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"Shallow Hal" should be a harmless little morality play on finding inner beauty. It is, instead, a mean spirited film that seems to confirm all the things it preaches against.

Fat jokes and stereotypes abound; and may even have been funny if not so utterly far fetched. In one particularly stupid segment, the fat girl is so heavy she breaks her seat at a restaurant. Dumb, unkind and unlikely. Thirty minutes later: fat girl breaks another chair at a different restaurant.

How is Hal supposed to get beyond the unattractive fat? The fat girl herself thinks she's unattractive. Her father also says she's unattractive. At least Hal is shallow. What's Dad's excuse?

Fat people also have no manners. When offered a slice of cake, Rosemary breaks off one-third, grabs it in her bare hand, and walks off through her Dad's office. Do the Farrelly's really think this is how obese people behave? This may fly in "Dumb and Dumber", but Paltrow's character is far from dumb, she is after all educated and affluent.

To show us none of us is above being petty and judgmental, the Farrelly's use a character with crippled, withered legs which drag behind him as he walks, doubled over on his hands. The device is particularily jarring. This characters big joke comes when during a road trip fuel stop when Hal asks why he's donning rubber gloves. "Have you ever walked across a gas station restroom on with your bare hands," he replies. Makes me long for the sophistication of "American Pie."

"Shallow Hal" has it's moments of brilliance, offering a look at the world from some radically different perspectives. But those moments are too few. Sitting through this movie left me with the same feeling I get when I hear a racist joke or see someone ridiculed.

Perhaps the working title was "Hateful Hal." I can't understand why people get so uptight about sex and nudity, when something obscene as this little flick slip under the radar.

"Shallow Hal" was a film that was meant to be both thought-provoking and entertaining when it was originally released in 2001. The romantic comedy, which was directed by Peter and Bobby Farrelly and starred Gwyneth Paltrow and Jack Black, is said to have a deeper message about looking inside rather than outward. Furthermore, even though the film has good intentions and does a great job of spreading certain important lessons, its true morals will inevitably fall short at points.

A self-help guru makes Jack Black's character Hal see only people's inner beauty, and this is the central theme of the story. Hal is captivated by Gwyneth Paltrow's Rosemary, despite her striking physical dissimilarity from Hal's previous experiences. Despite Rosemary's actual physical appearance being far from the ideal standard of beauty, Hal views Rosemary as a stunningly lovely woman, thanks to his newfound perspective. Though it also has some dubious and problematic aspects, the movie presents an intriguing scenario in which inner beauty is contrasted with superficial values.

As a girl who has once experienced and struggled with issues of self-identity and bodily self-worth, I see that "Shallow Hal" gives an important message that we should see and appreciate the inner side of people rather than judging them by their outer appearance. This is a valuable lesson that is particularly relevant in today's society, where we are often fed unrealistic ideals of beauty. The film succeeds in many ways in highlighting the importance of re-evaluating our prejudices and appreciating people for who they really are.

But even with such noble intentions, the film's moral isn't always clear. A few of the scenarios and jokes use cheap humor that could come across as condescending to those who have various body types. Even though Hal's character has an epiphany when he discovers the value of inner beauty, there are moments in the movie when it seems as though the physical attributes of those who don't conform to the conventional beauty standard are mocked. This feature may easily create the idea that when outward beauty remains the standard, inner beauty is of less value.

It's also important to note that the film never fully tackles the emotions of inadequacy and self-criticism that frequently accompany not meeting conventional standards of beauty. People with diverse bodily types often experience issues and insecurities that cannot always be resolved by looking at their insides. While "Shallow Hal" is entertaining, it doesn't often offer a deep enough understanding of the more intricate emotional and psychological aspects of physical self-worth.

In summary, "Shallow Hal" is a film with heart and noble aspirations, although it occasionally tends to address complicated problems pertaining to body and beauty in a superficial manner. Even though the movie aims to help us see past people's outward appearances, it's critical that we acknowledge and address the underlying issues that result from being assessed solely on appearance. While the film's heart is in the right place, there is room for growth in terms of how it is executed to really comprehend and appreciate the diversity of body shapes and self-identity.

Paltrow's pretty good here, I enjoyed this movie a lot. Not great but certainly good, carries a nice message and it's a good premise.

However, a lot of people did get offended by this. The movie kind of does that to itself-though the theme here is "everybodys' beautiful" etc etc and meant to look at how much women are judged by their looks, the movie wasn't as bold as it could have been. If it REALLY wanted to take hold of this issue there would have been more of the "heavy paltrow" not just a few quick shots. Shows the thin paltrow a lot more and it shouldn't. Does anyone get the feeling the movie was almost afraid of it's own subject matter? That's what takes the "oomph" out of the movie and makes it a sweet little picture rather then an outstanding film. Still, it's OK-I know many people, both heavy and thin who saw this, most were not offended by the picture but had the movie aimed for serious movie making instead of predictable Hollywood fare(the former would have been more appropriate for the subject matter at hand) the movie would have been a lot better.

From the posters and trailers, you'd expect the Farrelly Brothers to be crude and offensive with this kind of material but it really isn't. It has a much deeper message than it appears. It knows when to be funny and knows when to be serious. Why so many people disliked it and why critics panned it is totally beyond me!

The movie is about a man named Hal, played by Jack Black, who judges women based on their looks. He keeps failing at it and his attractive neighbor, Jill, even turns him down after he begs her to go out with him. The next day at his job, he's bummed that he didn't get that big promotion and happens to bump into Tony Robbins in the elevator while leaving his work. They get stuck in the elevator and Hal explains him his love life. Robbins then puts a spell on him to see the inner beauty in women so that he can judge a woman based on her personality. Suddenly, things starts to change for Hal. His best friend Mauricio (played by Jason Alexander) notices Hal's fresh new standards with his taste in women and doesn't like it one bit. Hal then begins dating a woman who is overweight named Rosemary, played by Gwyneth Paltrow. He sees her as a beautiful, petite woman and they hit it off. Mauricio, who is much more picky with women and more shallow than Hal, can't believe it.

That's the plot for you and I won't spoil anything, but let's just say that the story is predictable and the characters are memorable. I can't give the cast enough credit for doing such a wonderful job and it's interesting to see Jack Black like you've never seen him before, departing from his usual slacker/stoner role that he's given. Shallow Hal is a movie with a lot of brains and heart to it, as well as a great date movie. There's more to this movie than it appears, so watch it before you say negative things about it and you may be surprised!

It's easy to laugh at this film, because the jokes are so broad, but it's equally easy to be offended. The issue I have with the movie is that, in the course of making the point that we should see the inner-beauty in fat people, the Farrellys are implying that by being overweight you are universally ugly. In fact, in the world of Shallow Hal, if you are fat, you are a well-meaning mammoth who couldn't possibly be fancied unless under hypnosis or after an epiphany.

The movie also seems to suggest that the friends of fat people are ugly, and that uglies keep each other's company because no one else will want to associate with them, which is another reinforcement of social divisions. All of Rosemary's (Paltrow) friends are, as we see at the end, equally fat or gross or otherwise physically undesirable. Most disturbingly, the Farrellys undermine the inner-beauty point they've spent $40 million trying to make through Hal, because Hal's friends betray the judgmental reality. When his buddies see Rosemary for what she is, i.e. grossly fat, they are universally horrified in a "what are you doing with her?" way, which carries a more powerful punch than any of the tepid attempts to suggest she's beautiful because of her personality (moulded, we are told, by years of personal abuse because of her size).

The overall message is correct - inner beauty is ultimately what counts, because a sparkling character will outlast youthful good looks by decades. But the Farrelly's have approached the subject in a way that actually insults, rather than genuinely educates. It's not going to uplift anyone who's overweight, it'll just depress them. The majority of the film perpetuates the idea that being fat or ugly makes you a pariah or the object of sympathy or vulgar fascination.

There are some sweet moments, and a few laughs, so the movie's not a wholly worthless experience. But in the process of making its (valid) point it reinforces, rather than rejects, stereotypes.