El cuervo 3

Erin (Kirsten Dunst) and her father Nathan Randall (William Atherton) attend the execution of Alex Corvis (Eric Mabius) for the murder of her sister Lauren (Jodi Lyn O'Keefe). Alex maintains his innocence to the end. After the execution, he is resurrected by a crow into The Crow. He uncovers that Lauren was killed by a group of corrupt cops and he seeks revenge.

This is an inferior sequel of the cult classic. There are a few solid actors. The story is simple revenge as the Crow franchise tends to be. The effects and action are limited B-movie fare. There are explosions and car crashes but nothing special or filmed that well. Eric Mabius' strawberry blonde hair doesn't really fit my vision of the Crow and he doesn't have the threatening intensity. He doesn't have the darkness to be The Crow. The most annoying part is Kirsten Dunst's over-acting in big emotional moments. She has fair acting chops even in her younger days but her cry-acting really annoyed me. The blubbering diffuses all the tension. It makes this B-movie even campier.

The Crow: Salvation, like the other sequel, will never be able to duplicate what Brandon Lee created. He put a raw, uninhibited energy into it that made the story seem more real. Although Eric Mabius is himself a fabulous actor, his performance in this film is somewhat lukewarm, and lacks the necessary realism to make a film like this work. However, all in all, not a bad deal, and it's one that I would watch again (although I wouldn't watch it 20,000 times like I have with the original Crow so far!)

I found The Crow: Salvation to be a pretty good movie. Not as a good as the original, better than the second one (even though I did like the second one unlike most horror fans).

Did anyone notice that the three Crow movies all follow the same formats. Guy dies wrongfully. Comes back to avenge a group of people (the first one I forget who it was, the second it was drug dealers, and this one it's dirty cops). There's is the sad female character (Lucy from Seventh Heaven in the first one, the one girl in the second, and Kirsten Dunst in Salvation). And then there's the tough female evil character (Japanese woman in the second one, the one blond woman in this one).

Regardless of this, I found The Crow: Salvation very enjoyable. I brought it over to a party tonight and myself and a group of friends watched it together. The scenes of violence were exceptionally well done, especially for a direct-to-video shot.

Crow: Salvation comes out Tuesday, I really reconmend you rent it.

"The Crow: Salvation," the fourth installment in the popular series of murdered men brought back from the dead to avenge their deaths, is certainly a step in the right direction after the travesty of previous entries. The first Crow, which is best known for being the film in which Brandon Lee was killed (duh), is a cult classic directed by Alex "Dark City" Proyas, and even today, it is regarded as probably the greatest of the gothic/action/modern noir films. It's sequel, "The Crow: City of Angels," starred Vincent Perez, and while it featured some nice ideas and beautiful images, it was nothing more but a poor remake of the first film lacking all the heart of the original. "The Crow: Stairway to Heaven" came next, and it was two episodes of the TV show of the same name re-edited into a motion picture and released as a sequel to the first film. Instead of being a remake in disguise as a sequel like "City of Angels," "Stairway" goes ahead and just literally remakes the first film with the same characters, basically the same plotline, and none of the magic (though Mark Ducascos as the title character certainly demonstrates a type of charisma in his martial arts).

Now comes "The Crow: Salvation." Eric Mabius stars as Alex Corvez, who is wrongly executed for the murder of his girlfriend and returns from the dead to take out the real killers, with the help of his dead girlfriend's sister and a lawyer friend. As a sequel, it thankfully works because it has a premise completely different from the first film (something the other sequels failed to pull off) and it stands on its own, introducing its own magic and its own intruiging plot elements. It certainly is a good film and a good sequel, and while some points in the movie seem contrived, what film nowadays doesn't have at least a few obvious plot points?

The bad: Much of the film is underdeveloped, especially many characters. While the plotline is good, it seems rushed much of the time, and the viewer has to draw their own conclusions about many things. Some of the dialogue is also atrocious.

The good: Well well, there's much more of that. Eric Mabius as the central character shines throughtout. For the first time, we have a character in one of these movies *not* ripping off Brandon Lee, but instead, bringing his own qualities and characterizations to the character. The results are an effective performance that makes us forget about Lee altogether...at least until the film comes to a close. The plot, something of a murder mystery, would have made a good film even if it hadn't been a Crow film, and the images and notions presented only add to the appeal, especially with the character of the Crow itself, which at the beginning, acts as if this is just a routine thing to bring someone back to the dead, and that he's done it before. Later, however, it genuinely gets intruigued by Corvis' vendetta and begins aiding him more.

All in all, this is certainly much more acceptable that previous entries, and it succeeds where the others failed: Introducing new elements into a Crow franchise that, so far, has been nothing more but rip offs of the first film.

*** out of ****

Now let's be real, there's only one good Crow film. They were just never able to catch that midnight magic again, though they tried, with four more films and a dud of a TV series. Each of the sequels is nearly the exact same as the first, in terms of plot: a man is killed by feral urban thugs, only to be resurrected one year later by a mysterious crow, blessed with invincibility and begins to work his way through the merry band of scumbags in brutal acts of revenge, arriving at the crime lord sitting atop the food chain, usually a freak with vague ties to the supernatural or occult. All the films in the series are structured that way, but only one deviated and tried something slightly different with the formula. City of Angels, the second, is a boring, almost identical retread of the first, it's only energy coming from a coked up Iggy Pop. Wicked Prayer, the fourth, had a premise with potential aplenty, and turned out so maddeningly awful I'm still dabbing the blood from my eye sockets. Salvation, however, is the third entry and almost finds new air to breathe by altering the premise slightly. Instead of lowlife criminals, it's a posse of corrupt police detectives who frame an innocent dude (Resident Evil's Eric Mabius) for crimes they themselves committed, fry him to a crisp in the electric chair and get off scott free. His girlfriend (Jodi Lyn O'Keefe) is also killed in the process. Now, not only is it cops instead of criminals, but the arch baddie at the top of the pile is the police commissioner, who has occult written all over him. *Not only* that, but he's played by Fred Ward, who is brilliant in anything. While nowhere near an iota of the atmosphere or quality of the first film, this one works better than any of the other sequels, thanks to that spark of an idea that changes the game ever so much. The detectives are a nice and skeevy bunch too, played by the reptilian likes of William Atherton, Walton Goggins and others. Ward wears the starched, proper uniform of an authoritative figure, but his eyes gleam with the same secrets and dark magic we saw in the two other previous underworld kingpins, Top Dollar (Michael Wincott) and Judah Earl (Richard Brooks), but it's that contrast that takes you off guard and makes things more intriguing. And as for Eric, does he hold his own with the others who've played the role? Mabius he does, Mabius he doesn't, you'll just have to watch and see. He definitely knocks Vincent Perez out of the park, that silly Frenchman. Real talk though, no one will ever dethrone Brandon Lee, not even whatever pisant they get for the remake that's been hovering on the fringes of preproduction for the last half decade. On top of it all we also get Kirsten Dunst, of all people, as a sympathetic attorney who works alongside Mabius to clear his name, as he clears the streets of no-good crooked cops. So there you have it. If you ever find yourself meandering around the kiosks in blockbuster, and see the Crow films lined up on the shelves like emo ducks in a row, the first film will naturally already be rented out. Where then to turn? You can certainly do worse than this one.