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Fear and Loathing in Las Vegas

  • 1998
  • C
  • 1h 58min
CALIFICACIÓN DE IMDb
7.5/10
311 k
TU CALIFICACIÓN
POPULARIDAD
1,832
303
Johnny Depp in Fear and Loathing in Las Vegas (1998)
Three Reasons Criterion Collection Trailer for Fear and Loathing in Las Vegas
Reproducir trailer1:26
1 video
99+ fotos
Dark ComedyDesert AdventurePsychological DramaRoad TripStoner ComedyUrban AdventureAdventureComedyDrama

Un periodista bizarro y su abogado psicópata viajan a Las Vegas para una serie de aventuras psicodélicas.Un periodista bizarro y su abogado psicópata viajan a Las Vegas para una serie de aventuras psicodélicas.Un periodista bizarro y su abogado psicópata viajan a Las Vegas para una serie de aventuras psicodélicas.

  • Dirección
    • Terry Gilliam
  • Guionistas
    • Hunter S. Thompson
    • Terry Gilliam
    • Tony Grisoni
  • Elenco
    • Johnny Depp
    • Benicio Del Toro
    • Tobey Maguire
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.5/10
    311 k
    TU CALIFICACIÓN
    POPULARIDAD
    1,832
    303
    • Dirección
      • Terry Gilliam
    • Guionistas
      • Hunter S. Thompson
      • Terry Gilliam
      • Tony Grisoni
    • Elenco
      • Johnny Depp
      • Benicio Del Toro
      • Tobey Maguire
    • 794Opiniones de los usuarios
    • 155Opiniones de los críticos
    • 41Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 3 nominaciones en total

    Videos1

    Fear and Loathing in Las Vegas: Criterion Collection
    Trailer 1:26
    Fear and Loathing in Las Vegas: Criterion Collection

    Fotos215

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    Elenco principal89

    Editar
    Johnny Depp
    Johnny Depp
    • Raoul Duke
    Benicio Del Toro
    Benicio Del Toro
    • Dr. Gonzo
    Tobey Maguire
    Tobey Maguire
    • Hitchhiker
    Michael Lee Gogin
    • Uniformed Dwarf
    Larry Cedar
    Larry Cedar
    • Car Rental Agent - Los Angeles
    Brian Le Baron
    • Parking Attendant
    • (as Brian LeBaron)
    Katherine Helmond
    Katherine Helmond
    • Desk Clerk at Mint Hotel
    Michael Warwick
    Michael Warwick
    • Bell Boy
    Craig Bierko
    Craig Bierko
    • Lacerda
    Tyde Kierney
    • Reporter
    Mark Harmon
    Mark Harmon
    • Magazine Reporter
    Tim Thomerson
    Tim Thomerson
    • Hoodlum
    Richard Riehle
    Richard Riehle
    • Dune Buggy Driver
    Ransom Gates
    • Dune Buggy Passenger
    Laraine Newman
    Laraine Newman
    • Frog-Eyed Woman
    Frank Romano
    • Dune Buggy Passenger
    Gil Boccaccio
    • Desert Room Doorman
    Gary Bruno
    • Desert Room Doorman
    • Dirección
      • Terry Gilliam
    • Guionistas
      • Hunter S. Thompson
      • Terry Gilliam
      • Tony Grisoni
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios794

    7.5311.4K
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    Opiniones destacadas

    vincent-27

    pointlessness is the point

    For all those of you who decry this movie for being pointless and lacking soul, that was the point! This is an excellent movie, a true adaptation of the book, nothing more and nothing less. It is an unflinching look at the sickening excesses of a consumption based culture of America during the early 1970's, who's vacuous heart resides in Las Vegas, a symbol of greed and debauchery. The pointlessness of the movie is a metaphor for the pointless pursuit of personal gratification and greed, the true heart of the "American Dream".

    If you put aside the usual assumptions about a movie, i.e. that you are supposed to care about the characters, that their needs to conflict and resolution etc, then you will enjoy it much better. This movie is a magical ride and actually works on many levels, not only as testimony to the horrors of excessive drug use, and the tacky, ugly view of the worst parts of America, but also to the failed 60's generation, a generation that thought that "somebody somewhere is guarding the light at the end of the tunnel". Drug use is simply a way of escaping your present reality, and all the drugged out zeroes of the sixties were truly lost if they thought that enlightenment and peace could come from a hit of acid. This movie takes Timothy Leary's supposition of "freeing your mind" to it's ultimate conclusion and the conclusion is that you are not actually freeing your mind, but destroying it.

    Of course this movie is also fun to watch the incredible performances by Johnny Depp and Benitio Del Torro, both of whom I barely even recognized in their roles (Depp with a shaven head and the bloated Del Torro who gained 40 pounds for his portrayal of "Dr. Gonzo"). Del Torro has one scene in particular (the bathtub scene) which is both disgusting and very disturbing. Apparently his performance was so convincing that he had a hard time getting work after this film because everyone was convinced that he was wasted on the set. The truth is that he's just a damn fine actor who didn't hold back for one second, which is exactly what the film called for. Also the scene of Johnny Depp squealing like a banshee after imbibing some adrenocrome and Del Torro freaking out behind him is unforgettable.

    The directing itself is fast paced with offseting angles a lot of wide angle lenses. Gilliam has a style which is unmistakable, it's like walking around inside of a Dali painting, everything is distorted and stretched to create a strong sense of surrealism. Yet his approach is much less offensive than Oliver Stone, who desperately throws every single filming trick at you repeatedly until you are pummeled into submission. Wow, look he switch to 8 mm, then black and white, now it's slow mo all in 3 seconds!

    Anyway, I digress. This is a fine movie, don't watch it stoned, you'll get more out of it, repeated viewings are recommended. I also recommend getting the criterion DVD version, which has commentary by Gilliam, Depp, del Torro and Hunter S. Thompson himself!
    10kosmasp

    Love it or hate it

    After I watched this movie for the first time, I thought it was dumbest piece of ... whatnot I had ever seen! But as time passed (merely a few hours) and while I couldn't get that movie out of my head, I realised that Terry G. again made a movie, that nobody else could've done ... at least not like this! Everyone was saying that you couldn't possibly make a movie out of that book ... and nay-sayers will still be convinced that it can't be done. But I've come to terms and really accepted this movie for what it is! A crazy hell of a ride movie, that is just ludicrous! And I love it! Every f**ing minute of it! And how could you write a review without even mentioning the F-word. Try to listen to the commentary by the real Hunter S. Thompson! That's the guy who wrote the book, for those who don't know.

    So as this movie is just plain crazy, I don't know how to wrap this up ... maybe I just leave it open ... ;o)
    bob the moo

    Quite wandering but very funny and very imaginative – a perfect example of Terry Gilliam's work

    The `unflimable' novel by Thompson is brought to the screen. Hunter S. Thompson gets a call to go to Las Vegas to cover a motorcross race. Using the advance money to purchase a load of drugs he sets out on a road trip with his crazed Samoan lawyer. However as their trip continues they encounter all manner of insanity and paranoia in their drug fuelled trip into the American dream…

    Never read the book, never been a big fan of this particular culture and ever felt inclined to read any of this sort of work – however, really enjoyed the movie. The plot is, well, a trip rather than anything concrete or logical. There is a message tacked on somewhere near the end but really this is more of an experience than a story. To me the film mainly succeeded due to Terry Gilliam. His crazed sense of humour is fed through the whole piece, stopping it being indulgent or pretentious as it could easily have been.

    Instead it manages to be a drug movie but also be very OTT and very. Gilliam's imagination really made Thompson's trips come to life. It must be hard to actually put something like that on film and I thought he did very well. This vision is well supported by a brilliantly pitched performance by Depp. He is on the very edge of ham with this one but gets it just right – making Thompson funny and exaggerated. De Toro is as good but is very much playing second fiddle on this one. An all star list of cameos including Maguire, Barkin, Busey, Ricci, Harmon, Penn (of & Teller), Diaz and Lyle Lovett are all enjoyable and don't detract from the film in the way cameos sometimes can (`oh look it's etc').

    The film may be very loose and aimless but what did you expect? Those wanting tightness of plot and a set narrative may be let down (though there is a car chase for the teens!). However this is well worth a look as it is a funny, very imaginative film that proved a lot of people wrong when they said that it could never be filmed. Certainly anyone who likes the films of Terry Gilliam will find much of his madness here to enjoy.
    10smriga

    The art of character acting...

    I think the people who reviewed this film are a bit warped for thinking of it as anything less than a masterpiece. This film comes from the glorious days of Johnny Depp taking obscure roles in films and totally immersing himself in the character. Benecio Del Toro's performance was second to none, and I cannot for the life of me comprehend why someone would think this to be the "worst movie ever". God save us that we actually have to think a little when we sit in those awful theatre seats. Heaven forbid we're required to use our imagination a little bit and not have it handed to us in the form of Hollywood mindless pap. The film, del toro, Depp, and of course, Gilliam are all brilliant. I pity the fools who gave this movie a negative review and fail miserably in articulating their reasoning.
    whole_orange_truck

    Genius + Genius = ...

    'Fear and Loathing in Las Vegas' was originally an Article published in two parts in Rolling Stone Magazine. It was written by Hunter S. Thompson. It tells the story of a journalist reporting on the Mint 500 in Las Vegas.

    Terry Gilliam (the Director) is an accomplished film maker who began his career as one of the members of Monty Python. He did all of their animations.

    These two men on their own are incredibly clever and gifted artists in their chosen medium. What we get from this combination is one of the best films ever made. It is a more or less true story. It is a wonderful view on the warped nature of American 'Culture' from a completely askew angle. Drugs, drugs and more drugs, but instead of preaching their evils or telling you how fabulous life is when you're on acid, you get a very unbiased experienced approach to their use and abuse.

    Visually the film is amazing and both Johnny Depp and Benizio Del Toro are true to the book. I couldn't possibly recommend this film more highly.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      In the book, Hunter S. Thompson listens to "Sympathy For The Devil" by The Rolling Stones. The rights to play it in the film were too expensive for the production's budget.
    • Errores
      Dr. Gonzo spoofs the "Richard Nixon salute" when he gets on the plane at the end of the movie. Nixon didn't resign or do the classic "salute" until 1974.
    • Citas

      [watching Dr. Gonzo leave]

      Raoul Duke: There he goes. One of God's own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.

    • Créditos curiosos
      The Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end.
    • Versiones alternativas
      The US-label Criterion ordered director Terry Gilliam and author Hunter S. Thompson to create a special Director's Cut. This cut contains a scene that otherwise was only to be seen in part and only in the cinematic trailer. It shows events in retrospect that the main character Raoul Duke remembers fragmentarily when listening to the recorded conversations on his cassette recorder. Furthermore there is a slightly longer version of another scene shortly before that. There is a bit more conversation going on between Raoul and Dr. Gonzo when they want to leave because of the trouble the kidnapped Lucy (Christina Ricci) is causing. Director's Cut's Pal running time is 144.1 seconds (2:24 minutes) longer because of two extended scenes.--Quoted from movie-censorship.com
    • Conexiones
      Edited from Vega$ (1978)
    • Bandas sonoras
      My Favorite Things
      Written by Richard Rodgers (as Richard Rogers) and Oscar Hammerstein II

      Published by Williamson Music

      Performed by The Lennon Sisters

      Courtesy of Ranwood Records/ A Walk Music Group Co.

      By arrangement with Warner Special Products

    Selecciones populares

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    Preguntas Frecuentes23

    • How long is Fear and Loathing in Las Vegas?Con tecnología de Alexa
    • What are the differences between the theatrical version and the Criterion Collection Director's Cut?
    • Is this a sequel to Where the Buffalo Roam?
    • How many other movies have been adapted from this authors novels?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 22 de mayo de 1998 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Miedo y asco en Las Vegas
    • Locaciones de filmación
      • Stardust Hotel & Casino - 3000 Las Vegas Boulevard South, Las Vegas, Nevada, Estados Unidos
    • Productoras
      • Fear and Loathing LLC
      • Rhino Films
      • Shark Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 18,500,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 10,680,275
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 3,338,590
      • 24 may 1998
    • Total a nivel mundial
      • USD 10,680,275
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 58 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS
      • Dolby Digital
      • SDDS
    • Relación de aspecto
      • 2.35 : 1

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