Un niño que se comunica con los espíritus busca la ayuda de un psicólogo infantil sin sentimientos.Un niño que se comunica con los espíritus busca la ayuda de un psicólogo infantil sin sentimientos.Un niño que se comunica con los espíritus busca la ayuda de un psicólogo infantil sin sentimientos.
- Dirección
- Escritura
- Estrellas
- Nominado a 6 premios Óscar
- 37 premios ganados y 56 nominaciones en total
Peter Anthony Tambakis
- Darren
- (as Peter Tambakis)
Angelica Page
- Mrs. Collins
- (as Angelica Torn)
- Dirección
- Escritura
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
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Resumen
Reviewers say 'The Sixth Sense' is acclaimed for its iconic twist, altering film perception. Strong performances by Haley Joel Osment and Bruce Willis are highlighted. Central themes include fear, loss, and understanding. The eerie atmosphere, suspense, and emotional depth are frequently praised. Critics note its impact on the horror genre and influence on later movies. Some point to slow pacing and reliance on the twist as drawbacks. Overall, it is regarded as a well-crafted thriller blending psychological suspense with supernatural elements.
Opiniones destacadas
Brilliant
The Sixth Sense is a brilliant film, plain and simple. It is unique in that it relies on imagination and psychology to scare you and make you think twice about the world around you. The director did a fabulous job constructing the imagery of the film, and I genuinely did not know about the ending until it was revealed. Quite a shock! The Sixth Sense goes in my book as the single greatest psychological horror film I have ever seen. Anyone who bashes it are simply not giving it a chance or don't fully realize the complex dialog and imagery around them. Brilliant
You'll be knocked for six
This is an incredibly powerful film. Awash with emotion but never stooping to sentimentality this is the story of one frightened little boy you will never forget. All your worst childhood nightmares: the noises in the attic, the intruder in your house, that cold breath that makes your hair stand on end are here and then some.
Bruce Willis gives one of the best performances of his career as the child psychologist trying to get himself back on track after a violent encounter with a former patient and it would be a crime if Haley Joel Osment were overlooked at coming awards ceremonies for his powerful performance here. It has been a long time since a child actor displayed such maturity in a role. Cole's innocent little face hidden behind his absent father's large-framed spectacles betrays a child coming to terms with a terrifying secret in the only way he can.
You don't need to go and see this film again to realise why the end is such a surprise but you will rush out to watch it again purely because it's an almost perfect example of it's genre.
Laugh, cry, jump a mile out of your seat, sigh with relief - but not too early... We did!
Bruce Willis gives one of the best performances of his career as the child psychologist trying to get himself back on track after a violent encounter with a former patient and it would be a crime if Haley Joel Osment were overlooked at coming awards ceremonies for his powerful performance here. It has been a long time since a child actor displayed such maturity in a role. Cole's innocent little face hidden behind his absent father's large-framed spectacles betrays a child coming to terms with a terrifying secret in the only way he can.
You don't need to go and see this film again to realise why the end is such a surprise but you will rush out to watch it again purely because it's an almost perfect example of it's genre.
Laugh, cry, jump a mile out of your seat, sigh with relief - but not too early... We did!
10Readster
One of the films of the Nineties
This is perhaps my film of the decade so far. The reasons are too numerous to go into in such a short critique. Surely there have not been too many films that can take you through the range of emotions that the Sixth Sense does. The prime emotion; fear, is a difficult emotion to generate in a modern audience that has seen it all before, but this film succeeds where others fail, praying on your imagination and generating suspense from subtle devices rather than blatant horror.
It is such a relief that the performances of Willis and the excellent Osment live up to an excellently directed quality storyline. I will be disappointed if the youngster doesn't receive at least an academy nomination.
I seldom go to the cinema twice to watch a film, in fact I cannot remember when I have done it before. Tonight I am taking an old friend to see this film as it will be a tragedy if he doesn't see it on the big screen. He has heard so much about it that he is reluctant to go, as I am when something is over-hyped. Just for a change though, here is a film that lives up to its billing and has you thinking about it for weeks to come. As for the twist at the end? Well it totally disorientated me, my mind spinning back throughout the whole film. A fantastic punchline to my film of the year.
It is such a relief that the performances of Willis and the excellent Osment live up to an excellently directed quality storyline. I will be disappointed if the youngster doesn't receive at least an academy nomination.
I seldom go to the cinema twice to watch a film, in fact I cannot remember when I have done it before. Tonight I am taking an old friend to see this film as it will be a tragedy if he doesn't see it on the big screen. He has heard so much about it that he is reluctant to go, as I am when something is over-hyped. Just for a change though, here is a film that lives up to its billing and has you thinking about it for weeks to come. As for the twist at the end? Well it totally disorientated me, my mind spinning back throughout the whole film. A fantastic punchline to my film of the year.
M. Night Shyalaman's standout movie.
Cole Sear had a special gift, the ability to see dead people, his mother Lynn is worried beyond belief at the change in him, and Child Psychologist Malcolm Crowe is brought in to help him.
For my money, this is still the best film from M Night. Shyalaman, since this film some have been good, some of been woeful, this however has stood the test of time.
A real mind bender, this film is thought provoking, dramatic, unsettling at times, and on occasion a little moving.
Arguably one of the best films for Bruce Willis, he's tremendous here, as are Toni Collette and Haley Joel Osment.
I would never dream of giving a spoiler away, as some have done in their reviews, there's a big moment in this film, where everything falls into place, it's very skillfully done, and a real jaw dropping moment.
9/10.
For my money, this is still the best film from M Night. Shyalaman, since this film some have been good, some of been woeful, this however has stood the test of time.
A real mind bender, this film is thought provoking, dramatic, unsettling at times, and on occasion a little moving.
Arguably one of the best films for Bruce Willis, he's tremendous here, as are Toni Collette and Haley Joel Osment.
I would never dream of giving a spoiler away, as some have done in their reviews, there's a big moment in this film, where everything falls into place, it's very skillfully done, and a real jaw dropping moment.
9/10.
Death, Lfe, Fear and Hope
Review: The Sixth Sense, Director: M. Night Shyamalam
As a film which has undoubtedly caught the eye of the film going world, it was difficult to avoid the surrounding hype and publicity. Luckily most of the people I had spoken to who had seen the film did not spoil the 'twist' at the end, which, although is rather a laboured point by now in reviews, certainly adds to the "Oh, I see now" factor.
The story revolves around a child psychologist played characteristically by Bruce Willis. I say characteristically, because although his portrayal is quite real, and at times touching, there always seems to be an unnerving 'Die Hard'-ness to his speech, lending the dialogue some comical qualities. Having said that, his overall attempts at revealing the vulnerable and disturbed psyche of his character achieve good results. As the psychologist, he is plagued by a particular event in his professional life which he perceives as his personal failure, and sets out to redeem himself by righting the wrong and wiping his failure from his conscience. This opportunity presents itself to him in the form of Cole Sear, played devastatingly well by Hayley Joel Osment. Cole has a problem, he sees dead people. To the outside world he is seen as a loner, a problem child, and has become increasingly isolated. Hence the need for a child psychologist. Once we have been introduced to these two central players, we are taken on a journey of discovery, as both of these characters in the space of the film will learn a great deal about each other, themselves and human nature.
It is this particular point which the film attempts to address so strongly - human communication. That when this breaks down, an inevitable cycle of interpersonal destruction takes course, sometimes irreversible. This is framed within the context of a superbly told ghost story. The sheer truthfulness and honesty with which the concept of fear is expressed by all the characters, is breathtaking. Cole's' experience of the walking dead, appearing out of nowhere, Malcolm's fear of a deteriorating marriage, and Cole's' mother's fear relating to her own existential angst. All of these are played against the backdrop of the often difficult but finally warm relationship between Cole and Malcolm. Eventually, and against the odds, each character displays courage and bravery as they face up to their existential and supernatural fears.
There are one or two niggling problems plot wise, but in a film where the overall atmosphere created is one which encompasses death, fear, and finally hope, it is impossible not to overlook incongruencies. Superb direction, acting and ambience lead me to think that M. Night Shyamalan has really succeeded in telling a chillingly touching story about the triumph of the human spirit.
February 14, 2000 Harshad C. Keval
As a film which has undoubtedly caught the eye of the film going world, it was difficult to avoid the surrounding hype and publicity. Luckily most of the people I had spoken to who had seen the film did not spoil the 'twist' at the end, which, although is rather a laboured point by now in reviews, certainly adds to the "Oh, I see now" factor.
The story revolves around a child psychologist played characteristically by Bruce Willis. I say characteristically, because although his portrayal is quite real, and at times touching, there always seems to be an unnerving 'Die Hard'-ness to his speech, lending the dialogue some comical qualities. Having said that, his overall attempts at revealing the vulnerable and disturbed psyche of his character achieve good results. As the psychologist, he is plagued by a particular event in his professional life which he perceives as his personal failure, and sets out to redeem himself by righting the wrong and wiping his failure from his conscience. This opportunity presents itself to him in the form of Cole Sear, played devastatingly well by Hayley Joel Osment. Cole has a problem, he sees dead people. To the outside world he is seen as a loner, a problem child, and has become increasingly isolated. Hence the need for a child psychologist. Once we have been introduced to these two central players, we are taken on a journey of discovery, as both of these characters in the space of the film will learn a great deal about each other, themselves and human nature.
It is this particular point which the film attempts to address so strongly - human communication. That when this breaks down, an inevitable cycle of interpersonal destruction takes course, sometimes irreversible. This is framed within the context of a superbly told ghost story. The sheer truthfulness and honesty with which the concept of fear is expressed by all the characters, is breathtaking. Cole's' experience of the walking dead, appearing out of nowhere, Malcolm's fear of a deteriorating marriage, and Cole's' mother's fear relating to her own existential angst. All of these are played against the backdrop of the often difficult but finally warm relationship between Cole and Malcolm. Eventually, and against the odds, each character displays courage and bravery as they face up to their existential and supernatural fears.
There are one or two niggling problems plot wise, but in a film where the overall atmosphere created is one which encompasses death, fear, and finally hope, it is impossible not to overlook incongruencies. Superb direction, acting and ambience lead me to think that M. Night Shyamalan has really succeeded in telling a chillingly touching story about the triumph of the human spirit.
February 14, 2000 Harshad C. Keval
Banda sonora
Previsualiza la banda sonora aquí y sigue escuchando en Amazon Music.
¿Sabías que…?
- TriviaReportedly, Haley Joel Osment got the role of Cole Sear for one of three reasons. First, he was best for it. Second, he was the only boy at auditions who wore a tie. Third, director M. Night Shyamalan was surprised when he asked Osment if he read his part. Osment replied, "I read it three times last night." Shyamalan was impressed, saying, "Wow, you read your part three times?" To which Osment replied, "No, I read the script three times."
- ErroresCole is aware of his teacher's stuttering issue during grade school through high school (Stuttering Stanley), but the behavior has nothing to do with anyone being dead, so it doesn't make sense that Cole knows this. The burn victim woman Cole talks to at the end (when Stanley walks in on him in the dressing room) was presumably a teacher at the school. In the very next scene Stanley says, "You know, when I was a student here there was a big fire." Obviously the burn victim woman (or a different fire victim we don't see) told Cole about Stanley's stuttering problem.
- Citas
Cole Sear: I see dead people.
Malcolm Crowe: In your dreams?
[Cole shakes his head no]
Malcolm Crowe: While you're awake?
[Cole nods]
Malcolm Crowe: Dead people like, in graves? In coffins?
Cole Sear: Walking around like regular people. They don't see each other. They only see what they want to see. They don't know they're dead.
Malcolm Crowe: How often do you see them?
Cole Sear: All the time. They're everywhere.
- Créditos curiososThe Spanish phrase "I don't want to die" that was played on the tape recorder in Malcolm's office is repeated after the credits.
- Versiones alternativasA network TV airing from ABC Family adds in a new scene that was not featured in the DVD as extras
- Bandas sonorasI Fall In Love Too Easily
Written by Sammy Cahn and Jule Styne
Performed by Chet Baker
Courtesy of Blue Note Records, a division of Capitol Records, Inc.
Under license from EMI-Capitol Music Special Markets
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Sixth Sense
- Locaciones de filmación
- Striped Bass - 1500 Walnut Street, Filadelfia, Pensilvania, Estados Unidos(missed anniversary date restaurant scene)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 40,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 293,506,292
- Fin de semana de estreno en EE. UU. y Canadá
- USD 26,681,262
- 8 ago 1999
- Total a nivel mundial
- USD 672,806,432
- Tiempo de ejecución
- 1h 47min(107 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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