Agrega una trama en tu idiomaAl Giardello is shot and the detectives of the Baltimore Homicide Unit return to work to solve the case, including Howard, Munch, Bayliss, Meldrick, Bolander and Kellerman.Al Giardello is shot and the detectives of the Baltimore Homicide Unit return to work to solve the case, including Howard, Munch, Bayliss, Meldrick, Bolander and Kellerman.Al Giardello is shot and the detectives of the Baltimore Homicide Unit return to work to solve the case, including Howard, Munch, Bayliss, Meldrick, Bolander and Kellerman.
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- Nominado a 1 premio Primetime Emmy
- 1 nominación en total
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Opiniones destacadas
Homicide: The Movie is definitely in the mold of the last two seasons in that it's good but the magic is missing, the movie is a pretty good effort all the same though. Pembleton is back to his old self and old favourites Brody and Detective Howard are back, although their input is minimal. I liked spotting actors from the HBO show "Oz" (not coincidentally this movie was co-written by Oz creator Tom Fontana).
Homicide: The Movie is worth watching but it's not great, eg. I didn't bother burning a copy of the rental DVD, I'd rather hold out for a DVD boxset which I'll probably have to import from overseas. The story is fairly interesting but still isn't up to the standard of the early days of the show, the presentation is very "TV movie" but we can hardly knock that given its source material. The writers went for Bayliss/Pembleton as the main dynamic which is reassuring, but again the magic is never quite recaptured.
Homcide: The Movie ends up being a fitting end to the unfortunately downward trend of the TV series. It was good to see all the characters back but it ends up being yet another installment of Homicide that doesn't live up to the show's brilliant first five seasons. It was a good effort though.
To me, the movie doesn't really work. The story is just an excuse to bring the characters back together and frankly misfires a little, having one of the show's best, Giardello, out cold for most of its length and unable to interact with anyone. I was also a little uncomfortable with the appearance of Adina Watson, given that the case was based on a real life tragedy. Still, it was nice to see Jon Polito and Daniel Baldwin back from the dead.
Season 7 turned out to be far better than I was expecting, having read some fairly awful things about it on the internet. The final episode wrapped things up beautifully, mirroring and reversing the events of the very first as Tim Bayliss packed his things and quietly walked out of the Unit. The movie just wasn't needed.
Let me just say, I was not disappointed at all. It was one of the most powerful 2 hours of television I've ever seen. It was great to see everyone back again, but the biggest pleasure of all was to have Andre Braugher back, because the relationship between Pembleton and Bayliss was always the strongest part of an all-together great show.
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- TriviaAccording to Tom Fontana, Ed Begley Jr. is indeed playing his character Dr. Victor Ehrlich character from Fontana's previous show St. Elsewhere (1982). He is not mentioned by name to avoid having to get legal clearances.
- ErroresMike Giardello is working as a uniformed officer with the Baltimore City Police after leaving the FBI, when he runs into Lewis and Falsone he says he is working on getting his detective shield. However someone that had over a decade of experience as a special agent with the FBI more than qualifies to be a detective, Mike wouldn't be required to work as a patrol officer first.
- Citas
Tim Bayliss: So, you... you'll take me in.
Frank Pembleton: 'I'm gonna take you in' - are you wild?
Tim Bayliss: No - you'll take me in, Frank.
Frank Pembleton: [Shakes his head] No.
Tim Bayliss: Did I take... a bullet for you? Huh?
Frank Pembleton: No, no, cut it out...
[Tim lunges at Frank]
Tim Bayliss: Did I take a bullet for you or not, huh?
Frank Pembleton: I am NOT taking you in...
Tim Bayliss: DID I TAKE A BULLET FOR YOU? I take a bullet for you, and you take a bullet for me - now THAT is square business, Frank!
Frank Pembleton: This is not taking a bullet for you, this is you wanting me to toss your ass in the jackpot! You're confessing to a murder, Tim, do you understand that?
Tim Bayliss: So you want someone else should take me in? Someone else should bust me...
Frank Pembleton: No. No, no...
Tim Bayliss: Is that what you want? Then it HAS to be you!
Frank Pembleton: NO, NO, no! No...
Tim Bayliss: [Grabs Frank] Frank, listen to me! Listen. I've thought about eating my gun, and I'm gonna EAT that gun RIGHT NOW if you don't do the right thing for me, Frank, for right here!
[Gestures to his head]
Tim Bayliss: I have no other... no other option, Frank. Please...
Frank Pembleton: [sighs] So you thought about putting a gun to yourself?
Tim Bayliss: Yeah. Yeah, you'd be saving my life, I dunno for how long, but for now... at least you would.
Frank Pembleton: [Takes a deep breath] I believe that you did not mean to do this killing.
Tim Bayliss: ...yeah, you believe what you want to believe. That's okay.
Frank Pembleton: So we're gonna turn around, right now, and we're gonna go back inside. Okay?
Tim Bayliss: [Anguished, he takes out his badge] Never put off the inevitable, Frank. It's gotta be what it's gotta be.
[Presses the badge into Frank's hand]
Frank Pembleton: [Crying] Son of a bitch...
- ConexionesEdited from Homicide: Life on the Street: Forgive Us Our Trespasses (1999)
- Bandas sonorasPick Myself Up
Written and Performed by Peter Tosh
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Detalles
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- También se conoce como
- Homicide: Life Everlasting
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