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The rest of the movie was a little too self-consciously "arty' for me, but Holly Hunter's performance made it all worthwhile. Her scene on the street was absolutely heart-stopping in its truth. The depth of her emotion is almost an embarrassment to watch. Wonderful stuff, Holly...

A look at the lives of several different women in five separate stories. Writer-director Rodrigo García isn't indifferent to the characters he's depicting--one can sense that he wants to dig to the very core of a woman's emotional being with these portraits--but his chapters are handled oddly, in clinical fashion. Garcia also fails show off his star-actresses to their full advantages, particularly in the cases of Calista Flockhart and Holly Hunter--both weakly used. Of the group, Cameron Diaz is the most surprising, delivering a focused, balanced portrayal of a blind woman (her crying scene, shot in close-up, is quite stunning); however, these ladies aren't the living, breathing, suffering people they're meant to be. This unreleased theatrical feature, facile though it may be, was certainly a step forward in showcasing great femme talent, but the end result is a mixed-bag. ** from ****

This film consists of several different stories that are very loosely connected to each other. I was drawn into each individual story but would have liked to have known more about them. What would have made this film really good in my opinion is if there had been a single strong story line woven through all the stories; an interconnection that would have kept the coincidence intact, but would have made it an unseparable whole. That is what I missed. I am very happy though that at the end there was a kind of closing to each of the stories, but that really deserved more time. So a good film, with interesting characters and good portrayals, but it lacked the depth and interconnection that it made me both expect and hope to find.

The only other movie I've ever been moved to write a comment for was Mission to Mars. Unlike MtM, which I was moved to review due to it being one of the very worst movies I've ever seen, this one is truly touching. Things You Can Tell... is a testimony that an American movie, with well-known American actors, can be delicate, beautifully acted, and most of all, not chewed and explained to death. It does not regard its viewers as braindead; neither does it regard them as artsy. It is a movie for everyone, about people just like us.

This is not an art-house movie - the story plot is a collection of stories about the everyday lives of everyday women (the reviewer who said she never seen such repulsive characters might be in for a shock if she actually talks to her daughter / mother / sister).

It shows women beautifully, and absolutely believably. It also shows nicely that diversity is not a question of the skin color, but of the attitude (hence the stories feature only white women).

It's also not a chick flick - while certainly it will be loved by women, it also works for cynical, hard to move guys like me.

Watch it, it's really good, in a not-in-your-face, subtle way.

The greatest virtue of this movie resides in the close look the camera focuses on stories and characters. Slowly but relentlessly, humorous and cruel at the same time, it allows the time needed for seven wonderful actresses to reveal their most intimate and contradictory feelings, without relying exclusively on the dialogue. Thus, the stories really turn to be things you can tell about these women by just looking (attentively) at them.

And isn't watching carefully what a movie is about?

The result of this very "objective" look is the healthy absence of a moral, a trap writers tend to fall into when dealing with lesbian love, mortal diseases, abortion, loneliness, egotism, discrimination, etc.

It's been labeled by some as a "feminist" film, another often mistaken category into which films with women protagonists fall into. I believe it's far from being such. It should appeal to both sensitive and sensible men and women.