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IMDbPro

Cotton Mary

  • 1999
  • R
  • 2h 4min
CALIFICACIÓN DE IMDb
5.2/10
555
TU CALIFICACIÓN
Greta Scacchi and Madhur Jaffrey in Cotton Mary (1999)
Drama

Agrega una trama en tu idiomaA British family is trapped between culture, tradition, and the colonial sins of the past.A British family is trapped between culture, tradition, and the colonial sins of the past.A British family is trapped between culture, tradition, and the colonial sins of the past.

  • Dirección
    • Ismail Merchant
    • Madhur Jaffrey
  • Guionista
    • Alexandra Viets
  • Elenco
    • Greta Scacchi
    • Madhur Jaffrey
    • James Wilby
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.2/10
    555
    TU CALIFICACIÓN
    • Dirección
      • Ismail Merchant
      • Madhur Jaffrey
    • Guionista
      • Alexandra Viets
    • Elenco
      • Greta Scacchi
      • Madhur Jaffrey
      • James Wilby
    • 14Opiniones de los usuarios
    • 23Opiniones de los críticos
    • 52Metascore
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos19

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    Elenco principal39

    Editar
    Greta Scacchi
    Greta Scacchi
    • Lily MacIntosh
    Madhur Jaffrey
    Madhur Jaffrey
    • Cotton Mary
    James Wilby
    James Wilby
    • John MacIntosh
    Sarah Badel
    Sarah Badel
    • Mrs Evans
    Riju Bajaj
    • Mugs
    Gerson Da Cunha
    • Doctor Correa
    Joanna David
    Joanna David
    • Mrs Smythe
    Neena Gupta
    Neena Gupta
    • Blossom (Mary's sister)
    Sakina Jaffrey
    Sakina Jaffrey
    • Rosie
    Gemma Jones
    Gemma Jones
    • Mrs Freda Davids
    Firdausi Jussawalla
    • Mr. Panamal
    Mahabanoo Mody-Kotwal
    • Matron
    Nadira
    Nadira
    • Mattie
    Prayag Raj
    • Abraham
    • (as Prayag Raaj)
    Captain Raju
    Captain Raju
    • Inspector Ramiji Raj
    Shobha Vijay
    • Ayah 2
    Virendra Saxena
    Virendra Saxena
    • Joseph
    Surekha Sikri
    Surekha Sikri
    • Gwen
    • Dirección
      • Ismail Merchant
      • Madhur Jaffrey
    • Guionista
      • Alexandra Viets
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios14

    5.2555
    1
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    10

    Opiniones destacadas

    lionel.willoquet

    An English - Indian community

    In India, in the 50s, an English housewife gives birth to a premature baby. An Anglo-Indian nurse looks after it from then on, using it to secure her position in the family sphere. This somewhat overlong portrait illustrates rather simply the quest for identity of an English - Indian community.
    7klima

    Sensitive look at complexity of British colonialism

    A sensitive look at the difficulties faced by a woman in colonial India, during the period when nationalism was starting to set in. The story opens with an India-born Englishwoman who goes into labour, is taken to the hospital, and gives birth to a sickly child. When it turns out that her milk doesn't come in, a nurse with mixed British/Indian heritage takes pity on her, finds a wet nurse, moves into her house, and begins to manipulate the situation to her own advantage.

    As the story progresses, the husband's infidelity and disassociation is presented, as is the blindness of the wife, and the racist superiority of the expatriate British community. The Englishwoman's preteen daughter turns out to be the voice of reason who opens the woman's eyes to the situation as it is.

    This is a slow-paced visually interesting story that focuses a great deal of attention on nurturing and nursing, and the complexity of a materially richer culture clashing and feeding on a materially poorer one.
    5Needfire

    an odd film

    I rented this film because a few of my colleagues suggested this as interesting viewing. This was not a rave but a...once you see this film, you will have a better understanding of a fellow co-worker's oddities.

    I can't say that I enjoyed this film. Cotton Mary was just darn annoying. She interferes with people's lives, climbing aboard when she sees opportunity. The manipulation and the passive-aggressive nature of her personality struck me. She was just so desperate to rise from her station and be someone to be reckoned with. Her impending madness was predictable and sad nevertheless.

    An odd film but one that only Merchant-Ivory fanatics should see for the sake of completeness.
    9marbleann

    Bold Enough to take on a Serious often neglected Subject

    This has got to be the best movie I have ever seen that tackles the madness that self hatred can bring. Yes we have seen plenty of movies in which someone has a identity crisis. But this movie actually in a very understated way shows how self hatred is a psychological illness that I believe is serious problem that people tend It sweep under the rug. It shows that a person who has lived under colonialism in India slowly slips into darkness because no matter how she tried to assimilate and to act just like the British even to the detriment her own people. She will always remain a Indian no matter if her father was white She will always remain a person she hates a Indian, a "blackie". .

    As a black woman I have seen this behavior so many times. When I say that black people who act like Mary are sick white people say I am racist because to them the person I am referring to is a great person who never sees race or some other ridiculous reason. When in reality all they see is race, their race and they hate it. Cotton Mary personifies these people to a Tee. They will undermined their own people to the white man so perhaps the white man will think they are not like "those people", For example when Cotton Mary causes a lifelong servant Abraham to loose his job. She knew that the mistress of the house, Lily would not even question if this trusted person would steal, because of her self hatred to her all of "those people, blackies" steal so of course Lily would believe that too. The funny thing is that these people like Cotton Marry usually take on the characteristics of the negative stereotype, they hate so much. She was the one who was stealing.

    This man lived there for as long as she was alive and when she dismissed him he said "this is my home"" , she did nothing. The little daughter was the only one in the family that had sense. So when they go back to look for him, he is gone. Disappeared, poof, just like that.

    Now Mary thinks she is one of them. So to show she is a big shot to her sister and friends she steals things from the household as if they were hers and gives it to her sister and friends as gifts. it is incredible how she takes the mistress's baby to the sister she she can feed it breast milk but in the same breath call her sister all types of demeaning names. To Mary those "blackies" are only good as long as she has use for them. Just like the Brits or any colonial power treated the natives of the country they colonized.

    I am not going to go into the ending but to me this his how it always ends. Reality sets in and they end up back home, ANd always for the same reason.

    Someone mentioned she slowly started living in the Land of Make Believe. But I will disagree and say she was always lived there. Her self hatred led her to deny who she was. She was always crazy. Only when reality sets in does she seem to break. But I say she was always broken., but she never realized it. Only when she realized reality did she herself look it, But she always was a nut..

    I find this behavior is very much a reality within communities that have been traditionally oppressed. I am Jamaican and so many times I have seen remnants of Jamaicans that actually lived under colonialism acting more like the British then the British and treating their own people like dirt.

    I see it happens here in America. Where the black person or other people of color have been broken down so much that they actually believe they are garbage while aspiring to be a white person. Jewish people talk about self hatred all of the time.

    This is the first movie I ever saw that came right out and tackled this problem.. I read some reviews that were not crazy about this movie and some felt that Mary was annoying and a unsympathetic character.. I can understand how people would feel that way. They most likely do not fully understand the full depths of the psychological damage colonialism or oppression had on the oppressed.

    To me she was a sympathetic person because she she suffered form the illness of self hatred. Remember this movie took place in 1957. Today in the year 2006 I still see people like Cotton Mary because this illness is something that is brought down from generation to generation. All one has to do is look at the last scene with Cotton Mary and the little girl to understand what I mean.
    4Derek-27

    An Anglo-Indian nurse becomes sociopathically covetous of her British masters' lives in 1957 India

    First of all, the worst and most misrepresentational cover art for any video, ever. The characters and fleshy situation depicted are incidental to the film.

    A movie with an utterly unlikable protagonist, and no one to identify with or get behind as an audience member. It all ends up feeling as self-important as its title character. The only reason I didn't turn it off was that nothing was on television until after the tape ran out.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Last career nude scene for Greta Scacchi. She was 39.
    • Errores
      As Theresa is walking along with the procession she passes an Indian boy in the crowd who waves at the camera.
    • Citas

      John MacIntosh: [to striking workers] My father was a union man.

    • Versiones alternativas
      In the theatrical version, the scene when Rosie (Sakina Jaffrey) and John (James Wilby) have sex and are caught by Mary (Madhur Jaffrey) at 1:43, Rosie is nude. In a version shown on the Sundance Channel, Rosie is wearing a slip during the entire scene.
    • Conexiones
      Features Aar-Paar (1954)
    • Bandas sonoras
      Mr. Sandman
      Composed by Pat Ballard

      © Edwin H. Morris & Co Inc

      used by kind permission of Warner/Chappell Music Ltd.

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 17 de diciembre de 1999 (Reino Unido)
    • Países de origen
      • Francia
      • Reino Unido
      • Estados Unidos
    • Sitio oficial
      • Merchant Ivory Productions (United States)
    • Idioma
      • Inglés
    • También se conoce como
      • Pamuk Mary
    • Locaciones de filmación
      • Fort Cochin, Kerala, India
    • Productora
      • Merchant Ivory Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 3,500,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 299,432
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 24,680
      • 19 mar 2000
    • Total a nivel mundial
      • USD 299,432
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 2h 4min(124 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby SR
    • Relación de aspecto
      • 1.85 : 1

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