Aks
- 2001
- 3h 4min
Agrega una trama en tu idiomaRaghavan Ghatge, a psychotic terrorist, and Manu Verma, the cop who tracks him down, shoot each other simultaneously, the result being that Raghavan's soul is transferred into Verma's body a... Leer todoRaghavan Ghatge, a psychotic terrorist, and Manu Verma, the cop who tracks him down, shoot each other simultaneously, the result being that Raghavan's soul is transferred into Verma's body and vice versa.Raghavan Ghatge, a psychotic terrorist, and Manu Verma, the cop who tracks him down, shoot each other simultaneously, the result being that Raghavan's soul is transferred into Verma's body and vice versa.
- Dirección
- Guionistas
- Elenco
- Premios
- 13 premios ganados y 14 nominaciones en total
- Raghavan Ghatge
- (as Manoj Bajpai)
- Narang
- (as Vinit Kumar)
- Justice Balwant Chaudhry
- (as Pramod Muthu)
Opiniones destacadas
The first thing that impressed me about AKS was the visuals. The movie has a very cool look, with striking cinematography and lighting that favour cold blues contrasted with occasional warm firey yellows. It's very sharply edited and features great art direction too. The next thing that impressed me even more was how *dark* the movie is - far darker than anything else I've seen from India, almost disturbing at times. Much of the credit for this has to go to Manoj Bajpai, who is tremendously sinister and charismatic as the villain - though the godly Amitabh Bachchan is just as charismatic and almost as sinister in the hero's seat.
Add to all this the complex and fascinating characters, razor sharp dialogue and the exploration of some fascinating themes, and Aks is surely a winner.
Amitabh plays a cop, in charge of political security. After the Defence Minister is assassinated, he gets on the trail of a political conspiracy, with the only lead being the possibility of finding the assassin. As he gets closer, he gets drawn in further and further to the situation himself - to lengths that he could never imagine.
Aks almost completely eschews humour, and avoids song and dance as much as is physically possible in a Bollywood movie, integrating the excellent songs from Anu Malik well into the movie's natural context for the most part. It's a gripping and intense movie, expertly directed by Rakesh Mehra - despite it being his feature film debut (I believe he comes from the advertising industry).
The first half of the movie is so tight and sharp that I almost cried at times. The second half loses focus a little bit, but still remains gripping and visually mesmerising. The whole movie easily registers as one of the best Hindi movies I've seen, and one of the best movies I've seen this year from any country or time.
This perhaps all sounds a little to hyperbolic, so I ought to acknowledge that the movie has flaws too. I can't actually think of any, but others may find it a little too dark and cynical; Definitely not a kids movie - there's some violence and quite a bit of eroticism that would probably get the movie an M rating in the US, or even an R if the ratings board were having a sensitive day. It's perhaps guilty of becoming overly melodramatic towards the end, but then how many movies aren't?
If you prefer your movies on the dark, intelligent and visually slick side of things, I'd say AKS is a must-buy.
The movie borrows very lightly from the movies 'Face/Off' and 'Fallen'. Bachchan plays the role of a high-ranking cop, Manu Verma, who is assigned to protect an Indian politician. Manu Verma fails in his duty as the official is murdered and a floppy disk containing details of an assassination of another official is taken.
The chase is now on to stop the murderer Raghavan (Manoj Bajpai, who is extraordinary as a nutcase) at any cost. Manu catches the killer and during an escape attempt, both killer and cop shoot each other. The killer dies but his soul somehow manifests itself in Manu's body and Manu himself becomes the killer. The killer's soul, now in Amitabh's body, continues his reign of murder and mayhem.
Amitabh is amazing in his role as cop and killer. Nandita Das plays his wife convincingly and the age gap between the two is explained as well. Raveena Tandon is also very convincing as the stripper girlfriend of the killer.
If you're looking for a change of pace from the regular Bollywood flicks, this is definitely the movie you should watch. There's no 23 minute death scenes, or people living after being shot 44 times in the chest. I'd have to say it was one of the Amitabh's best performances of his career, not the best, but one of the best.
Okay, okay. Those of you who know me know I'm prone to hyperbole. You all know that, too. But I *just* finished watching the movie AKS, which just came out this week, on DVD and felt compelled to sit down and write about it. I would venture to say that this is possibly his most challenging role and phenomenal performance of his career (and yes I've seen DEEWAR, AGNEEPATH, and AMAR AKBAR ANTHONY). Amitabh is both diabolical and heroic. Suave, yet disturbed. He's a badass but also scared at the loss of control; all in the same film.
In short, except for maybe comedy, he displayed the full range of his acting talent in this one.
In addition to Amitabh's performance, I was fearful that this movie would suffer from the Phantom Menace Effect (i.e. big let down after enormous hype.) After all, I've been anxiously awaiting this movie for almost two months; especially after seeing it's preview site on the web two weeks ago. Yet despite the build up, this movie gripped me; right to the very end.
Probably because I've NEVER seen a Hindi movie like this before. I think this was Rakesh Mehra's debut film. And he threw out what your idea of a typical Hindi film is. Love songs through a field. *Dishum Dishum.* Hero and heroine walking off into the sunset after the bag guy goes to jail. This movie was as close to THAT as Dubya is to Humility
This movie was dark and ominous. It was sexy. It was supernatural. It was for the most part masterfully produced. Although there were a few technical special effects that were subpar (Bollywood still can't seem to get explosions right), the closest thing that I can compare this film to is FACE/OFF, crossed with a heavy dosage of the X-FILES and SEVEN and the original BATMAN with a sprinkle of MI:2 at the beginning. Heck, I think Nine Inch Nails should have done the soundtrack
I don't think I'd seen a Manoj Bajpai film before but his role became increasingly compelling as the movie wore on. Raveena was absolutely stunning. I believe she blazed new trails as far as Hindi film actresses go by playing a provocative stripper who chooses her path not out of `majboori,' but because that's who she is.
This movie is definitely NOT for everyone. I'm not even sure this what the initial reaction is in India...especially for those that WANT lubby/dubby cookie cutter stories with happy endings. But if you want something COMPLETELY different, You guys GOTTA check this movie out!
¿Sabías que…?
- TriviaWhile filming the wolf chase scene, the wolf was actually running after its trainer (who isn't shown in the film) and Manoj was running after the wolf, who was unaware of Manoj running behind him with a knife in his hand. When the wolf realized this, it started chasing Manoj, who just about escaped the wolf's clutches and ran inside his van.
- ErroresYeda Yakub can be seen blinking in the sauna, after Raghavan kills him.
- Citas
Insp. Manu Verma: Take away all rules and regulations, and Manu Verma would be another Raghavan! You need me... YOU NEED ME!
- ConexionesFeatured in 47th Filmfare Awards (2002)
Selecciones populares
- How long is Aks?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 2,200,000 (estimado)
- Total a nivel mundial
- USD 65,036
- Tiempo de ejecución3 horas 4 minutos
- Color
- Mezcla de sonido