En el sur de los EEUU durante los años 30, tres fugitivos buscan un tesoro escondido mientras la ley les persigue.En el sur de los EEUU durante los años 30, tres fugitivos buscan un tesoro escondido mientras la ley les persigue.En el sur de los EEUU durante los años 30, tres fugitivos buscan un tesoro escondido mientras la ley les persigue.
- Dirección
- Guionistas
- Elenco
- Nominado a 2 premios Óscar
- 8 premios ganados y 38 nominaciones en total
Daniel von Bargen
- Sheriff Cooley
- (as Daniel Von Bargen)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Those Coen brothers' movies really do grown on you. I had just seen Fargo when I rented this. It is one of the most creative, off the wall films I have ever seen. As these characters bumble their ways after a prison break, they are embraced by a series of the most unconventional personages ever to hit filmdom. And one gets turned into a frog--sort of. their flirtations with fame, the Klan, a cyclops, and all the other episodes, make this a hilarious romp. George Clooney's Ulysses is an obsessive, full speed ahead, damn the torpedoes, coupled with the charming half-wittedness of his fellow travelers, works at every level. Like Greek poetry, he is butting heads with the gods, but despite setbacks, keeps moving. It is story telling with charm and a load of bull. Everyone is some kind of philosopher, but the words come out of gap toothed, shaved headed hillbillies. And, of course, Clooney has hell to pay. I could watch this over and over again. And then there's the really cool music. I didn't even mention that!
10zebra83
Thank goodness for the Coen Brothers. Their success has brought them bigger budgets,but hasn't rid them of their creativity. I had planned on seeing another movie, but it was sold out so I went to this one instead. By the time it began, I had forgotten what movie I was there to see. I was surprised in more ways than one. This movie is hilarious, but they don't make any cheap jokes just to get the laughs. The writing is brilliant, and delivered with great skill by George Clooney (after this, nobody can say he's just a pretty face) and the rest of the cast. It can be appreciated on many levels, whether you remember the Odyssey or not. I can't remember the last time I saw a movie that was this clever. I've seen others I would describe as beautiful, intriguing, funny and charming, all of which also describe "Oh Brother," but this movie reminded me of older seinfeld episodes where all the subplots came together in the end. You can feel that their journey is building up to something, but you can't tell what. And the Coen brothers do not fail us, the end is certainly not disappointing. It's surprising, and ties up all the loose ends neatly, without wearing the story out.
We lived through the depression and related to some of the conditions portrayed. We have watched it perhaps a dozen times. Each time we see it we pick up on something we had missed because we were still laughing at, or discussing, an earlier scene or line. The entire film was a collection of photographically great faces. We are still asking ourselves whether the entire cast were professionals or whether some were individuals found on location. The film was rich with subtle tie-ins like the children tied together with twine, as the prisoners were connected by chains. We still think the cow may have been hit unintentionally. Fords of that era had mechanical brakes. The driver of the car may not have been accustomed the longer stopping distances required. The many allusions to Ulysses Odyssey inspired us to do an inter-net search. We found a modern text version and discovered more sly references. We appreciate blue grass and country music as originally American and found it thoroughly enjoyable, along with the authentic "Go To Sleep Little Baby" and "Down from the Mountain." We were emotionally touched by this film because of our age, and find it totally entertaining every time we view it. We are still amazed that someone not of our generation could have captured the essence of that period of United States history.
One of the finest pieces of story telling ever to hit celluloid. The performances are so perfect and dead-on, and the nuances so subtle, that this movie defies description. It is no wonder that the reviews you read run the gamut from "piece of junk", to "superb" to just plain confused. This is a must-see movie, and from there you're on your own, you have to decide for yourself. Note, however, that this film follows its own course -- *loosely* based on Ulysses, and with its own symbolism, characters, and themes. To spot them all you will need to watch carefully, think constantly, and, in all likelihood, see the film many times more than once. Not to worry, it improves with each viewing.
I realize this movie came out 18 years ago, but I wasn't on IMDb then. Did IMDb even exist? I don't know. But as I'm sitting in the barbershop right now, this movie is being played on the tv right now, and I'm reminded how much I love this movie. In my opinion, one of the best comedies ever made. I know it's not for everyone (I have friends who hate it), but it's a classic to myself and some others I know. Excellent writing and acting.
¿Sabías que…?
- TriviaThe film's soundtrack became an unlikely blockbuster, even surpassing the success of the film. By early 2001, it had sold five million copies; spawned a documentary film, three follow-up albums ("O Sister" and "O Sister 2") and two concert tours; and won Country Music Awards for Album of the Year and Single of the Year (for "Man of Constant Sorrow"). It also won five Grammys including Album of the Year, and hit #1 on the Billboard album charts the week of March 15, 2002, 63 weeks after its release and over a year after the release of the film.
- ErroresThere is a very heavy focus on the use of the Confederate Battle Flag at the KKK rally. However, the association of the KKK (and racists in general) with the "Rebel" flag grew out of the Civil Rights conflict of the 1960s. During the Twenties and Thirties, the peak of KKK membership, only the U.S. flag was represented at KKK rallies, even in Mississippi.
- Citas
[Repeated line]
Ulysses Everett McGill: Damn! We're in a tight spot!
- Créditos curiososThe credit for Alan J. Schoolcraft, the president of operations for Mike Zoss Productions, is all in Spanish: "El Encargado de Mike Zoss Productions"
- ConexionesFeatured in The 58th Annual Golden Globe Awards 2001 (2001)
- Bandas sonorasPo Lazarus
Arranged by Alan Lomax
Performed by James Carter and The Prisoners
Recorded by Alan Lomax
Courtesy of Rounder Records
By arrangement with Ocean Park Music Group
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- O Brother, Where Art Thou?
- Locaciones de filmación
- D'Lo Water Park, D'Lo, Mississippi, Estados Unidos(sirens scene)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 26,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 45,512,588
- Fin de semana de estreno en EE. UU. y Canadá
- USD 195,104
- 25 dic 2000
- Total a nivel mundial
- USD 71,877,090
- Tiempo de ejecución
- 1h 47min(107 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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