Exiled French Royalists gain British support for a desperate attempt to take back the Republic. Against his better judgment, Capt. Pellew(Lindsay, who balances maintaining discipline with a respect and fondness of Horatio) is made to oversee the operation, as well as keep secret a terrible fact that may doom it. Hornblower(Gruffudd, a man who stands against injustice, and here experiences his otherwise strong sense of diplomacy failing him in favor of that principle) is joined by the "Lobsters", English army soldiers, and their officer, Edrington(West, a man who reveals more layers to him as this progresses, with none of them conflicting with the earlier ones). They must work under the seemingly endless certainty of the "Frogs" in charge - General Charette(Shrapnel, fierce in his support of the monarchy) and Colonel Moncoutant(Sher, who cannot wait to take on the role of Marquis of the village they take as part of the assault).
Thematically and in developing characters, this is possibly the richest of these so far. One particular object appears a number of times in this, each bathed in meaning, altering the situation, in a manner that flows logically from what has been seen until that point. As already mentioned, this further fleshes out our main cast(Bamber's Kennedy, while youthful, growing into a man, delivers a line that, compared to what he's said earlier, simultaneously elegantly shows one of the larger conflicts in this), as well as doing justice to the new ones. They are human beings, for better or for worse, and they will grip and effect you - I spent most of this glued to my seat, and either clenching my fists in hope for some, or digging my nails into my hands to quell my fury with others. The arrival of nobility in their post-revolution motherland is a microcosm of the international clash of two vastly different political and philosophical approaches. The UK's king was terrified for his own position. Would "liberty, unity, and power" spread? Could it even be stopped?
We see a historically early example of traditional warfare facing off against guerrilla tactics, of the psychological repercussions of being in such a situation. The two countries are contrasted - in favor of one of them? Absolutely. However, vital points are nonetheless made, and the people of the other are not made out to be, even mostly, "bad". We come closer than before to the intimate, nasty detail of the reality of armed battles - meeting people caught between those who overthrew Louis XVI, and those who wish to reinstate such a ruling system(and yet the perspective always remains that of our returning ensemble). Production values, filming, editing all continue to be amazing - hardly anything betrays that this was made for TV, and not the silver screen. It inspires debate, research, and delving into what made what this depicts, and other things like it, occur. The people and nations involved and what drove them to be and do such.
There is disturbing, brutal, bloody, violent content in this. I recommend this to everyone - if you are not yet old enough to handle the unpleasant aspects, make a note to see it once you are. 9/10
