Sôseiji

After having been impressed by the Tetsuo series, Gemini was all I was hoping for and much more. The cinematography is some of the most beautiful and evocative I've seen, with wonderful use of colour, light and design. Though I'd been told this movie was not "cyberpunk" like testsuo, in a way it had a similar ethic, questioning "what makes a person a person", although in this case it's more about what makes one "good or evil". I saw it the same night as I saw another popular Japanese horror, "The Ring", which curiously also features a well, but I found Gemini much more sinister and frightening.

I was incredibly impressed by Shinya Tsukamoto's surreal cyberpunk classic 'Tetsuo', one of the most startling, original and disturbing movies of the last twenty years, and also knocked out by 'Tokyo Fist' his hyperkinetic and violent study of macho competition. Now, once again I'm impressed, this time by 'Gemini' his beautiful and haunting story of identity confusion, and sibling rivalry. The movie is said to be based on Edogawa Rampo's short story 'The Twins', but I've read it and it has virtually nothing to do with this film. Whatever, it doesn't matter, Tsukamoto has taken one or two ideas from Rampo's (excellent) story and expanded it into more interesting and inventive territory. Masahiro Motoki is brilliant in a duel role as the uptight bourgeois doctor and his malevolent criminal twin, and Ryo is beautifully enigmatic as his (apparently) amnesiac wife who is harboring a secret or two. 'Gemini' is a brilliant piece of film making, and I highly recommend it.

Great acting cast . decent production. good direction. . .

This film is based on a story by Edogawa Rampo, a japanese writer who was so enamoured of Edgar Allen Poe that he even took on his name. This Film is the best evidence I've seen of Poe heavy influence. The twins, the well, the wife.... at times I was reminded of "Tell-Tale Heart", "Cask of Amontillado" and "Fall of the House of Usher". Yet the film's art direction and directorial style took these themes in brilliant new directions. I loved the sound design in the early part of the film using Bulgarian(?) female chorus voices to punctuate the terror of the dark house as the wife searches for the father-in-law. The hair and make-up on the wife made her both beautiful and poisonous at the same time. A uniquely creepy film.

The Japanese trademark in horror pictures is fully underlined in this production, the stunning visual is the prominence, the young director Shin'ya Tsukamoto introduces many unusual elements that boost how he displays his newest concept.

This macabre tale takes place post WWI around twenties when a well-born young doctor Yukio returns of the war and starting clinical exercise to cater wealthy clients, the he enchants by a girl called Rin naked at the river, even knowing that such girl actually is poverty-stricken from slum, even under letdown of his parents he marries her.

However Rin previously had a relationship with a guy extremally resemblance called Sutekishi a sort of orphan found in a basket at river by a poor man who raised him ever since, he becomes a thief, being rejected by his stepfather, he lost Rin who now lives with Yukio in a upper-class family, Sutekishi sudden appears scarring deadly Yukio's parents and trapping him at old pit, posing as Yukio henceforth, he keeping alive his brother at pit for a while, strangely the twin brothers will slowing changing their behaviors, something like backward process each one taking on each other's identity, sadly the movie stays inconclusive, letting to the viewers seek the answer at your leisure.

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First watch: 2022 / How many: 1 / Source: DVD / Rating: 7.