily orchestrated opening credits of nearly three minutes, are not at all lived up to by the following 82 (in the version I saw) minutes. Achievements are hardly average in all categories, although cinematography (Augusto Tiezzi) and score (Angelo Francesco Lavagnino) come from peplum's most experienced artists. Not even its best-hated villain, Massimo Serato, is really credible as Tarquinius. Fighting scenes are well staged, although some of the material seems to be taken from other films, too.

As far as the story goes, it's another one of those that had the potential to be good but falls flat on it's own script. Cinematography is ordinary, choppy at times. Directing is questionable, some of the shots are really bad. Acting seems okay, I can't hear their real voices it's originally in Italian and it's dubbed it into English but as far as I can tell the acting is fine. The voice actors did okay with the dubbing.

It's just flat, drab. It's not bad at all but really needed a bit more action to "dress it up". What action there is in the film is fine.

Once again we have out of this world costumes for the men, the Roman soldiers mainly (as usual). Standard stuff on the women. There are some cool prop weapons as with all peplum films.

4/10

What singles out this feature is the grandeur of the first 2 minutes. What follows is a presentation typical of so many other works of this genre. The musical overture towers over this work like a mountain over a rolling plain.

The musical overture, written by A. Francesco Lavagnino, the great prolific Italian composer of this era, is another inspiring work that convinces one that this composer could have been a giant among classical composers of an earlier time.

Another feature, Duel of the Champions, contains an overture of similar stature written by Lavagnino. So, enjoy the first 2 minutes, and if you like movies within this genre, you may find this entertaining as well. After all, Gordon Scott is a pretty good substitution for Steve Reeves.

In this movie Gaius Mucius Scaevola, the heroic general goes down in history by being remembered by his act of bravery. When captured bythe Etruscans in 508 BC he puts his right hand, his sword hand, into the flames rather than become a traitor. That meant he had to use his left hand from then on and "Scaevola" today means " left handed" in Italian. Mucius saves his beloved Clelia from the tyrant Tarquinius, the last king of Rome who he kills in a duel and saves the newly Roman republic from their Etruscan overlords. This by far a better " Sword & Sandal movie with a love story, plenty of action, battles with spectacular scenery surrounding a historical backstage. Our hero Mucius, (Gordon Scott) played Tarzan in five films of the Tarzan series between 1955 and 1960. bcarruthers-76500