The Girl in the Picture

THE GIRL IN THE PICTURE is your usual quota picture, a British crime thriller about a crusading journalist who's hunting down a pretty girl seen in an old photograph. The twist is that in said photo she's seen waving to the driver of a car later linked to an unsolved murder, so by tracking her down he hopes to find the murderer himself.

There are good and bad things about this movie. Donald Houston is a rather poor and uninteresting choice of lead, but Patrick Holt in support is much better as the wry detective. The lovely Junia Crawford had a brief B-movie career in the late 1950s before dying young. There are a handful of scene-setting moments that ably bring the 1950s to life, but Don Chaffey, who later directed JASON AND THE ARGONAUTS, does a strictly pedestrian job and can't seem to work up much steam. The villain is a weak and non-threatening one too. Scriptwriter Paul Ryder's best work was in the Stanley Baker heist thriller, A PRIZE OF ARMS.

A 4 year-old photograph published in the London Evening Echo provides a clue to an unsolved murder - intrepid reporter Deering (Donald Houston) and Inspector Bliss (Partick Holt) are soon hot on the trail of the 'Girl in the Picture'! Surprisingly good little mystery from the days when you got your money's worth at the pictures (supporting features, etc.!).

Check out the bespectacled office boy, Wilfred - he's credited as David Greeves, but is better known as James Booth, probably world famous for his excellent portrayal of Henry Hook in 'Zulu'.

Sadly, James Booth passed away in August 2005.

Interesting not only for the shots of late fifties Hammersmith (News Of The World - Players' Weights) but also for the following;- 1) Paddy Joyce (as garage-owner Jack Bates - nice Dublin accent, by the way), was actually the nephew of James Joyce!

2) Tom Chatto (George Keefe, the murdered cop's brother) was the father-in-law of Lady Sarah Armstrong-Jones - the niece of the Queen!

(He's also a descendant of the Chatto of publishers Chatto & Windus fame).

Nice to imagine the two actors attempting to out-relly each other during a break in filming. (For my money, Paddy's got the top trump!)

A quota-quickie from the 50s with intriguingly unexpected connections.

Feel free to amaze your friends with that one...

Newspaperman Donald Houston takes another look at a picture of a robbery gone wrong. There's a girl waving at someone in the getaway car. He goes in search of Junia Crawford, while Detective Inspector Patrick Holt smells his own boutoniere, waiitng for something to turn up.

It's a nice case of the newspaperman out-detectives the police, and doesn't quite get it right. There's nothing extraordinary here, but everything is done just about right, with a nice role for Paddy Joyce as the boy she left behind. The final do-up is well shot and edited, showing that a decent script, and decent work in all departments produce a good movie.

The usual nonsense with it's tongue in it's cheek about an eager young reporter hot on the trail of the big story directed by the up-and-coming Don Chaffey on half a shoestring with a thundering musical score on the soundtrack. The tinny studio scenes are compensated for by the occasionally vivid photography and vintage location work preserving for posterity a Hammersmith of trolly buses and bobbies on the beat.

In the title role Junia Crawford was plainly chosen for her striking looks rather than her acting ability, Patrick Holt plays a dapper detective with a carnation in his buttonhole, Maurice Kaufman is a very saturnine villain and a young James Booth appears uncredited as Donald Houston's nerdy press room assistant.