Las confesiones del Sr. Schmidt

I was dubious when my 65 year old father picked this DVD up from the shelf at Blockbuster. "Great choice dad!", secretly wondering why I let him pick 2 films out of the 3 in the special offer they had going. You see, my father has a penchant for Woody Allen and anybody who has a rather dry sense of humour, this includes Nicholson.

We sat down tonight, and the first thing that hit me was the way that the film was shot. It is shot using rather blue and green hues, so the film is rather subdued. Secondly, the music stands out. Instead of using a typical 'boohoo' orchestra, the film uses beautiful wandering piano and marimba sounds.

The characters, I could easily relate to. Helen, the faithful wife who is excited about getting to spend a new chapter of her life with her husband. The husband, who obeys his wife but secretly resents it. A sudden change which causes a rethink in everything he has done up until that point.

At first, this appeared to be a comedy, but it was soon revealed to be a beautifully poignant film. Throughout, it questions mortality, what you can achieve in life, and how to cope with loss, or change. I don't think I have ever cried as much in 2 hours as I did during this film, and yet at the same time laughed so hard that my sides were splitting.

I would thoroughly recommend anybody to watch this film. It will stay with you for a long time.

I spent a day watching "About Schmidt", with Jack Nicholson... and then the evening rambling through reviews, since my wife's perception of the ending differed somewhat from mine....

Conflict can often lead to enlightenment and discovery, but not so in the case of Warren Schmidt. In his case it leads to a life of complacency, denial, delusion, and passive-aggressive behaviors... and eventually, to a meaningless life of servitude devoid of passion or purpose.

Since my wife and I are around the same age as the character, and we ponder the same issues of our lives, the film had more significance to us. I found the work to be a cinema-graphic piece of art laced with symbolism and dark humor (at best). I likened it to previous movies like "Death of a Salesman", "The Apartment", "The Swimmer" (Burt Lancaster), or a short filmed called "The Bridge".

As a cautionary tale (or social comment) on the "American Way" of life, the messages it conveys are slightly exaggerated, but nevertheless there to be debated. We are talking about identity, achievement, interpersonal relationships, and the "average IQ".

In the end, I believe this film will become one that is studied in future classrooms, and it was brave of Nicholson to participate in such a character study and a work intended primarily for writers, actors, and directors. If laughter is "the sound we make when we are surprised (or shocked) by the truth", then the amount of humor you find in this film may be directly related to your own level of naivety or denial. After all, laughter can often be just another defense mechanism, right?

Some movies are straightforward, some are magical, some are mystical, and then, some are symbolic. This movie falls into the last category. The use of time, space, cognitive dissonance, and Irony abound in this work and challenge us to look, think, and feel.

Notes: we would have cut or altered the "Percodan scene" at the rehearsal (as overdone), also note- the cattle at the funeral who later appear on the freeway, inside jokes about Des Moines and Denver, Randall's "Certificate of Attendance", the look on Jeannie's face at the end of Warren's speech at the Wedding Reception, the use of "overstatement", details of wall decorations, and Warren's obvious attraction to the trite, idealistic, delusional, and superficial.

If you are a thinking, feeling, serious movie-lover, you should SEE this film once, and then STUDY it the 2nd time!

This film must be watched very carefully. If you're not paying enough attention to it, you would miss it (some did). It's in the frames, the atmosphere, the tiny details, the situations, the acting, everything. But it's not that obvious, unless you enter that world. Simple story? Sure. Life is simple. So is great art. All in all, "About Schmidt" is a really great film. Bitter humor, all-pervading lie, the infinite sadness of loneliness and failure, sincere egoism, everyday dullness, desperate and quiet hope - this is life, and in a non-blatant, nor melodramatic manner. But you're going to weep (and smile) at the ending (I did!). And one more question: is The Mulholland Man the greatest actor ever or not?

This is the saddest movie I've seen in years, maybe in my entire life. People who say it's comedy are dead wrong. It's a realistic, brutally true example of a failed life, and it's so tragic.

Nicholson plays Warren Schmidt, an insurance salesman, whose life crashes down on him when he retires. Nicholson, someone I've loved ever since I first saw him, gives his best performance since "One flew over the cuckoos nest". He's so subtle, so sad, so hollow. You don't doubt for a second that he is Schmidt. He has let his body age for the role, which makes him even more real.

Alexander Payne's direction is flawless. Everyone, simply everyone, does a great job portraying the various characters, from the hotshot newly educated young man who takes Schmidt's job, to the embarrassing buddy of Schmidt's daughter's fiancé.

This is a must-see movie. Even if you hate Jack in all his other movies, you will love him in this one. Don't expect a "hilarious comedy", though. This is a thoughtful movie and not "Anger Management".

10/10

About Schmidt is Forrest Gump through the lens of Sartre or Camus. Warren Schmidt has a handicap, but it's the same handicap most of the people standing on line at seven p.m. at your local Wendy's have. The real star (or anti-star) of About Schmidt is the mediocre architectural landscape of America. Every room or box Warren Schmidt enters in this movie is as devoid of caring and vitality as he is: the retirement banquet room, Warren's house, the tire store, the hired wedding reception room. Schmidt's director and production designer take care to place us in the same life-draining, cheap structures we inhabit and deal with everyday. No prettifying. This is the drab landscape of Fargo revisited, but without the irony. The steady doses of violence in Fargo allowed you an escape route. But there's nothing ironical about a wasted life and a 66 year old widower spinning his wheels in the same rut, now partnerless and foundering. The combination of Jack, this story and these settings is effective and compelling. The result would be, I think, inevitable. The tone and attitude is not consistently managed, even by Nicholsen, whose worn-out, mannered schtick pops up occasionally. Yet the final effect is impossible to fend off: mundane American hell with droll comedic diversion. We experience a downfall as poignant as the smell of bacon cooking in Denny's at eight a.m.

Like Forrest Gump, the film depends on extensive voice over narration, V.O'd by Nicholsen as letters to Schmidt's newly adopted six year old Tanzanian foster child. Through these ridiculous sharings of sextagenarian angst with an African boy, we register Schmidt's internal grievances - thoughts we would never know about otherwise without his commentary. The slow dragging score drains vitality from each transition, as if cinematic momentum would be antithetical to the point of the tale. Back and forth we rock from a single minor chord to a second one, getting nowhere. The mood, the landscape, the buildings, the people say it all: Schmidt's on the road, but he might as well be sitting home in his lay-z-boy. The cushy bucket seat of a 35 foot Winnebago makes a good substitute.

Casting Jack Nicholson may have been the only way this story could have come to the screen. I've racked my brain to think of one other actor who could have pulled Schmidt off. Tony Hopkins? Not with the same comedic finesse. Gene Hackman reprising his role in Coppola's The Conversation or doing his Tennenbaum hamming? Don't think so. Only Jack has the mix. He does some hilarious bits in this, but overall the mood is somber, glum, inert. Can this be how that other famous Warren from Nebransas - Mr. Buffet - lives?

I was confused, amused, depressed and wierdly disoriented by About Schmidt as I left the theater. I commented that it wasn't a film I'd go see again. Thinking about it a day later, I'd hold to that IF it meant returning to the theater and paying. BUT - were I to run across About Schmidt on cable, I doubt I could tear myself away from it any more than I could from a crack up at the Indy 500. And I think that chance encounter might happen more than once, maybe for years. After all, this is the America I know and mark time in myself. A recommended film going experience.