En su primer día de trabajo como oficial de narcóticos, un policía novato acaba con un inusual detective que no es lo que parece.En su primer día de trabajo como oficial de narcóticos, un policía novato acaba con un inusual detective que no es lo que parece.En su primer día de trabajo como oficial de narcóticos, un policía novato acaba con un inusual detective que no es lo que parece.
- Dirección
- Guionista
- Elenco
- Ganó 1 premio Óscar
- 18 premios ganados y 23 nominaciones en total
- Sara
- (as Eva Mendez)
- Mark
- (as Jaime P. Gomez)
- Moreno
- (as Noel Guglielmi)
- Letty
- (as Samantha Becker)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The movie isn't the fastest paced one around - there are some slow moments but they are played out meaningfully due to some great acting talent which gels the scenes together well. The more you watch it, the more subtle lines and actions you will pick up which make this movie authentic.
Overall, to each his own. I have found this to be one of my favorite movies due to great acting, great directing, great casting (Hawk, Washington, Scott Glen etc) and an interesting storyline.
From the moment you set eyes on him you can relies that Alonzo is a feisty character, who will stop at nothing to get what he wants.
Ethan Hawke provides excellent backup but Denzel steals the show. I don't want to give an plot lines away but there are only three movies in cinema history I have given 10/10, and this one was so close to being number four.
I sincerely hope to see Denzel put in another performance like this one.
Plot is excellent as it leads you into false sense of securities and even shouting at the TV set.
I loved every breathtaking moment of this film and I am sure you will too.
Quite extraordinary.
The acting by both leads is amazing. Honestly, for everyone in this. Denzel steals the show, but Ethan still really makes a mark. This is immensely gritty, with many honest looks at what happens in the bad neighborhoods of LA, as told by a screenwriter and director who actually lived there. The authenticity is a huge part of why this is so compelling. With a few exceptions, you really feel like this could happen(there are things that are not very credible. Others have already detailed them, I don't really have anything to add), and it really provokes a discussion of police brutality. Despite an episodic nature, every scene has a distinct purpose in the overall narrative, although for a number of them, you won't realise what it is until later.
This contains a lot of strong language, some brutal violence, and a little nudity. I recommend it to everyone who can stomach the contents. 8/10
¿Sabías que…?
- TriviaDenzel Washington has frequently said that Detective Alonzo Harris is his favorite character that he's played. He was at first hesitant to take on the role, but one of his sons had read the screenplay and recommended that he accept. Since Washington won an Oscar for the role, he has since always accepted every part that his son advised him to take.
- ErroresAfter stealing Sandman's money, three bullets are fired through the back window of the Monte Carlo as Jake and Alonzo drive off. At the angle they were fired, all three bullets would have exited the car through the windshield or would be driven through the driver and/or passenger seats, yet all three bullets magically disappear without striking anything once they go through the back window.
- Citas
Alonzo Harris: [to the residents of The Jungle] Aww, you motherfuckers. Okay. Alright. I'm putting cases on all you bitches. Huh. You think you can do this shit... Jake. You think you can do this to me? You motherfuckers will be playing basketball in Pelican Bay when I get finished with you. SHU program, nigga. 23 hour lockdown. I'm the man up in this piece. You'll never see the light of... who the fuck do you think you're fucking with? I'm the police, I run shit around here. You just live here. Yeah, that's right, you better walk away. Go on and walk away... 'cause I'm gonna' burn this motherfucker down. King Kong ain't got shit on me. That's right, that's right. Shit, I don't, fuck. I'm winning anyway, I'm winning... I'm winning any motherfucking way. I can't lose. Yeah, you can shoot me, but you can't kill me.
- Créditos curiososThere are no opening credits after the title is shown.
- Bandas sonorasCry Freedom
Written by Franky Perez
Performed by Franky Perez
Courtesy of Lava/Atlantic Recording Corp.
By Arrangement with Warner Special Products
Selecciones populares
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Training Day
- Locaciones de filmación
- 1031 Everett St, Los Ángeles, California, Estados Unidos(Rogers' house)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 45,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 76,631,907
- Fin de semana de estreno en EE. UU. y Canadá
- USD 22,550,788
- 7 oct 2001
- Total a nivel mundial
- USD 104,876,233
- Tiempo de ejecución2 horas 2 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1