En esta secuela de Entrevista con el Vampiro, Lestat se convierte en una estrella de rock y con su música despertará a la bella y monstruosa reina de los vampiros.En esta secuela de Entrevista con el Vampiro, Lestat se convierte en una estrella de rock y con su música despertará a la bella y monstruosa reina de los vampiros.En esta secuela de Entrevista con el Vampiro, Lestat se convierte en una estrella de rock y con su música despertará a la bella y monstruosa reina de los vampiros.
- Premios
- 7 nominaciones en total
Megan Cooper
- Maudy
- (as Megan Dorman)
MiG Ayesa
- New York Vampire
- (as Miguel Ayesa)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaAaliyah died in a plane crash shortly after principal photography was completed but had not yet actually performed any ADR redubbing for her character. Michael Rymer called in Aaliyah's brother, Rashad Haughton, to help with overdubbing her voice following her death due to their similar voices, special vocal technology was also used to make his voice sound more feminine.
- Errores(at around 16 mins) The passage that Jesse cites, which tipped her off about Lestat being a real vampire, is not actually part of the song used in the film.
- Versiones alternativasDVD release includes full unedited versions of Lestat's music videos for "Redeemer," "Forsaken" and "System", and Lestat's full concert performances for "Not Meant For Me" and "Slept So Long". DVD also features deleted scenes:
- "Original Opening Sequence with Timelapse" - The idea of this opening scene was to show the passing of the decades to which Lestat slept. However, the production team was not pleased with the prelimenary visuals created for the scene, and ultimately, decided to skip the scene altogether.
- "Original Jesse Dream Sequence and Meeting Roommate on the Street" - Jesse's encounter with a vampire in her dream was cut due to the fact that it raised too many questions as to wether Jesse herself was a vampire. The roommate scene, featuring Pia Miranda, came right after she watched Lestat on MTV, and before the first visit to the Admiral's Arms. It was deemed expendable.
- "Marius talks with Lestat on the Beach" - The scene was trimmed to improve pacing. In it Marius tells Lestat that what keeps him going is seeing what human beings are going to do next.
- "Jesse goes to Admiral's Arms #1" - The filmmakers shot a scene where Jesse visits the Admiral's Arms prior to her Talamasca presentation, but cut for pacing purposes. In it we just see Jesse getting off the subway and then walking down a dark alley towards the Admiral's Arms. Footage of vampires entering the Admiral's Arms is used later in the film when Jesse returns for a second visit.
- "Band Plays in Admiral's Arms" - The instrumentalists are a who's who of Australian alternative rock. Aimee Nash is a rising young actress and singer. Robin Casinader composed the music. Although the filmmakers loved every second of the footage, they knew they couldn't show much of it in the movie, again because of pacing and timing.
- "Groupies with 'Garlic' End" - This scene was cut because the garlic joke was thought to be tonally off. In it, after Lestat's manager, Roger, brings him two groupies Lestat discovers garlic in Roger's coat pocket.
- "Jesse on Plane, Lestat in L.A. Mansion, Jesse Dreams of Akasha, Band Watching Videos" - The filmmaker's dropped the scene of Jesse's flight to Los Angeles because they weren't satisfied with the shock dream, featuring Akasha's attack on Jesse. Meanwhile, the scene with the band was trimmed because the filmmakers decided it didn't make much sense to dwell on them here.
- "The Ancients Rise" - The scene was originally part of Lestat's satellite dish montage. It was cut as a part of the overall de-emphasis of the Ancients.
- "Ancients at Hollywood Sign" - The Ancients storyline was reduced during the course of production because filmmakers felt that there were too many conflicting vampire agendas in the movie. In the final cut of the film, the Ancients are more in the background, and simply serve as allies of Maharet and Marius. In this scene we are introduced to Pandora, Armand, Mael, Khayman and Maharet as they first approach Marius next to the Hollywood sign, and we are given some insight into their relationships with each other. In this scene we hear a line that was used in the trailers, Khayman says "Akasha takes pleasure in only one thing: Destroying life."
- "Akasha Dances" - Basically an extended version of the scene where Akasha kills all the vampires at the Admiral's Arms. Despite the fact that the filmmakers loved every second of Akasha's original dance as well as her closing words to Lestat, this scene was trimmed to heighten tension. In this scene Akasha speaks the famous line which was used in the trailers, "Lestat. Come out, come out, wherever you are."
- "L.A. Mansion, Jesse Talks with Lestat, Extended Flying Sequence" - The filmmakers felt the dialogue between Jesse and Lestat was unnecessarily long, and tightened it considerably by cutting out a part where Jesse tells Lestat about her dreams. However, they regret trimming the flying sequence, as it establishes a suitably romantic mood.
- "Jesse Writes her Aunt and Goes to the Concert" - Originally, Jesse was abducted by Mael at Griffith Park after her encounter with Lestat, and taken to Maharet. After their conversation, Jesse writes a farewell note, and goes to the concert. The scene where Jesse first meets up with Maharet now plays after the concert. After Jesse writes the note she goes out into a desert highway and hitches a ride with some friendly goths on their way to Lestat's concert.
- "Band Backstage at Concert, Jesse Walks Through Crowd, Ancients Watch" An extended version of the scene where Jesse arrives at the concert where we see the band hanging out backstage as the Ancients arrive in search of Jesse. As the Ancients watch the partying concert-goers, Khayman notes "Akasha will not be able to resist this."
- Bandas sonorasForsaken
Written and Produced by Jonathan Davis and Richard Gibbs
Performed by Jonathan Davis
Double Violin and Vocal Improvisation by Shenkar
Jonathan Davis appears courtesy of Epic Records
Shankar appears courtesy of 15 Records
Opinión destacada
Centuries ago, Lestat grew weary of eternity alone and decided to go to sleep and hope that it would serve as a sort of death. The years turn to centuries and something changes to the point where Lestat decides to get up (well, after five more minutes maybe). The sound that awakens him is not the industrial revolution, not the invention of the engine nor world wars but a rather bland collection of heavy metal music. Seeing how their fans worship the musicians, Lestat becomes one, however his fame brings the attention of a group of paranormal investigators in particular the curious Jesse. However Lestat's problems are not them but the other vampires who do not appreciate the publicity he has brought to their kind, not to mention the original Queen of the vampires, Akasha, who wishes to make Lestat her new king.
This film struggles because it opens with a silly idea (that Lestat only returns because of formulaic heavy metal music) that it cannot get over for the majority of the time because it just doesn't scan at all. With this as its main narrative thrust (it never gets away from it) it is no surprise to find that the film fails to engage on more than a "trashy movie" level. It provides enough in the way of entertainment to be watchable but only if you're in an undemanding mood because it doesn't have anything that interesting in it and is consistently just quite bland. It doesn't help that the film feels cheap in many areas. The special effects consist of a blurring effect whenever anyone moves and this gets old very, very quickly. The use of rather basic metal music also makes it feel cheap I'm not sure why but it just doesn't work.
Not meaning to be unkind but you can't help feel the film is smaller when you compare this cast with the cast that were originally in "Interview". Townsend cannot help but send out low-rent vibes; he was enjoyable in League of Extraordinary Gentlemen but here he cannot carry the depth of the character (not that the script helps him out much) and he just does OK but nothing more. Aaliyah's death was a loss to the world of r'n'b but, on the basis of this film, she was no loss to the world of acting as she is terrible throughout. Behind a horrid accent, she seems to think that all she has to do is slink around the screen and, while that works in music videos, it is nowhere near enough for a film. In contrast Moreau is at least interesting even if her character makes no sense she is sexy when she has to be but is also vulnerable at the same time. Perez is dull, Olin is underused and McGann just floats around the edges of the film.
Overall this is a pretty average film. If it is Saturday night and you are just looking for something brief and noisy to pass the time then this might do but there isn't really that much to it. A basic story based on an absurd idea is delivered with poor direction, low-rent actors and a lack of anything special in any aspect very few viewers will be satisfied with this.
This film struggles because it opens with a silly idea (that Lestat only returns because of formulaic heavy metal music) that it cannot get over for the majority of the time because it just doesn't scan at all. With this as its main narrative thrust (it never gets away from it) it is no surprise to find that the film fails to engage on more than a "trashy movie" level. It provides enough in the way of entertainment to be watchable but only if you're in an undemanding mood because it doesn't have anything that interesting in it and is consistently just quite bland. It doesn't help that the film feels cheap in many areas. The special effects consist of a blurring effect whenever anyone moves and this gets old very, very quickly. The use of rather basic metal music also makes it feel cheap I'm not sure why but it just doesn't work.
Not meaning to be unkind but you can't help feel the film is smaller when you compare this cast with the cast that were originally in "Interview". Townsend cannot help but send out low-rent vibes; he was enjoyable in League of Extraordinary Gentlemen but here he cannot carry the depth of the character (not that the script helps him out much) and he just does OK but nothing more. Aaliyah's death was a loss to the world of r'n'b but, on the basis of this film, she was no loss to the world of acting as she is terrible throughout. Behind a horrid accent, she seems to think that all she has to do is slink around the screen and, while that works in music videos, it is nowhere near enough for a film. In contrast Moreau is at least interesting even if her character makes no sense she is sexy when she has to be but is also vulnerable at the same time. Perez is dull, Olin is underused and McGann just floats around the edges of the film.
Overall this is a pretty average film. If it is Saturday night and you are just looking for something brief and noisy to pass the time then this might do but there isn't really that much to it. A basic story based on an absurd idea is delivered with poor direction, low-rent actors and a lack of anything special in any aspect very few viewers will be satisfied with this.
- bob the moo
- 12 feb 2005
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Queen of the Damned
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 35,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 30,336,800
- Fin de semana de estreno en EE. UU. y Canadá
- USD 14,757,535
- 24 feb 2002
- Total a nivel mundial
- USD 45,479,110
- Tiempo de ejecución1 hora 41 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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