Dak mo mai sing

As a vehicle for Jackie Chan action sequences, this movie is decent. There are some clever scenes, and while some, particularly one in which a naked Jackie tries to cover himself while his enemies seem determined to keep them off, make no sense, they are amusing.

Unfortunately, the story is an absolute mess. None of it makes any real sense and it's often unclear what on earth is going on. The movie just jumps from scene to scene with little thought for the sense of it all.

The movie also ends, not with a typical Chan action scene, but with a highway scene that uses none of Chan's talents, is confused and lacks any sort of excitement or suspense. It is a huge misstep in a film full of small missteps.

That unfairly never made it to the Cinemas (well in the UK anyway) probably because most of the dialogue is dubbed into English. There is more than enough action, with countless breathtaking stunts (Mainly performed by Chan himself) The bad Guys though are very much underused - so you never really feel Jackie's life is in danger. Otherwise a very good Chan Movie that's a must watch for his fans

My rating 8/10

Jackie Chan's greatest weakness in his movies is predictability: you know the good triumphs over evil, the good guys are easy to identify, Jackie drop-kicks some butt, and he takes time to save kids and babies (not to mention babes, who sometimes save him). You know that if he gets the girl, he doesn't get very far (PG all the way).

In his best movies, this is his greatest strength, too: against the repeated backdrop of white and black hats, you're never quite sure how he's going to manage to clutch victory from the jaws of defeat. You know he's going to get cornered by 6 black hats with 18 weapons in some storage room...and somehow use whatever's stored there to do away with the evil-doers.

Unfortunately, in the Accidental Spy, we're not kept guessing very long. The fight scenes are overly predictable (and, too often, the victim of a punch will start rolling their head back before they're punched). The plot is as unimportant to the Jackie Chan machine as usual, but, unlike other movies of his, the characters aren't memorable. The love-interest is lovely, but not interesting. The spy-who-coulda-have-loved-Jackie is relegated to making plot-digressing phone calls ("did you order a helicopter?").

And it's too bad, because there's otherwise some good material here: drug kingpins and orphans, lost parents, competing spy agencies, and beautiful locations (especially those Istanbul and other parts of Turkey). It's too bad that his escape from a Turkish bathhouse is wasted in this movie (you try to confront a half-dozen apes with only your bath towel to save you...and then not even the towel).

The dubbing doesn't help. Instead of offering the film in its original Chinese with subtitles (easily possible in this digital age), we're stuck with dubbing that sucks away what little life remains in these two-dimensional characters.

I really like Chan's movies, but he could have phoned his performance in for this one. Chan, unfortunately, is missing from his own movie.

I'm a big Chan fan and have watched most of his films.

This one seems to be a forerunner (except the Aussie-based ones) to his attempt to internationalize himself by appearing with Western co-actors and filming on international locations. I would say that A.S. is the better of this group of films. It has a resonable plot with more purpose than most of his other films. It also has a decent filming location in Turkey, and his co-stars also have some degree of character. We also still manage to savour some good quality stunt antics before they are about to all but disappear in Chan's most recent films of Tuxedo etc.

Worth selecting out of Chan's collection.

Except for one glaring error, I think Dimension Films did an excellent job in recutting/redubbing The Accidental Spy for the American Market. They didn't cut any major action sequences, the editing in general was better in the US version, and the actors who did the dubbing in the US version were 500% better than the ones who spoke English in the original (especially the woman who played Carmen--she had a gorgeous face, but her English was less convincing than Jackie's and she was a horrible actress to boot). Also, the new English dialog is MUCH better in Dimension's version, easily beating out the original's English dialoge as well as the subtitle translations of it's Cantonese and Turkish dialoge.

For instance, in an early scene where shop-clerk Jackie is demonstrating exercise equipment to a middle aged man and his hot young wife, the man becomes indignant over that attention Chan pays to his trophy spouse. In the original version, the translation of his complaint about Chan to the shop manager is "Is he a circus clown?" In the US version, he says, "Is he hitting on my wife?" which makes MUCH more sense (to americans anyway).

Of course, the most unusual thing about this re-edit is that Dimension gave the film an entirely different story! The original was about the chase for an ultra-lethal, weaponized pathogen called Anthrax II. Spy was set to come out right in the middle of our nation's big Anthrax scare, however, so that was out. In Dimension's remake, everyone is chasing after vials of a prototype drug 100 times more addictive than heroin. I say "six of one, half a dozen of the other." The chase is the important part in a Jackie Chan movie, not what everyone's running after. In fact, the drug plot works much better in many ways.

The only thing they messed up was the very end of the film--a common problem for Dimension (see the awkward end of the US version of Legend of Drunken Master). Spy's original ending was both bittersweet and comic. The US version's chopped up ending is just jarringly abrupt and the explanation of the plot is even more nonsensical than the HK version (oddly enough, the "simple" US-version explanation is more unbelievable than the convoluted version in the original.).

The Accidental Spy is Chan's best HK film in years--great cinematography, slick set design, great action! A class act, as these things go.