Bossa Nova

"Bossa Nova" has lots of great shots of Rio de Janerio, and lots of pretty actors, and a soundtrack that combines old and new bossa nova tunes. Unfortunately that's about all it has going for it.

The film is about the romance between an American woman who teaches English to the wealthy and her corporate lawyer student who bears a striking resemblance to Marcello Mastroianni. Both of them are supposed to be in their early to mid-forties.

The age aspect is one problem I have with this film. I'm not against middle-age romance on film, but it's just so obvious that Antonio Fagundes is closer to fifty.

Another problem I have is with Amy Irving's acting skills. At times, it's obvious she's reading straight off a cue card. Good actors never let us see them working.

But the biggest complaint I have about this film is the plot, or rather the lack thereof. The film is filled with lots of confusing little subplots, some of which never resolve themselves. This, I guess, is to distract the audience from the fact that the main plot is so threadbare.

Many American critics have praised this film. This is largely, I believe, because it is not an American film and was not bankrolled by a major Hollywood studio. However, I always use the same barometer to judge a film, regardless of its origin or pedigree. I give this film the same criticism I would give to a film such as "How Stella Got Her Groove Back" or "The Horse Whisperer": It's beautiful to look at, but once you get past the scenery and the actors' looks, there's not much left. I give this film a 6 out of 10.

OK, so the Rio de Janeiro "Bossa Nova" shows us is not the real Rio. So the movie has no poor, no hunger, no favelas, no political unrest. Is there a law written somewhere that says films have an obligation to show all of that? No. The people who made "Bossa Nova" very self-consciously steered away from the grit to concentrate on the romantic state of mind of the characters, surrounding them with gorgeous locales and a dazzling soundtrack filled with Brazilian classics, which is exactly right for the story. Amy Irving is absolutely enchanting as the protagonist, showing the kind of irresistible innocent charm she exercised in "Crossing Delancey" and "Yentl". Granted, the film gets a bit silly at times, but if you're willing to suspend your disbelief and go with the flow, buy the coincidences and accept the magic, the final result is a decidedly seductive romantic comedy, the kind they rarely make anymore. I'm a guy and I loved this movie, and I'll bet money there isn't a woman out there who won't like it at least as much as I did. Personally, I saw this on a studio-released tape before it opened in theaters and will pay to see it again on the big screen to take in the gorgeous widescreen cinematography and the fabulous music as they were meant to be experienced.

"Bossa Nova" is a fun and light hearted film about the romantic involvements of an ensemble of diverse but interconnected characters including one relationship hatched over the Internet. This charming little film features plenty of samabas, postcard panoramas of the Copacabana, and a 90 minute story which moves along quickly and will leave a smile on your face.

Warning: All cynics should avoid this movie like the plague!!! Full of contrivances and cliches, ridden with all the typical plot elements of any kind of ensemble romance piece, this film on the outset seems like nothing new. But there's just something about it I couldn't let go of-maybe it was the beautiful Rio de Janeiro backdrop that this film is set against. Maybe it's the opportunity to see Amy Irving once again in all her glory. I don't know which, but the lady should definitely be in more movies, especially in ones where her husband directs her and therefore gives her the best role and makes her the most sympathetic in the film. Irving stars as Mary Ann Simpson, an English teacher in Rio who teaches classes by night and private students by day. Across the hall from her classes is the shop of an elderly tailor, whose lawyer son Pedro Paulo (Antônio Fagundes) is helping his father get out of an alimony fix that involves a much younger wife. One night Pedro Paulo runs into our heroine on the elevator, and love at first sight is born. Right away he forgets about Tania, the ex-wife (Débora Bloch) he was having trouble letting go of, and goes after this mysterious new woman in his life. Along the sidelines there are plots that involve Irving's student Nadine (Drica Moraes) and her online romance with a SoHo artist `Gary', and another regarding the lawyer's intern Sharon (Giovana Antonelli) and her romance with both her boss' brother Roberto and the famous soccer player Acacio (Alexandre Borges), who also happens to be taking private English lessons from Mary Ann. All these lines cross and meet and even out in perfect form, and yet somehow at its most typical the film manages to be at its most enjoyable, possibly because Barreto has such a good time entertaining his audience that one can't help but dive right in. Worth a good look.

This film is a delightful romantic comedy and shows off the director's love for the city of Rio. A film that Brasilian Americans can be proud of instead of ashamed of like they were at the pathetic Anaconda from summer's past. I wish all NorteAmericanos could see this flick to experience the unique beauty of Rio. Yes, it's idealized and doesn't

show the bad with the good, but this is true of many many movies. Gladiator made ancient Rome glamorous, which it was not. Rio, on the other hand, is a city filled with unique beauty, as anyone who has ever been to Sugarloaf or Corcavado can attest to. For those who may be curious, my imdb handle of M2b means married-2-Brasil and you can

easily fugure out what that means. I loved this flick. See

it and see it in wide screen, not video!