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It's like a breath of fresh air to see a drama driven by characters rather than by a typical Hollywood plot. If this were any other drama, someone would get cancer, the little boy would go missing, the stars would look like supermodels, and the characters would talk with a screenwriter's emotional phrase. Here, the characters think, act and talk like real people. They could be us. That's the genius of this movie. If you want fantasy, don't see this film. If you want to be touched by great acting and a wonderful plot that shows the complexities of human relationship, see this film. This isn't Terms of Endearment, Steel Magnolias or One True Thing. This is real.

Not all stories need a crisis for the characters to resolve or an issue to press to be compelling. Some stories are just slices of our workaday worlds, packaged and presented in such a way as to entertain us. "You Can Count on Me" is one such story, and its cinematic telling results in one of the best movies of 2000.

The story's protagonists are two siblings, Sammy (Laura Linney), a divorced, single mom living the middle-class life in her small up-state New York hometown, and Terry, her foot-loose, presumed screw-up, brother. Apparently, he rarely visits, but when he does its because he wants something, usually money. "You Can Count on Me" recounts one such visit. That's about it plot-wise. But the movie looks deeper into their lives; Terry's impact on Sammy's 8-year old son, Sammy's relationship with her old boyfriend, and her new boss, Terry and Sammy and their differing expectations of one another.

I hope this doesn't sound boring, because it's not. The movie illustrates these lives and relationships without Freudian analysis or angst. Things are what they are, and it's a treat to share them.

How could anyone call this film the worst they've seen in years? The acting wooden, the characters uninteresting???? "You can count on me" is storytelling at its finest. It should've won best screenplay because Lonergan's writing and directing is pure, honest and engaging. Ruffalo's acting was superb as was Linney's. Definitely a pleasure to watch.

I don't. This is just one of Those Movies, y'know? Shot for shot it's great. The cinematography definitely knows what it's doing and it's VERY mindful of itself in such a way that we can ignore it if we're not paying attention to it. As such, the camera steps out of the way and we're free to absorb the story, as simple as it may be. Man... I honestly loved this movie. The acting was top-notch, the principles were great and everyone else was cast so perfectly that every second of the film just falls into place. Just go see it. Please. Mark Ruffalo gives a fantastic performance as an Unfamous, Untalented Bob Dylan. The script is not heavy-handed. It's charming without being aware of itself. It's just a really really good film in the style of good films (re: The Sweet Hereafter) that's going the way of the dodo under the weight of these iconoclastic Hollywood heavy hitters (re: Shaymalan et al). Such a good film. So good.

I almost didn't know anything about this film, but when it came out on DVD, a lot of critics recommended it, so I checked it out. And - wow! A real little gem of a movie that perfectly blends drama and comedy.

The story may be slight (to say the least), it's basically just a couple of days in the life of a sister and her brother, and the people around them in a small town. No real beginning, and no real end, but a fantastic, original script, and some really great acting. Mark Ruffalo and Laura Linney (she gives one of the best performances I've ever seen on film) are both extremely likable despite their characters' flaws, and it fun to see Matthew Broderick in a different kind of role for him.

A film about ordinary people, living ordinary lives, all done in a near flawless way. Great script, direction, and acting - that's something you don't see every day, so make sure you see this one.