Enemigo al acecho

If you go into this film hoping for an historically accurate portrayal of the battle of Stalingrad then go watch a documentary, if you are however looking to be entertained by an action packed and gritty WW2 movie set in the city of Stalingrad, then go ahead and pick this up because it's nothing if not entertaining.

The movie is about the real life sniper Vasily Zaitsev played by Jude Law and his exploits during the famous battle, the beginning of the movie is complete chaos as our main hero is sent to the front and we see the besieged and infamous city for the first time. It's honestly worth watching this movie just for the opening scene alone which is just incredibly well done in all aspects and portrays some of the horrors that the soviet troops would have witnessed when arriving there.

Overall this is a highly entertaining war movie, fantastic CGI for the time, everything is well shot, the set pieces are gorgeous and even the acting and characters are well done.

All that said this is of course a Hollywood production, don't expect much in the way of historical accuracy and definitely expect a silly love story (though not the worst) and everyone speaking English with poor Russian and German accents.

No doubt the title is an indication of what the film would LIKE to be about. The Germans forces were indeed "at the gates" - they are on the verge of capturing Stalingrad, they would lay siege to Leningrad, and at one point even Moscow appeared to be in danger. The situation was desperate. But after we're told all this, the position of the German army turns out to have no more to do with the story than the position of the sun in the zodiac. After a bitter, violent battle over - well, we're never told - nothing of a military nature happens again. Not even offstage. (Until the end, when, after a brief "offensive" of unfathomable significance, an epilogue tells us that the Germans were repelled from after all.) All the action in Stalingrad freezes so that we can watch a protracted duel between a Russian and a German sniper.

Now I'm prepared to believe that snipers played a valuable role in this kind of warfare - I wouldn't know - but Vassili's primary value, we must assume in the absence of information to the contrary, is as propaganda - a means of keeping up the morale of the local troops. But there's something circular here. The snipers are the only people we see doing any actual fighting, and by the end of the film they seem to be devoting all their efforts to shooting a German sniper who is in turn doing nothing but trying to shoot Vassili. What does ANY of this have to do with, you know, the invasion?

The fact that the troops of a hostile foreign power are on Russian soil (they haven't yet been defeated, and it looks to be only a matter of time before even Moscow would be overrun) doesn't seem to motivate the characters to do much. Nobody makes a single decision for the good of the war effort as a whole. Danilov builds up the Vassili legend because of personal feelings and is ready to tear it down later for other personal reasons; Tania wants to kill Germans - kill them herself, by hand, rather than help her fellow soldiers as best she can by working in intelligence - because they killed her parents; Danilov tries to transfer her to a safer job not because that's where she should be (it's a mere coincidence that that IS where she should be), but because he's hitting on to her; Vassili's heart isn't in the duel with the German sniper until he has a casual acquaintance's death to avenge. When Sacha's mother is told that her son is a traitor (now serving the forces who have bombed the city she grew up in to rubble), her only reaction is, "Perhaps he'll be safer with them than with us." Wherever we look, we see dreary personal concerns. Did any of these people notice that the enemy IS at the gates?

If Anaud was trying to make his characters more plausible by making them pettier, he failed. When Sacha tells a third party what we supposedly already know - that Tania is in love with Vassili - it came as news to me. I hadn't seen any insipient love anywhere. I suppose I ought to have worked it out, by assuming that the single female character must be there to fall in love with someone and using a process of elimination to work out who it was (she plainly didn't care for one of the two candidates, therefore she must be head over heels with the other one), but really, even in a movie as dull as this, I have better things to do.

After watching such films as "Saving Private Ryan" and "Patton;" I have come to appreciate war films. For this reason, I decided to see the latest war film, "Enemy At The Gates."

"Enemy At The Gates" may be one of the best war films I have seen since "Saving Private Ryan" because it is executed perfectly. With incredible performances, script and the impact I felt; "Enemy At The Gates" sets the tone as the first great war film of the 22nd century. This film can be served as the appetizer to the main course coming out soon, "Pearl Harbor."

Jude Law, Joseph Feinnes, Rachel Weisz, Ed Harris and Bob Hoskins come together to re-visit the Battle of Stalingrad in 1942. The best thing about seeing each one of the actors perform was they all gave 100 percent effort to make the film as real as possible; they did an excellent job. Fiennes, Weisz and Hoskins were the icing to a cake that was delicious from the start.

The highlights of "Enemy At The Gates" always came when Law and Harris were on screen because they played excellent psychological mind games with one another to win; furthermore, it was like watching master chess players playing for the grand prize. It was also enjoyable to see the strategies and tactics each would use to out-maneuver the other.

"Enemy At The Gates" drew me with its many action sequences similar to those in "Saving Priate Ryan." Also, the love triangle between the three main leads was interesting to watch and see how it would unfold. I felt like I was in the movie because the writer did an excellent job at making me feel exactly what they felt and experience what they were going through.

There is no rule that states dialogue is needed for a successful film. While "Enemy At The Gates" has dialogue, the scenes that have none stand out in my mind the most because we see close-ups of both snipers and the expressions on their faces. This is incredible to me because the intensity shown on their faces speaks volumes about what the movie is really about.

This may not be the best war film ever made but with two of the brightest young stars on the rise, an actress that is here to stay and a veteran that continues to turn in knock-out performances, "Enemy At The Gates" will be remembered for a long time.

In "Enemy at the Gates," the future of the greatest battle of World War II, would be decided between a young Russian sniper and an aristocratic sharpshooter from Germany sent to kill him… Jude Law and Ed Harris sit for hours waiting for the right moment… It was a duel set in the siege of Stalingrad… Stalingrad was one of the biggest and bloodiest battles of World War II, and in the midst of this huge battle, these two soldiers were hunting each other down…

The film opens with the harrowing transport of thousand of Russian soldiers across the Volga River to Stalingrad… The recruits were packed onto steamers, barges, whatever they could find to ferry them across the river… All that under a deluge of shells, bombs and explosions…

By the time Vassili arrives to Stalingrad, the Nazis have a distinct edge, and Soviet morale is at an all-time low…

Leading the Russians in their seemingly futile defense is Nikita Kruschev, played by Bob Hoskins… The Germans, at that time, were overrunning the place and the Russians were in an appalling state… It was the most awful battle of the war…

Joseph Fiennes plays Danilov, an idealistic Russian officer who passionately speaks about his belief in getting the troops to turn the grave situation in Stalingrad around… He finds the perfect inspiration in Vassili…

Rachel Weisz plays a young woman who volunteers to help in the war effort… She's literally protecting the people she grew up with… When she meets Vassili, he just has a natural intelligence, a natural instinct…

Jude Law is remarkable as the young sharpshooter Vassili Zaitsev who conveyed both humanity and intensity… There's such a fierce intelligence and liveliness in his eyes… He can also be very quiet and internal… Vassili found the complexity within the silence and stillness… In fact to be a sniper is very much about a man of action through stillness… Vassili represented the ultimate hero, the symbol of someone who could instill hope and belief in victory amongst the troops, because his skills as a sniper were unparalleled…

Ed Harris played Major Konig, the German sharpshooter sent to hunt down Vassili… He knows that Vassili was picking off German officers with some regularity, and was becoming a folk hero for the Russian soldiers as well as the Russian populace... He decided to eliminate him…

The casting of Ed Harris opposite Jude Law resulted in a striking visual link between their characters… They both have these unbelievably penetrating blue eyes… And director Jean-Jacques Annaud began to see the duel through their eyes… And one of the first shots of Ed Harris was a close-up of his blue eyes…

Annaud painted the tensions very clearly and concentrated purely on the eyes of the Jude Law and Harris and, of course, on their rifles and how they were hidden and what they were doing… Basically, the core of his camera is the duel of their eyes, duel of men, duel of snipers, therefore a confrontation of people that scan the surrounding buildings, and try to decipher what they see

I went to see "Enemy at the Gates" with my husband, as I knew it was about his favorite battle of his favorite war that he watched continually on the Military Channel. After having to endure a harangue the whole way to the screen about how we would be seeing the real battle that won the war, not that inconsequential D-Day that "Saving Private Ryan" made such a big deal about as the U.S. didn't come in until the Russians already had turned the tide, I asked could he please be quiet during the movie and refrain from commenting on inaccuracies, etc. until after.

But other than the clarification I needed between the Battle of Leningrad and the Siege of Stalingrad which I always mix up (whoops, I think I just did it again), and Hitler's and Stalin's fallacies as military leaders in relation to the symbolic importance of the Volga (and the movie could have used more strategic explanations), he and I pretty much agreed about the movie.

There's a taut, gritty war movie screaming to come out of a drekky melodrama. The best parts are the battles, of troops and individuals. The opening sequence of soldiers thrown from trains to boats to the front line is terrific and frightening.

The one-on-one between Ed Harris's Nazi sharpshooter and Jude Law's hunter (though he doesn't do working class too convincingly) is exciting.

The most captivating surprising is Bob Hoskins as Krushchev. He completely inhabits the character and brings him completely to blood and guts life - showing just what it takes to survive as a top man to Stalin.

There was also more potential in Joseph Fiennes' political officer as insight into propaganda that is only occasionally effective (after all, "Ryan" was similarly about a PR stunt).

I thankfully dozed off during most of the ridiculous sub-plot of the love triangle. There appears to be only a couple of women living in this city, and they sure do get in the way, as these few can themselves provide multi-lingual translations, sex, food, lousy child care and brave sharpshooting.

The music by James Horner is atrociously bombastic, wincibly so.

(originally written 3/31/2001)