Immagini di un convento

Set within the cloistered confines of a convent, the film explores themes of forbidden desire, sin, and the supernatural. The nuns, portrayed by an ensemble cast, find themselves entangled in a web of lust and eerie occurrences that challenge their faith and morality. D'Amato's direction creates an atmosphere thick with tension and sensuality, making the convent setting both a place of repression and hidden passions.

The cinematography is one of the film's stronger points. The use of lighting and shadow plays a crucial role in establishing the mood, with candlelit scenes and dark corridors enhancing the sense of mystery and intrigue. The soundtrack, a mix of haunting melodies and period-appropriate music, further immerses the audience in the film's unique atmosphere.

However, Immagini di un convento is not without its shortcomings. The plot often feels secondary to the film's erotic elements, resulting in a narrative that lacks depth and coherence. The characters, while intriguing in their initial setup, are not fully developed, leaving their motivations and transformations somewhat superficial. The balance between the thriller and erotic aspects is uneven, with the latter sometimes overshadowing the former to the detriment of the story.

The performances are a mixed bag as well. Some actors deliver compelling portrayals that draw the viewer in, while others appear wooden and detached, detracting from the overall impact of the film. Additionally, certain scenes intended to shock or titillate may come across as gratuitous or exploitative, which could alienate some viewers.

In conclusion, Immagini di un convento is an atmospheric and visually striking film that struggles to maintain a consistent and engaging narrative. Its blend of eroticism and thriller elements offers moments of intrigue and intensity but ultimately fails to coalesce into a satisfying whole. Fans of Joe D'Amato's work and those interested in 1970s erotic cinema may find it worth a watch, but it may not appeal to a broader audience seeking a more balanced and coherent thriller.

This is a well shot, good looking erotic outing from Mr D'Amato making full use of his convent setting and realistic looking nun costumerie. There is a good old mix here of sex action, mainly but not exclusively girl on girl. Pretty explicit and suddenly, surprisingly hardcore for, of all things, the double rape in the woods. A story of sorts but this is really much as you would expect from nunsploitation but with just a bit more style and variation than usual. Slows just a tiny bit when the wizened little 'man of God' turns up to exorcise the place but we are soon storming to a super finale as the poor man walks the corridors splashing his holy water whilst the girls are inside their rooms making their own little splashes. In fact so carried away do they get that they are soon chasing after the little chap in various stages of undress eager to get him stripped off, God or no God!

Images in a Convent tries really hard to be this deep, contemplative piece about faith, sexuality, and repression within convent walls, but it mostly just comes across as slow and self-important. The cinematography has some genuinely beautiful moments, all soft lighting and careful compositions that make the religious setting feel appropriately austere and mysterious. You can tell the director had some real artistic vision here, but the execution just doesn't quite live up to the ambition.

The pacing drags something fierce, and while I get that it's supposed to be meditative, there's a difference between thoughtful silence and just plain boring stretches where nothing much happens. The performances are fine enough, but the whole thing feels like it's trying too hard to be profound without actually having much profound to say. It's the kind of European art film that makes you feel like you should appreciate it more than you actually do.

Images in a Convent (1979)

*** (out of 4)

Joe D'Amato's notorious nunploitation film is considered by many to be the most disgusting and brutal. At a local convent nuns find themselves possessed by Satan, which soon gives them the temptation of sex. As is to be expected, this film certainly delivers in the nudity/sex department, although it never gets too hardcore and the reputation is a tad bit misleading because this is actually a fairly well made film. D'Amato, who also served as the DP, makes the budget look a lot higher than it actually is and the story is entertaining, or at least the sexual nuns are. Not nearly as trashy as some of its ilk.

During the 70's sleazy cycle numerous short lived sub-genres popped up to turn heads and enrage moralists every where. None were quite as offensive as nunsploitation and no nunsploitation was as trashy as this.

At a convent in Italy, a man arrives and the nuns begin feeling urges against their calling. It soon becomes clear that the devil has come and the nuns are under his control.

Though the plot suggests some exorcist-style horror, the film plays out much more like a quiet drama. A drama that includes oodles of explicit sexual activity. As the nuns fall into depravity the sexual stakes begin to rise. Of the assorted sored acts, viewers get to see some whippings, rape, oral sex, masturbation, hetero and homo couplings.

For a D'amato flick, it's surprisingly well made. Camera angles, lighting, pacing are all fairly good. Even the scripting and acting are better than the norm. So well is it made that I find myself wishing that all D'amato flicks looked this quality.

On a side note, it's interesting that with the exception of a short fellatio bit the hetero scenes are strictly soft-core while the lesbian scenes are fully explicit.

A well constructed piece of erotica, if one can get past the sacrilegious content.

7/10