Las confesiones del Sr. Schmidt

I love Nicolson and I thought his work in this film was as good as any I have seen him do in any of his previous films. My accolades must begin with the writers for creating such a beautiful novel and script-a perfect canvas for the many fine actors in this film upon which they wove their considerable magic. There were no killings, no car chases, no violence of any kind-I'm surprised that Hollywood distributed it.

Such a slice of life-American life with it's many warts-warts that the Americans probably don't even recognize: Winnebagos like moving palaces, freeway monuments to genocide, business that consumes it's workers only to dump them unceremoniously, too much of everything that amounts to emptiness, etc., etc. The novel by Begley, upon which the film was based, illustrated this consumer emptiness brilliantly by the inclusion of the bookends to the film, the sponsorship of the Tanzanian child by Schmidt. The child's material emptiness was contrasted with Schmidt's emotional emptiness in a way America does not recognize much less watch on the screen.

The last part of the movie dealing with the marriage of Schmidt's daughter to a man who came from a diametrically opposite "new age" family was an unstated acknowledgment by his daughter that she wanted nothing of her father's values-she wanted a complete break and she was going to marry the break.

A fascinating, complex movie and I'm sorry I didn't see it much earlier.

I was dubious when my 65 year old father picked this DVD up from the shelf at Blockbuster. "Great choice dad!", secretly wondering why I let him pick 2 films out of the 3 in the special offer they had going. You see, my father has a penchant for Woody Allen and anybody who has a rather dry sense of humour, this includes Nicholson.

We sat down tonight, and the first thing that hit me was the way that the film was shot. It is shot using rather blue and green hues, so the film is rather subdued. Secondly, the music stands out. Instead of using a typical 'boohoo' orchestra, the film uses beautiful wandering piano and marimba sounds.

The characters, I could easily relate to. Helen, the faithful wife who is excited about getting to spend a new chapter of her life with her husband. The husband, who obeys his wife but secretly resents it. A sudden change which causes a rethink in everything he has done up until that point.

At first, this appeared to be a comedy, but it was soon revealed to be a beautifully poignant film. Throughout, it questions mortality, what you can achieve in life, and how to cope with loss, or change. I don't think I have ever cried as much in 2 hours as I did during this film, and yet at the same time laughed so hard that my sides were splitting.

I would thoroughly recommend anybody to watch this film. It will stay with you for a long time.

This is the saddest movie I've seen in years, maybe in my entire life. People who say it's comedy are dead wrong. It's a realistic, brutally true example of a failed life, and it's so tragic.

Nicholson plays Warren Schmidt, an insurance salesman, whose life crashes down on him when he retires. Nicholson, someone I've loved ever since I first saw him, gives his best performance since "One flew over the cuckoos nest". He's so subtle, so sad, so hollow. You don't doubt for a second that he is Schmidt. He has let his body age for the role, which makes him even more real.

Alexander Payne's direction is flawless. Everyone, simply everyone, does a great job portraying the various characters, from the hotshot newly educated young man who takes Schmidt's job, to the embarrassing buddy of Schmidt's daughter's fiancé.

This is a must-see movie. Even if you hate Jack in all his other movies, you will love him in this one. Don't expect a "hilarious comedy", though. This is a thoughtful movie and not "Anger Management".

10/10

It is hard to recommend About Schmidt to anyone, without actually knowing that person. Not only does the story seem unconventionally uneventful to most of modern audiences, but it also moves with an unhurried patience that will let many viewers shift in their seats. It really depends on whether one can develop an interest to the film and its subject matter, which shows a retired man suddenly facing the void and meaninglessness of his existence.

About Schmidt moves slowly, but it moves with grace. The film's success is deeply in debt to Jack Nicholson, subordinating his personality to the character of Warren Schmidt. It must have been difficult for somebody like Nicholson to display the role's required lack of passion without letting Schmidt lose his human touch. Yet, his portrayal is excellent in its understatement, and his numerable supporting actors do not disappoint either. Fans of Nicholson will be assured in their belief, that their favourite is not only one of the best, but also one of the most versatile actors still working today.

Apart from the acting, director Alexander Payne's film is also well crafted. The somewhat saddened mood is only enhanced by documentary-like shots, constantly making us aware that what we witness is really an everyday-tragedy. The script shows intelligence, and although it contains many subtleties, most of them will not go unnoticed with attentive viewers. Even though About Schmidt is billed as a comedy, it really is a drama. Many of the humorous situations are more tragic than funny, and truly hilarious moments are rare occurrences.

I've often wondered whether the title of About Schmidt has been chosen with any clear intent. The German surname Schmidt equals Smith in English and is one of the most common. So about Schmidt could actually mean "About Everybody". Everybody can wake up one day and discover that everything he or she has devoted himself to, amounts to nothing. It's a frequent social phenomenon, that people suddenly wise up that their lives are almost over, without ever having fully lived them. Maybe that's how all the sea cruises and world tours of old pensioners can be accounted for. Like Schmidt, they are all making a desperate effort to catch up on a time that's long done and over with.

The film does not exactly give answers and, like in reality, does not end with any true revelations to escape all bleakness. But there is something it often likes to apply, namely the self explanatory power of irony. Like one time during the film, when Warren Schmidt decides to adopt a six-year old African foster child by mail. A cheque of twenty-two dollars, which he dutifully provides on a monthly basis, assures that little Ndugu can go to school, gets sheltered, fed and clothed. Yet, in one of his letters Warren writes to him: "What difference has my life made to anyone? None that I can think of. None...at all!"

Well, think again, Mr. Schmidt.

This is an inspiring story. It teaches me so much about what is important in life. Jack Nicholson, with a great performance as Warren R. Schmidt is an example of an American middle class after retiring. For many years he has worked as an actuary at a big insurance company. After retiring, Jack at home, while watching television, he decides to sponsor a six years old boy (Ndugu) from Tanzania. Sending a check of US$ 22,00 every month, he is also required to write a letter to the boy. In the process of writing these letters, he vents out to the boy about his life frustrations, his lost dreams and the dilemma he is in. He is married for forty-two years with his wife Helen (June Squibb) and he has a daughter living in Denver, Jeannie Schmidt (Hope Davis) who will marry a looser pretty soon. He misses his daughter. A few days after his retirement, his wife dies, and Jack realizes how important the wife was in his life now even though he never appreciated her. The director of the movie, Alexander Payne takes the audiences with Jack on a trip in a trailer to visit specific places in America. He mainly makes Jack visit the places where he has been before physically but at the same time Jack was revisiting his own life inside. In this trip he realizes what really matters in life - friendship, family and sharing- then why it is important to appreciate them whenever you have a chance.

In 'Citizen Kane' (1941), the director Orson Welles portrays the same idea when creating Mr. Kane. The movie is more than the story of a tycoon's rise and fall; it is an account of what is ultimately important in a person's life. Even though Kane attains riches and prestige, he is far from happy. He ends with two failed marriages and few friends. At his dying bed, all he has left is his reminiscences - and something called "Rosebud." In 'About Schmidt' the director Alexander Payne uses voiceover to convey Jack's thoughts and memories throughout the movie. To be specific it is when Jack is writing a letter to the boy he sponsors - (Ndugu), at the same time Payne is informing the audience about Jack's regrets and pain concerning his wife and daughter while the movie is still rolling on. I think this is a great technique.I believe this has been a great adventure and wake up call to many Americans as to what is important in life and why we should cherish every moment of it.