Una joven guerrera china roba una espada a un famoso espadachín y huye hacia un mundo de aventura romántica con un misterioso hombre en la frontera del país.Una joven guerrera china roba una espada a un famoso espadachín y huye hacia un mundo de aventura romántica con un misterioso hombre en la frontera del país.Una joven guerrera china roba una espada a un famoso espadachín y huye hacia un mundo de aventura romántica con un misterioso hombre en la frontera del país.
- Dirección
- Guionistas
- Elenco
- Ganó 4 premios Óscar
- 101 premios ganados y 132 nominaciones en total
Chow Yun-Fat
- Master Li Mu Bai
- (as Chow Yun Fat)
Ziyi Zhang
- Jen
- (as Zhang Ziyi)
Pei-Pei Cheng
- Jade Fox
- (as Cheng Pei-Pei)
Deming Wang
- Tsai
- (as Wang De Ming)
Suying Huang
- Auntie Wu
- (as Huang Su Ying)
Jinting Zhang
- De Lu
- (as Zhang Jin Ting)
Jianhua Feng
- Gou Jun Sinung
- (as Feng Jian Hua)
Zhenxi Du
- Shop Owner
- (as Du Zhen Xi)
Cheng Lin Xu
- Captain
- (as Xu Cheng Lin)
Opiniones destacadas
As Ang Lee, I grew up reading wuxia novels in Taiwan. Those novels usually mixed engrossing history, thrilling action, enchanting romance. But when these novels were made into movies or TV series, none of them could match my imagination. It's either because of wrong casting, bad acting, tedious costumes, sloppy storytelling, minimal budget (so everything is shot in studio rather than in the grand Chinese landscapes as they were told in books), fake action... I could go on and on. Now Ang Lee finally made a wuxia film that captures my imagination and fulfills my dream of childhood.
The casting of CTHD is perfect. No disrespect to Jet Li, but Jet Li would not make Li Mu Bai into what he should be: noble, wise but weary. Chow Yun Fat conveys the unspoken feelings of Li Mu Bai in a way I can't imagine anyone else can. But he's known for his acting, Michelle Yeoh was known for her fighting skills. Here in CTHD, she proves herself as an excellent dramatic actress. The secrete longing for Li and the confusion of Li's true feelings were clearly conveyed by her eyes. The scenes between them are heartbreaking. Zhang Zi Yi is a true discovery! What a wonderful talent to steal scenes after scenes from the veterans around her. She ran from looking innocent, haughty, feisty to loving and distraught. She made the complex Jen a real flesh and blood believable human being. Chang Chen made a perfectly sexy and charming bandit.
The scenery and the photography was beyond belief. The majestic landscapes of China match my imagination when I read all the beautiful Chinese poems of the Tang and Sung dynasties. No wonder those poets could come up with those masterpieces. They sure had the best inspiration. Peter Pau not only captured the landscapes and the settings, he also managed to capture the fast-as-lightening action wonderfully. The shot of Jen gliding over water just lodged in my mind. The soundtrack is also excellent. Tan Dun used different instruments to match the different locales. He mixed in Central Asian music in the desert sequence and Chinese flute in the Southern China scenes. Yo-yo Ma's cello in the main theme makes me want to weep everytime I hear it.
The storytelling was also done expertly. As a romantic-at-heart, I love the desert romance between Jen and Lo. It's one of the most charming and believable love stories that I can remember. Most people gave credit of the fighting to Yuen Wo Ping. I'd give kudos to Ang Lee. I've seen Yuen's martial art films before, but they're never done in such an imaginative and artistic way. The artistic vision has to come from Ang Lee.
To sum it up, three cheers for Ang Lee! You not only fulfilled your childhood dream, you fulfilled mine too. It's such a pleasure to finally see a wuxia novel be done right. Thank you! Thank you! Thank you!
The casting of CTHD is perfect. No disrespect to Jet Li, but Jet Li would not make Li Mu Bai into what he should be: noble, wise but weary. Chow Yun Fat conveys the unspoken feelings of Li Mu Bai in a way I can't imagine anyone else can. But he's known for his acting, Michelle Yeoh was known for her fighting skills. Here in CTHD, she proves herself as an excellent dramatic actress. The secrete longing for Li and the confusion of Li's true feelings were clearly conveyed by her eyes. The scenes between them are heartbreaking. Zhang Zi Yi is a true discovery! What a wonderful talent to steal scenes after scenes from the veterans around her. She ran from looking innocent, haughty, feisty to loving and distraught. She made the complex Jen a real flesh and blood believable human being. Chang Chen made a perfectly sexy and charming bandit.
The scenery and the photography was beyond belief. The majestic landscapes of China match my imagination when I read all the beautiful Chinese poems of the Tang and Sung dynasties. No wonder those poets could come up with those masterpieces. They sure had the best inspiration. Peter Pau not only captured the landscapes and the settings, he also managed to capture the fast-as-lightening action wonderfully. The shot of Jen gliding over water just lodged in my mind. The soundtrack is also excellent. Tan Dun used different instruments to match the different locales. He mixed in Central Asian music in the desert sequence and Chinese flute in the Southern China scenes. Yo-yo Ma's cello in the main theme makes me want to weep everytime I hear it.
The storytelling was also done expertly. As a romantic-at-heart, I love the desert romance between Jen and Lo. It's one of the most charming and believable love stories that I can remember. Most people gave credit of the fighting to Yuen Wo Ping. I'd give kudos to Ang Lee. I've seen Yuen's martial art films before, but they're never done in such an imaginative and artistic way. The artistic vision has to come from Ang Lee.
To sum it up, three cheers for Ang Lee! You not only fulfilled your childhood dream, you fulfilled mine too. It's such a pleasure to finally see a wuxia novel be done right. Thank you! Thank you! Thank you!
Less than half an hour into the viewing of this masterpiece I knew this would become one of my favorite films - of all time. Only in my wildest dreams (quite literally, this movie has touched me on a personal level) have I visualized such fantastic and precise choreography, so captivating that to take your eyes away during the intense confrontations is to deny yourself the essence of what makes this film so wonderful.
With an artistic license unprecedented, the action scenes are entirely unbelievable but purely the work of a fabulous imagination. The magical settings and the colorful characters fit well into the plot but you will take away the breath-taking martial arts sequences.
With an artistic license unprecedented, the action scenes are entirely unbelievable but purely the work of a fabulous imagination. The magical settings and the colorful characters fit well into the plot but you will take away the breath-taking martial arts sequences.
Crouching in the shadows, hiding in the dark, entangled with emotion, an unobtrusive heart, waiting for a moment that may never be revealed, the chance to draw back shades, unlock its passions, remove its seals.
Seamlessly flowing like water over weathered stone, as elegant and enchanting a tale of right verses wrong, good verses bad, learning and forgiving as you'll likely find. The cinematography is sublime, the acting and performances as good as they get, the message as simple as any placed on a screen. Immerse yourself in a truly wonderful piece of cinema that perpetually stands the test of time.
Seamlessly flowing like water over weathered stone, as elegant and enchanting a tale of right verses wrong, good verses bad, learning and forgiving as you'll likely find. The cinematography is sublime, the acting and performances as good as they get, the message as simple as any placed on a screen. Immerse yourself in a truly wonderful piece of cinema that perpetually stands the test of time.
There are two movies in the martial art fiction genre that are competing against each other for my no. 1 wuxia movie: Hero (by Yimou Zhang) and Crouching Tiger, Hidden Dragon. Now, tbh, the score is so tied that I'll choose the first one I saw and therefore had more time to grow inside my heart, namely Hero, BUT... that isn't to say there is one movie better than the other. If I saw this one first, it would have been my favorite.
It's true that Hero succeeds this movie and I'm not sure if Zhang hasn't drawn inspiration from Ang Lee's movie but I think Hero tackles some themes that one rarely sees being explored whereas Crouching Tiger feels a bit more ''western'' in its approach, especially with that mystery subplot. That makes it a bit easier to watch and doesn't require that much patience (though I, as an Eastern European, had a hard time at the beginning distinguishing people, maybe because I'm not yet used to that Manchurian queue hairstyle).
I've found the cinematography exquisite. There was one scene when Jen knelt down in water in the middle of a cave and looked up to the dark sky while the rain was washing her from her previous sins, baptizing her in the name of good. It was just splendid. Another magnificent scene happened in the pine forest but I can't describe in into words, you have to see it with your own eyes.
I've already adored Ziyi Zhang from Memoirs of a Geisha but now I think I'm falling in love with her :)) . Michelle Yeoh was a well-received presence, as always. Her character brought a balance between the more romantic, juvenile world of youth where family and society hinders relationships and the more mature world of adults where you are so often your own hurdle, not allowing yourself to move further and express your true feelings.
A 9,4 out of 10 from me.
It's true that Hero succeeds this movie and I'm not sure if Zhang hasn't drawn inspiration from Ang Lee's movie but I think Hero tackles some themes that one rarely sees being explored whereas Crouching Tiger feels a bit more ''western'' in its approach, especially with that mystery subplot. That makes it a bit easier to watch and doesn't require that much patience (though I, as an Eastern European, had a hard time at the beginning distinguishing people, maybe because I'm not yet used to that Manchurian queue hairstyle).
I've found the cinematography exquisite. There was one scene when Jen knelt down in water in the middle of a cave and looked up to the dark sky while the rain was washing her from her previous sins, baptizing her in the name of good. It was just splendid. Another magnificent scene happened in the pine forest but I can't describe in into words, you have to see it with your own eyes.
I've already adored Ziyi Zhang from Memoirs of a Geisha but now I think I'm falling in love with her :)) . Michelle Yeoh was a well-received presence, as always. Her character brought a balance between the more romantic, juvenile world of youth where family and society hinders relationships and the more mature world of adults where you are so often your own hurdle, not allowing yourself to move further and express your true feelings.
A 9,4 out of 10 from me.
I just saw this film today. I was totally captivated... when it was all over, and the credits began to run, it took me a couple of seconds to realize where I was. I didn't want to get out of my seat. And once I got out of the theatre, I couldn't even talk about it for an hour or so. I kept running the details over and over in my head. It's rare that a film has such an impact on me. The cinematography was stunning. The special effects were beautifully done. The characters' moves were effortless. The acting was wonderful. I really think that Michelle Yeoh should have been nominated for an Oscar for Best Actress. I thought that the effects and storyline complimented each other brilliantly. There were so many different layers to the plot. There were many things that couldn't be explained with dialogue that were expressed in the characters' faces. This film had lighthearted moments, heartwrenching moments, romantic interludes, inspirational sentiments, wonderful plot twists, superb acting, beautifully done fight scenes, never before seen special effects...it had it all. Some scenes may have been a little over the top, but it's *fantasy*... and yet, after a few brief moments, it somehow became completely believable. That's how much this film draws you in. This is a one of a kind film; there is just no comparing it to any other. It transports you to another place and time. I highly recommend it.
¿Sabías que…?
- TriviaMichelle Yeoh deliberately did not work for a year before filming began so she could concentrate on training and learning Mandarin.
- Errores(at around 1h 30 mins) During the fight between Yu Shu Lien and Xiou Long, many floor tiles are smashed by Shu Lien. After Shu Lien discards her heavy metal weapon and continues to fight, the tiles appear intact.
- Créditos curiososThe opening title appears in Chinese and English.
- Versiones alternativasAn English dubbed version was created for the home video market.
- Bandas sonorasA Love Before Time
Music Composed by Jorge Calandrelli, Dun Tan
Lyrics by James Schamus, Elaine Chow (Translation)
Performed by Coco Lee featuring Cello Solo by Yo-Yo Ma
Coco Lee appears courtesy of Sony Music Entertainment (Holland) B.V.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Crouching Tiger, Hidden Dragon
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 17,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 128,530,421
- Fin de semana de estreno en EE. UU. y Canadá
- USD 663,205
- 10 dic 2000
- Total a nivel mundial
- USD 213,979,405
- Tiempo de ejecución
- 2h(120 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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