La puerta del infierno

This film is finally coming out on DVD with awkwardly edited end credits to disguise how old it is. Despite its age no one has ever reviewed it or voted on it so it may have never really come out. (I'm writing this as of April 2005) A bed and breakfast is being haunted so the female owner has two guys come by to try to "de haunt" the place because no one will stay there. Jeff Rector is pretty good in the lead role of spiritualist one of his better performances. George Saunders is typically shallow.

The special effects are a bit uneven in spots but hold up pretty well over all and are certainly a break for the twitching jump cutting approach to ghost stories currently in vogue.

The transfer to video really dates the film more than any other elements other than maybe the music, but both of these elements lend a sort of vintage late night cable feel to the film that helps it.

Maybe it's nothing great but it sure seems like a whole movie and is better than a recent groaner like Darkness.

This is decent on all levels and worth a watch.

The acting is mostly horrible. The lead is decent, though. The effects and editing are bad. The story is silly, with devil worshipers trying to "open the gate" to Hell and all that. The good guy is a psychic with knowledge of the occult and comes to fix the problem.

So, if you look at it differently, there is a problem with a door and they call in the mystical locksmith. With a lot of mambo jumbo that none of us, non technical people, would understand, he fixes the door and everybody goes back happy.

Am I joking? Not really. This movie is just as interesting as watching the locksmith fixing your front door and therefore I will stop here.

Rebecca (Rebecca Kyler Downs) has sank her every dollar into a lovely bed & breakfast overlooking the sea on the California coast. Unfortunately for her although ideal, the place doesn't yield much in the way of customers because strange things occur and the guests don't usually last past a few hours. Cue up the ghost hunters Scott and Justin who are going to get to the bottom of the satanic ballyhoo going on.

"The Black Gate" is a potentially interesting film that echoes several others (The Uninvited. The Amityville Horror, etc.) but it really doesn't develop anything beyond the occasional "boo scare". The acting is decent but bland. No stand-outs due mostly to a under developed script and minor direction. You would think that with the close confines of the place that they could generate some tension but alas that is not the case. The music track doesn't help much either when most of the time it seems to disappear along with your interest.

Black Gate (aka The Darkening) is one of two thematically similar films I just watched back to back (the other being Devil's Harvest, 2003) that owe a strong debt to the classic "seaside haunted house films", ala Alfred Hitchcock's Rebecca (1940), Lewis Allen's The Uninvited (1944) and Joseph L. Mankiewicz' The Ghost and Mrs. Muir (1947). They both mix a lot of semi-Satanic mythology with their relatively more hyperactive, modernized styles. Unfortunately, although Black Gate has promise, and there are positive elements, this was the bad film of the two, ending up with a 6, the equivalent of a "D" letter grade for me.

Rebecca Lacey (Rebecca Kyler Downs--her character's name seems like it should be an homage to Hitchcock's Rebecca, but as that's her real name, too, it might just be a coincidence) owns a struggling Bed & Breakfast on the California coast. It's struggling because it's haunted. Rebecca can barely get guests to stay for a few hours. As the film opens, we see an elderly couple experiencing poltergeist-like events, including a face stretching out of the wall similar to the famous poster/DVD cover art of Peter Jackson's The Frighteners (1996). They run out, never to be seen again.

Rebecca then calls in Scott Griffin (Jeff Rector) and his photographer assistant Justin Reid (George Saunders). Griffin is a self-styled "ghost chaser" who has written a book entitled Unknown Realms: A Psychic's View of Hauntings. Rebecca hopes he can solve her problem. While staying at the Bed & Breakfast, exploring and experiencing some events more typical of a haunting, Griffin comes across some occult items, including a box that's a gateway to a hell dimension--the titular Black Gate.

The chief problem with Black Gate seems to be the script by John Jones and Victoria Parker. That was disappointing to me, because although this may have been Parker's first film, Jones had previously penned Amityville 4 (aka Amityville: The Evil Escapes, 1989), which I loved, and Amityville 6 (aka Amityville 1992: It's About Time), which I haven't seen for some time, but I remember liking.

Here, the backstory is far too convoluted, which saps it of impact, and there are far too many non-sequiturs, such as the ridiculous romance that blossoms between Justin, who is a committed skeptic, and a female ghost, Katherine (Red Montgomery). The story lacks a definite arc--it feels more like a set of arbitrary events. The script is short, and the dénouement is way too long, but the ending is also somewhat abrupt and inexplicable. Additionally, the "ghost buster" functions of Scott and Justin are laughably shallow and amateurish, especially in light of the activities of groups like The Atlantic Paranormal Society (TAPS), as portrayed in the excellent Sci-Fi Channel show "Ghost Hunters" (2004). Admittedly, some of these problems may have been due to director William Mesa (who has an extensive, impressive background in visual effects with his company Flash Film Works), but they seem like flaws in the script to me.

But Black Gate also has a number of admirable elements. The basic gist of the story has potential. Especially by referencing films like Rebecca and The Amityville Horror (1979), the groundwork for an effective haunted house flick is already extant, and the occult background material could have been intriguing. The performances aren't bad considering what the cast had to work with. Downs and Lyndis Durwin, as Maggie Stewart, were actually good, although Durwin doesn't have a very big part. There are some nice external shots of the sea, and I loved the surrealistic artificiality of the establishing shots of the house--Mesa created nice composite shots of the house with computer generated skies and geographic features in the background--but those are few and far between. However, the interiors left much to be desired, with their plain, stark white walls reflecting the blandness of the events that transpire. The cinematography is decent to good, but the extremely low budget that Mesa apparently had to work with does not allow him to excel at his niche--special effects. The effects in the film tend to have all the panache and impact of the average ghost scene on a weekday afternoon soap opera, which unfortunately carries over to the atmosphere of the film at large.

(1995) The Black Gate/ The Darkening HORROR

Straight to rental, poorly made horror film which during the credits said 1976 on something, but was probably held back and finally released on DVD up until 2004 even though according to database it says 1995, as it could have been upgraded of the unconvincing quality special effects. About a haunted house hunted by an old previous encounter which has a lot to do with the people who used to live there (as if we hadn't seen this before) with two hired ghost hunters, Scott Griffin (Jeff Rector) and Justin Reid (George Phillip Saunders) figuring to put a stop to it. Cheesy all around with not much thought going into it.