When Brendan Met Trudy

Quiet, self-absorbed teacher Brendan (Peter McDonald) meets outgoing thief Trudy (Flora Montgommery) and, following the old maxim 'opposites atract', they fall madly in love. She introduces him to the intricacies of breaking and entering, while he introduces her to the beauty of sung hymnal music.

The film is a veritable reel of visual and oral quotes, which you must be (like screenwriter Roddy Doyle) a real film fan in order to get them all. However, the constant quotation does not get in the way of the story, which is by turns funny and tragic.

Good story, lovely accents, fantastic external shots around Ireland and some nice views around Dublin make this film a genial and pleasent way to spend an evening. 7/10.

Shy secondary school teacher Brendan is very much a mother's boy who sings in a choir. Out in the pub one night Brendan gets talking to Trudy, a lively young woman and he is amazed when she agrees to go to the cinema with him. When he gets stood up he goes after her and the two go out to the cinema then back to her place. As their relationship grows Brendan begins to suspect that Trudy's late night walks are not what they seem and he gets involved in her nocturnal world.

In two minds over whether to bother with it or not, I decided to give this a go on the strength that many Irish comedies have surprised me by how different they have been from what I expected. I was happy to see that this continued that trend by mixing a weird romance with Father Ted style humour. This humour is best seen in the little things on the side such as the news on TV reporting `an American official said today that Ireland is great' and things like that. On top of this, because Brendan is a big movie fan we also have lots of movie references (none subtle mind you).

Where the film gets a little heavier is the second half where the movie leans into the relationship side rather than the offbeat comedy side. The film lurches a little more as it become serious and it takes a lot of the energy out of it, spoiling the mix. Generally though it is different enough to carry it through the weak spots where the plot suddenly starts to do something of consequence. It really is only in the second half where the plot tries to do something and really falls apart – major plot lines are simply lost (the Nigerian?) until a tidy final credits summary and much of it doesn't make much sense.

McDonald is good as Brendan, shy when he has to be but still shy underneath when he is trying to come out of his shell. Montgomery is lively but her character is not so strong as she is only really noise and energy. The support cast are all pretty good and are rewarded with having the side-jokes to make away from the responsibility of carrying the main plot – Mclynn of Father Ted fame is probably the most recognisable face.

Overall this works when it comes to the Father Ted style side jokes but is weaker when it comes done to the business of the actual plot. Forced to have something of consequence happen the film goes off a little bit and loses it's sense of humour a bit. Having said that this is still funny enough to justify a watch despite some plotting weaknesses.

Roddy Doyle has a well deserved reputation as a fine author, whose (very funny) books are grounded firmly in acute social observation. It's therefore something of a surprise that for this, his first film script, he chose to knock out such a whimsical comedy, packed with daft jokes, wacky plot, knowing film references, and occasional moments of pertinent satire. Realised with brio by director and cast, the result is a film that is flimsy, unpretentious, and hilarious. Watch it and cheer yourself up!

Watched this on BBC2 last night.Still chuckling on Sunday morning.Completely square,choir-singing young school teacher meets dishy,wacky ,feisty blonde.Highlight of the film is when Brendan sings Iggy Pop's "The Passenger" to his classroom full of bemused kids.Well he does sing it in an over the top operatic style somewhat like a drunk singing "I'll Take You Home Again Kathleen".Superb.References to famous films abound from steals from "The Producers" to scenes appropriated from art house French films with sub-titles in Gaelic!Do yourself a favour and find a copy of this film.

The title has a romantic comedy resonance (`When Harry Met Sally') and, true, this is a romantic comedy, but it's different – Irish, in fact. It has an edgy character that seems to say it's just that little bit more dangerous to laugh here. The opening scene is of a man in pouring rain lying face down in a Dublin gutter and a voice over saying `it all started six months ago'. Brendan (Peter McDonald), history and English schoolteacher and film buff, best described as afraid of life, meets Trudy (Fiona Montgomery), blonde, bouncing, full of life, and Brendan is swept along. Trudy, however, has a secret…at first Brendan thinks she might be the Rathmines castrator, but she turns out to be a professional thief. Naturally Brendan gets involved, and the climactic caper is an attempt to steal computers from Brendan's school, which Brendan justifies on luddite grounds - the kids need to learn how to think without machines – a chalk is the only technology a good teacher needs, says Brendan.

Despite the rain, this film, written by Roddy Doyle and directed by first-time director Kieron Walsh, is really a very sunny piece. As Brendan becomes more and more distracted, his elderly headmaster summons him in for a talk, only to tell him not to worry about the complaints. The spirit of rebellion infects Brendan's mother, who starts to use words you don't expect Irish mothers to use. Brendan's sister and husband (`middle class and proud of it') turn out to be a bit kinky as well.

Peter McDonald (a younger Jeremy Irons) is perfect as the po-faced Brendan, and Fiona Montgomery manages to carry off a rather unlikely character with great panache. The minor roles are filled with good performances also and the whole cast blend in beautifully. Thank goodness the producers didn't try (or couldn't afford) to cast big names.

There are all sorts of references to Hollywood classics and non-film buffs will be driven mad by their film friends digging them in the ribs with an excited `oh that's from `Sunset Boulevard', or `African Queen' ` or wherever. The film buffery is sent up too, with unexpected twists been given to some great scenes of the past (have you ever wondered for instance what happened at the end of `Singing in the Rain' after Gene Kelly throws his feet in the air?). It's all good fun on its own terms and the `what happened to whoever' sequence at the end is one of the funniest of its kind.