Una tormenta perfecta

It is inescapable fact that it is very difficult to take real-life events and translate them into an interesting and thrilling movie. Ron Howard perfected the art with "Apollo 13" and now Wolfgang Petersen continues on with "The Perfect Storm".

This story of Gloucester, MA. fishermen who go out for one last try at a big payoff in a slumping season packs quite a wollup once they get caught up in an event that had never before been recorded: the perfect storm. From there, you have to suspend belief just a bit and drink in the events occurring aboard the Andrea Gail. It's not tough, as the cast delivers them perfectly.

George Clooney may have played his signature role as Capt. Billy Tyne, skipper of the ill-fated Andrea Gail on that fateful day in 1991. Clooney comes off as neither overly glamorous, or bigger than life, but as a simple common man just trying to break his fishing slump and bring home a big payday for his boss, his crew, and himself. When George relaxes and puts himself into a role, he is better off, and Capt. Tyne is the pinnacle of that for him.

Mark Wahlberg comes on board as Bobby Shatford, a rookie fisherman who is trying to make a better life for himself and his girlfriend Chris (nicely played by Diane Lane). Bobby is the only character given equal depth to Billy and comes off with the same impression: a good guy who was trying hard to make a better life. Very nicely done here as well.

Supporting cast is good, John C. Reilly as Dale "Murph" Murphy, William Fichtner as David "Sully" Sullivan, a late arrival to the Andrea Gail's crew, Michael Ironside as the profit first Bob Brown. All of these stellar characterizations and serve brilliantly to put you into Gloucester of 1991.

Wolfgang Petersen has created a gripping film, full of chillingly realistic special effects. He skillfully took Sebastian Junger's novel and tweaked it to fit the confines of the motion picture screen. Casting and acting by all involved was perfect and you never once feel like anything is overacted or overly dramatic, just that you are somehow involved with the fear that had to have been involved on that night.

4 1/2 out of 5

Having survived (barely, on land) the "No Name Storm" of 1991 on the coast of New England, I assure you this was a true story (I'm mentioning this for the New Zealand poster who said it was adapted from a novel and others who may not realize it really was a *true* story). Obviously, we can't know what was actually said or done once the Andrea Gail lost radio contact (and isn't that true of any movie based on "historical fact" - we can only surmise the actual dialog and conversations that may have taken place). However, the characters were based on the actual crew members and the Coast Guard did have to ditch one helicopter during the storm - from a story I read in People magazine, I'd say the portrayal of the Coast Guard's actions were accurate. I can't say I liked this movie - perhaps remembering the terror of that night (I lived in a seaside town and the ocean had come over the seawall and was filling up streets 3 and 4 blocks in from the beach) makes it difficult for me to watch this movie as entertainment. In answer to one post here, Clooney said that the Boston accent is one of the most difficult and he didn't even want to attempt it - Markie Mark is from Boston so it wasn't a stretch for him. The special effects are phenomenal of course...I just wish it had a different ending. By the way, the statue of the fisherman at the ship wheel shown at the beginning of the movie is an actual Gloucester landmark (and you can see it on Gorton frozen seafood products which come from Gloucester) - the legend on the base of the monument says, "Those that go down to the sea in ships..."

Directed by Wolfgang Petersen based on a true story about the Andrea Gail, a fishing vessel that in October 1991 left the port of Gloucester, Massachusetts, never to be seen again, lost in a terrible storm.

When a film says "based on true events", we always have to take into account certain creative freedoms for cinematographic effects, but in this case I won't even worry about that. This is a dramatization of a terrible event that could very well be (and will continue to be, unfortunately) the story of any fishing vessel anywhere in the world. It is a tribute to the men of the sea and the hardships they have to face in order to earn a living and survive, while bringing food to those of us on land.

That's what I love about movies: I've been with those men at sea, on their boat, I've fished with them, I've felt the joy and excitement of really productive fishing, and the camaraderie that forms when battling the odds of bad weather. I was also with the team of Coast Guard rescuers who risk their lives to save others, the work of true heroes.

The film is very atmospheric (pun not intended) and a great homage, very beautiful and felt. Thank you to everyone who was part of this production and tribute. Nominated for the Academy Awards for Best Sound and Best Visual Effects. BAFTA Winner for Best Visual Effects.

Director Wolfgang Petersen, who is known for making films that demand the best of people in extraordinarily tight situations (Das Boot, Outbreak), here directs a fine cast in the adaption of Sebastian Junger's best seller.

George Clooney and Mark Wahlberg star as two of the men aboard the Andrea Gail, a boat that left Gloucester, Massachusetts in 1991 for a swordfishing trip, but was caught up in a terrifying mix of three storms. Never had such a meteorological event occurred.

Much has been written about this film's special effects in their portrayal of the stormy seas, and these effects are truly incredible. Perhaps more importantly, the film follows Junger's book in its portrayal of Gloucester and its community: A one industry town, where the residents feel obligated to the incredibly dangerous deep-sea fishing industry, even though they have lost so many of their citizens.

The cast is solid: Clooney fits well as Billy Tyne, the Andrea Gail's captain, and although he doesn't have a New England accent, there isn't much lost in that. Mark Wahlberg and Diane Lane are both very good as the only characters with any romance in their lives, and we truly feel the love and hope that they have for each other. John C. Reilly, William Fichtner, and the ever-tough Michael Ironside (is he EVER a good guy ?) round out the cast.

Junger's book was a fascinating and important story to tell, and Petersen has directed a fine film about man's battle against the sea and its consequences.

The Perfect Storm: Billy Tyne is a swordboat captain who's hit a patch of bad luck - while his colleagues have returned to port nearly bursting at the seams with fish, his hold is nearly empty. Convinced that it is his turn to score the big haul, Tyne convinces his crew to go on one last run before the end of the season and heads for the North Atlantic. He never figured Mother Nature into his plans.

I remember reading about the Andrea Gail soon after "The Storm of the Century" hit the eastern seaboard. It was only a matter of time before someone tried to bring this story to the big screen. Thankfully, it was Wolfgang Petersen who did so - here he does for fishing what he did for submarine warfare in "Das Boot" - puts the viewer in the midst of the action and scares the hell out of them.

I can say without exaggeration that I have never experienced a movie as stressful as this one (the friend I brought to the premiere was literally ill). The movie starts out slowly and deliberately, gradually setting the stage for what is about to come. Petersen utilizes several subplots to build the suspense: initially he focuses on the disappointment of the crew as they repeatedly fail to hit the motherlode. Masterfully intercut with this are scenes documenting an idyllic sailing trip that turns ugly, and the Coast Guard attempts to rescue them. Consequently, the tension, like the storm, continues to build to a crescendo, and never wanes. The movie also feels real.

I have been in twenty-foot seas once in my life, and that was more than enough for me (it was one of the few times I ever contemplated my own mortality). Watching this movie brought it all back: the waves looked so real that it is often difficult to differentiate between the CGI and the real thing. Also, I could feel the waves as they pounded relentlessly against the boat (the theatre I saw this in had a great sound system) and was deafened by the shrieking wind. The experience, is, for lack of a better word, ferocious - I kept everything to disintegrate in the onslaught. However, special effects alone do not adequately convey the appropriate sense of danger.

Many of the water scenes were actually shot in heavy seas - they managed to film in the tail end of a hurricane - adding to the realism (several members of the crew were regularly feeding the fish...). The actors faced additional dangers - Mark Wahlberg came perilously close to drowning, not once but twice, and was injured by one of the animatronic creatures. Anyone expecting Clooney or Wahlberg to be glamorous will be sorely disappointed - they are earthy, and scraggly. But more importantly, their performances ring true. Indeed, all of the main characters deliver subtle, believable performances.

I have never given a strong endorsement with an equally strong caveat - you must see this movie, but only if you can handle stress. And yes I am serious on both counts.