Réquiem por un sueño

This movie is the most disgustingly beautiful and horrifying movie.

being someone who had a history with drugs, i found this movie to be slightly more than ground-breaking. i saw this film in the midst of a downward spiral, and it turned me right around! having friends with the same plans, such as sell drugs to buy more drugs..it made me look at my life and theirs and see exactly what the future had in store.

now, every time i see this movie since escaping that life, i cry. i cry for my past and those who still live in it. this movie has more to say to people my age than any drug education movie we were afforded in school. honestly, i wonder when the school systems will wisen up to what is really going to get kid's attention; movies that show that pros as well as the cons of drugs, or a movie that shows the complete and utter devastation drugs will bring to your life, and the lives of those around you. honestly, had i seen this film before my sophomore year of high school, i would have never even dreamed of taking more than the prescribed dose of advil.

granted, my little summary or comment of this movie does not entail anything informative about the movie itself, i must say, i feel this is the best way i know to express my views.

This movie is about how drugs can affect your life. Watching this movie really hurts. If you want to convince someone to stop doing drugs / live more healthy this is the movie to do it. Great acting (especially by Ellen Burstyn) and a realistic / convincing story but man is it painful to watch. This is the kind of movie you are happy to have watched at some point but you don't want to rewatch it because it is a real mood killer.

9/10 would recommend if you are looking for a heavy, dramatic movie.

Requiem for a Dream (2000), is a human character-study on film. Darren Aronofsky's, crazy, drug-induced, rollercoaster-ride, gives that 1980s feel to the viewer, throughout the whole film. It has a fantastic calling to that old-Hollywood-style of filmmaking. The best component to this film is most definitely, the acting. Ellen Burstyn is Sara Goldfarb, a retired couch-potato, who is addicted to a bad self-help TV show, that cons her into believing she can lose weight if she uses certain drugs. These pharmaceuticals eventually destroy her mind and create a horrible addiction for her. Meanwhile, her dead-beat son, Harry (Jared Leto), comes up with the brilliantly dumb idea of creating a haven for himself, his friend Tyrone (Marlan Wayans) and Harry's girlfriend, Marion (Jennifer Connelly), by getting into the street-drug business. Unfortunately, he and his friends are now all junkies and things don't go so well as planned.

This film is not for the squeamish. It involves many horrible aspects of life. It shows the terrible things human beings are capable of doing, to themselves and the consequences, of such poor decision-making. Requiem for a Dream (2000), does manage to pull at your emotions and makes you feel, very sorry for these people. I won't say anymore, but there is a reason why Ellen Burstyn was nominated for the Best Actress Oscar for this film. The directing, camera-work and editing, is fantastic. Aronofsky's direction is quite fitting, for the drug-incited delusions seen in the film. Jennifer Connelly's performance is staggeringly good. She definitely leaves her comfort zone for this film. For myself, Requiem for a Dream (2000), was shocking, brought out many emotions and contained a life-lesson, we should all pay attention to.

PMTM Grade: 9.0 (A-) = 9 IMDB.

I respect and admire this movie, even though (and perhaps because) it is complex, occasionally irritating and often very hard to take. Frankly, I avoided seeing it for a long time, but now am glad I did. To complain that the film fails as a realistic portrayal of addiction is, I think, to miss the point. Far from being the mere depiction of a collective downward spiral fueled by drugs, the movie is in fact a meditation on loneliness, greed, corruption, desperation, and the pervasiveness/banality of media, among many other things.

The subtleties of the text are communicated, first and foremost, by superb acting. The performances of Ellen Burstyn, Jared Leto, Jennifer Connelly, and Marlon Wayans are all revelatory. In particular, I was knocked out by Burstyn, who is almost comically pathetic in the beginning, but who manages by the end to convey her character's utter devastation in the truest, most heartbreaking manner imaginable. The others are absolutely perfect as well; I was simply astonished by Leto and especially Wayans (may he eschew "scary movies" forevermore). Connelly has perhaps the most difficult role in the film, with opportunity and motivation galore to go over the top, and she delivers not a single false note throughout.

My only real quibbles with the movie have to do with certain instances of the split-screen and jump-cut techniques, which struck me as somewhat gimmicky and repetitious, respectively. That being said, overall the style of the film is impressive and appropriate. The cinematography is beautifully conceived and executed, and the score is every bit as haunting as the performances (thanks largely to the work of the Kronos Quartet).

In sum, regardless of whether or not the subject matter itself shocks you, this movie will put the viewer through the proverbial wringer. Give it a chance, and you will connect with the characters and then witness their destruction (spiritual and otherwise). It is a punishing but unforgettable experience. I'm not sure whether I'd necessarily recommend it or not; it all depends on your personal tolerance level with regard to an unflinching portrayal of human nature and behavior at their most extreme and, ultimately, tragic. For my part, while I don't expect to watch this film very often in the future, I'm sure glad it'll be on the shelf.