With those stunning camera shots of Chicago and that snappy Harry Connick, Jr. song in the title sequence, "Kissing A Fool" gets off to a great start. And I liked Bonnie Hunt as the story's narrator. But the film suffers from a plot that is too predictable and from characters whose behavior is not believable.
This is one of those movies that you can see the end coming a mile away. There are virtually no plot twists to deflect the story's straight-line trajectory. As such, the story is almost too simple and unimaginative to be worth telling. To varying degrees, most romantic comedies are fairly shallow. But "Kissing A Fool" has no subtlety at all, not in plot, not in characters, not in dialogue.
Lacking any complexity, the story relies on two main characters, Jay (Jason Lee) and Max (David Schwimmer) whose behavior toward each other is not believable. They're supposed to be best buddies. But they are constantly at each other's throats. Their constant arguing not only is annoying; it calls into question their friendship. How can they be best buddies?
The two are not at all alike. Jay is bookish and cerebral; Max is your typical arrogant, cocky self-centered sports freak jerk. All that animosity between these two guys does not lend credibility to their "friendship"; yet, it is the main contrivance that propels the film's plot. Further, it renders a story conclusion that is, by extension, also not believable.
The film's acting is a tad exaggerated. I like Jason Lee, but he tends to overact in this film. Mili Avital, as the girl in between, is okay, but she doesn't have much to do. And David Schwimmer's performance is something of a hyper-masculine strut-fest. Some subtlety in acting would have helped a lot.
For all that, "Kissing A Fool" is still worth watching, once. It has credible production values, and there are occasional lines of dialogue that are funny. And I think the film's underlying concept is fine. I just wish the script and the acting could have been a little more nuanced and subtle.
