Killerdeului suda

The story is there. It's all summed-up in the movie's headline. It's a group of assassins who; after a hit; have decided to talk-out their problems and deep-analyse their entire prospects and lifestyle and love.

Except they're not as good as this as they are shooting. The opening hit is brilliant; through the window is a lovely-executed John Woo-style slow-mo cam-shot which I really loved.

The rest of the narrative is about leading up to the big hit and their purpose in life. It appears that hitmen do have a conscious even though it appears to be "arrested in development".

They attend a big Hamlet theatre play along with South Korean high-society. It's a very technical play and they have to do something truly special to get the attention of the police who really respects them at another level after the stunt.

It's got some wonderful moments in the movie but the dialogue is very heavy and sometimes too drawn-out. It could be a bit more focussed on how they became hitman and a comedic sketch on their training would be a nice adaption.

The ending is fun and humorous but the middle is a bit too long-handed for me. Three's some excellent filming techniques and it's aged pretty well. It's way before the golden era of Korean new wave and before Oldboy so refreshing to see how far Korean cinema has come since this.

It's a nice movie and another excellent addition on the aspiring Third Windows' films' label.

Enjoyable but if you want all out action it's probably not for you.

This oddly toned movie runs entirely on silly comedy bits that some may find hilarious. However the movie does have some serious moments, which really makes it seem out of context to the rest of the movie. If you take it for what it is, then I'll say it's light hearted comedy about hitmen. Some of the more witty bits I found to be very funny, while others I felt they tried to hard.

6.8/10 Not recommended

This movie is about four professional assassins living under the same roof and their tribulations with some of their clients, targets and run-abouts with the police.

This movie deserves to be seen since it is very well made and conveys a lot of emotion from all of the actors. It'll make you laugh, shed a tear and think. Although it never uses excessive gore or violence, it still has a very real feel to it. I recommend this movie to every action fan who has a sensible cord!

Plot brilliantly sequenced. Action scenes violent enough without being sickening. A story well told. Well worth watching if you are tired out of Weley Snipes and Co. Cast are supposed to be Korean superstars and you can see why. Shooting at Hamlet performance truly exceptional.

Guns & Talks is the third feature by multi-hyphenate Jang Jin, who wrote/directed Someone Special, an off-kilter romantic comedy that I really liked. Like Someone Special, Guns & Talks is a rather off-kilter film, being a genre hybrid between comedy and crime film, with comedy winning in the end.

The story deals with four assassins, bachelors and friends that live together in a rather simple existence when not going around murdering people for money. Of course, eventually, their lifestyle leads to complications with the police as well as their targets. That said, the film's story is rather scattered and it's hard to figure out what the story is about in a larger sense. The characters (at least three of them) do undergo growth and development and the story does move forward as their jobs take them into the aforementioned conflicts, but I guess my issue with the story is that there is no real overarching themes.

There are two points where this film is impressive:

1. Style: When this film decides to flex its stylistic muscles, it can be quite stylish. In fact, part of the joy of the film is watching how genre styles can be upturned as crime collides with comedy. But when the film is trying to pull cool, it does. There are a few amusing and enjoyable applications of split screen and some amusing use of alternate reality scenes as well.

2. Comedy: I really found myself quite amused during this film, actually breaking out into laughter on many occasions. Even though the overall story is a little unfocused the comedy is tight and appreciable. The setups are great, the payoffs are amusing and everything is rooted in the situation and the characters.

So, the film does have some considerable overall story issues, due to the unfocused script, but the film does well enough in comedy and in putting together some suspense that it still remains surprisingly enjoyable, despite its obvious flaws. As such, I can recommend it as an enjoyable film, but can't really compare it to similar hybrids by Guy Ritchie or Quentin Tarantino. You should think of it more as a comedy featuring four assassins. Good stuff. 8/10.