Desafio al tiempo

Changing the past to affect the future may not be a new concept in film, but "Frequency" handles it deftly and with heart. The acting is superb, and as far as I can tell the plot is nearly airtight. It keeps you on your toes as the story twists in what feels like six directions at once and keeps you in emotional sync with the characters. The past/present connections are stirring and intriguing, especially the single-flash cuts at pivotal moments. This is one of the few movies about which I can honestly say, "I laughed, I cried, I was scared stupid." Truly the only good movie so far this year.

FREQUENCY / (2000) ***1/2

It' 1999. Jim Caviezel stars as John Sullivan, a detective whose life is falling apart. Recently, he has split up from his girlfriend, he and his police partner Satch (Andre Braugher), are unable to solve a serial murder case that has been reopened due to the discovery of skeletal remains of a past victim. The thirty year anniversary of the death of his firefighter father (Dennis Quaid), is also approaching. John is beginning to sink in a pit of despair.

One night John stumbles upon his dad's old ham radio. He makes an effort to get the machine to power up once again. When he does and begins conversations with another operator, however, he realizes the person he is communicating with is his long dead father. Somehow, due to the presence of the Northern Lights, John is able to transmit back in time to 1969 and literally alter the course of his existence.

The concept of time traveling communication may seem far-fetched to some, and "Frequency" is a little hard to grasp at times, especially when the film never directly explains why the father and son are able to talk with each other through time. Notwithstanding, the production works as a science fiction thriller with supernatural overtones. While the filmmakers do succeed in convincingly constructing "Frequency," most audiences might have to leave logic at the theater entrance before viewing it.

"Frequency" is a well-structured motion picture; the movie is focused throughout. Although its story changes pace at different periods, for the most part the audience can follow along with the characters. This is a movie with a complicated and challenging story. Because of the film's complexity, we are enormously involved, if slightly confused. Screenwriter Tobias Emmerich links original and fresh feeling material here. Gregory Hoblit produces the right amount of action and suspense, combined with gentle emotions, to generate a film we have not seen before.

Dennis Quaid and James Caviezel are the perfect choices for the principal characters. Quaid performs with intriguing tension and appropriate receptivity. Caviezel dazzles with intricacy and dexterity. Offering refined supporting roles are Andre Braugher ("City of Angels", "Get on the Bus") and Noah Emmerich ("The Truman Show") who furnishes some light-hearted material as John's best friend.

Director Gregory Hoblit ("Fallen," "Primal Fear") clearly executes topics on screen. This film is overflowing with ideas and contains enough plot for a television series. However, "Frequency" is not without flaws. Sullivan's chaotic life is only vaguely portrayed. Although we do care for the character, more development would increase the relationship between the audience and he. Some of the make-up effects depicting age differences were disgraceful. Andre Braugher appeared as if his make up artists were straight out of junior high, slapping too much pancake cream plaster on him. The film's contrived climax concludes with a formalistic fight instead of continuing its battle of wits.

Despite a few unacceptable external problems, internally this is a very effective production. As a whole, "Frequency" contains a very encompassing story and places interesting characters in engaging circumstances. The movie is definitely worthy of recognition, but do not view it unless you plan on thoroughly discussing it afterwards.

The idea of this film is pretty original; I don't think I've ever heard of a story so well-thought out about time-travel/alternate time-lines before. The idea is based on the main character being able to communicate with his father, who's been dead for 30 years. His father hears it then, 30 years earlier. They quickly do some things that shouldn't have happened back then, which then changes the future(or present). The movie deals very well with how they change the future back and forth. The plot is very good, the acting is superb and the characters are all believable. The special effects are very good. The very idea behind the film is very good, but the way it develops so much further is amazing. The ending, while it may seem corny too some, and is, by all means, a bit of a typical Hollywood ending(some might even call it a cop-out), but personally I just think it worked better than anything else could have. I'd recommend this to pretty much anyone who can watch a movie where they have to suspend disbelief, but especially anyone into time-travel or alternate time-lines, as this is, in my opinion, one of the best movies made, concerning this subject. 8/10

The movie opens with the introduction of the Sullivan family. Frank (Dennis Quaid) is a heroic New York firefighter, and escapes a harrowing situation to return home to his wife and his 6-year-old son John. It's an exciting time in New York, as the 'Miracle Mets' have made the World Series. Frank is a ham radio user, and a strange disturbance in the sky (solar flares, I believe. I never took astronomy) in the sky has really increased the range of his radio. "I'm reaching people I've never reached before", he says. Flash forward to 1999, when young John has grown up into a 36-year-old NY homicide detective (James Caviezel) with relational problems (and possibly a drinking problem as well). We learn his father died several years earlier in a warehouse fire, and it's obvious that John has never really gotten over it. He ends up setting up the old ham radio (did I mention that the solar flares are back?), and contacts a fellow New Yorker named Frank. It certainly won't ruin any big surprise when I tell you that it's his father Frank--in 1969. After recovering from his astonishment and convincing his father who he really is (his knowledge of the 1969 World Series proves quite helpful), they begin a series of nightly conversations. Unfortunately, their conversations change the past--and the future--in very dangerous ways. A serial killer who should only have 3 victims suddenly has more, and John must use his knowledge of the crimes (30 years old to him) to guide his dad in a 1969 pursuit of the killer. And the chase is on. Will they stop the killer? Will the solar flares last long enough for them to finish their plan? Will anyone in 1999 or 1969 believe them? That lengthy 'plot summary' really didn't ruin any of the suspense--or come close to explaining the whole story. So, it goes without saying that the story is pretty convoluted and involved. But it's not hard to follow, and the movie grabbed me and kept me interested throughout. Granted, you will need to use a serious amount of 'suspension of disbelief'. If you get hung up on "there's no way they could be talking to each other" or "changes in the past wouldn't immediately appear in the future--they would have already happened and would have been there all along", you'll do 2 things: (1) you'll give yourself a headache, and (2) you'll miss out on a very entertaining film. The reason I gave this more stars than last week's "U-571"? I cared about the characters, and I found "Frequency" much more entertaining. Also, the story was quite original--with great use of the Miracle Mets and the 1969 World Series throughout.

An atmospheric phenomenon over New York City allows a firefighter to communicate with his son 30 years in the future via a short-wave radio. Once they establish who they are, they have little time for small talk since lives are about to be altered as they seek to influence the past. Not only that, but a serial killer known for what became known as the Nightingale Murders is now back on the scene. What have they done? What can they do? And more importantly now, who will get hurt? I personally have been delighted to find on line reviewers of this film to have been as pleasantly surprised as I was. Many have focused on the fact that they didn't know what to expect, and thus got rewarded for being in the dark as it were. So with that in mind, I'm not about to start delving into the film too much, because if you are a potential first time viewer then you really are better off going in with no expectation level. What can safely be said is that Frequency achieves a rare feat of successfully blending genres and thematics. Sci-fi, mystery, fantasy, thriller, crime and drama all come into play in unknown director Gregory Hoblit's film. Nicely written by Toby Emmerich, the film also benefits from its fine cast of actors. Leading man is Dennis Quaid, who might just be one of the most safest go to guys in his generation, and support comes from a pre-Jesus James Caviezel, Andre Braugher, Shawn Doyle and Elizabeth Mitchell.

Frequency is heartily recommended to those who don't need head twisting cinema before they can proclaim a film to be worthy of their time. Yes some things of course defy logic here, this is after all a fantasy led film. But with so many interesting themes going on amongst the cross time molded core, Frequency rises above any charge of being merely popcorn fodder. Smart, warm and exciting, see this one if you can. 7.5/10