La maldición de la marioneta

Curse of the Puppet Master, the sixth film in the long running horror franchise, sees Toulon's tiny terrors in the possession of Dr. Magrew (George Peck ), owner of The House of Marvels, a small-town roadside attraction that he runs with the help of his pretty daughter Jane (Emily Harrison). When Magrew meets gas station attendant Robert 'Tank' Winsley (Josh Green), who likes to carve with wood, he offers him a job at his place, creating the many parts for a new living puppet, into which he secretly plans to transfer Robert's soul.

Director David DeCoteau (as Victoria Sloan) starts things off well enough, introducing his characters and setting up a few deserving victims along the way: a gang of local bullies, led by Joey Carp (Michael Guerin), and a nasty sheriff (Robert Donavan). So far, so good, but then it all goes pear-shaped: there's too much use of archival footage of the puppets, the boom mic makes an appearance, very little effort is made to make the puppets move as though they're alive, the gore is disappointing (just some blood splashed around), DeCoteau provides lots of shots of shirtless hunks (no surprises there) but no T&A from Harrison, there is an overuse of lightning and smoke to the point where it is distracting, and worse of all, the ending is ridiculously abrupt. The film simply stops mid-action, leaving the viewer to ponder whether they fell asleep and missed something. We should be so lucky.

3.5/10, rounded up to 4 for IMDb.

Dr. Magrew (George Peck) strives to give human attributes to expertly crafted wooden puppets. Emily Harrison who plays Jane Magrew is the bright spot of the movie. But the puppets themselves are the real stars. The killer puppets do away with the bad guys. The action scenes are good, but there are too few to get excited about. Even with the finale slamming the door on you; this mild horror movie is still fun to watch.

Peck is less animated than the puppets. Also starring are Michael Guerin, Josh Green and Jason Dean Booher.

Based totally on the interesting looking cover I saw, I decided to see this movie. I had not seen any of the previous sequels, so I started from scratch. It starts out strange as a man is burning something and tells whatever it is that he was sorry. This man turns out to be Dr. Magrew, an old tinkering man that appears to be a scientist or something. There are these dolls, strange looking ones that move by themselves. One with a knife, a top's head, pinhead, and a cowboy with six arms. I assumed that they were evil, but they only seemed to kill humans that seemingly deserved to die. Two sheriffs and a bully were the victims. The most evil of the beings turns out to be Dr. Magrew who is turning an innocent man named "Tank" into some puppet. Jane Magrew is also innocent and for some reason loves the "Pinhead" doll. This doll loves her more than the human Tank whom she falls in love with. A very strange ending as Tank's anger gets the best of him with Dr. Magrew receiving his wrath. Poor Jane just survives but with many questions to answer with all the dead bodies laying around her house. If you like strange then this film is for you.

Despite the film's logline, his intentions are not clear until the very end. The entire film we see the scientist (George Peck) have Robert (Josh Green) cut and carve little wood blocks, but we actually never see the end result.

This is the film that rebooted the franchise, which still continues to this day. This installment is not so much about the puppets, but instead more about the 'dummy boy' Robert, who steals the show. The plot is more solid than the other Puppet Master films, and I enjoyed this film more than the previous installments. In fact, this would hold pretty well as a film on its own and not part of the franchise, especially also since it is a completely new storyline. George Peck was also rather good as the scientist.

Pity the film had such an abrupt ending...

About 95% of the Puppet shots were patched together from other Puppet Master movies. This produces the interesting effect of having someone from the present chatting face to face with a puppet in 1940's Germany. Did they think we wouldn't notice? It just shows you what these film makers think of their audience.

Then there's the scene in which Tunnler drills a guy between the legs. Where are the guys hands? Flailing around! I think I see a way out of this. Pick up the puppet that is drilling into your balls!

Idiocy. This was the beginning of Full Moon's death.