Yoddha

the important aspect of yodha is its screenplay,actors,story and the technical crew.all were brilliant.the movie is really exciting,even though the main plot was from Eddie Murphy's golden child.one-thing worth watching the movie is the acting by mohanlal and jagathy sreekumar in which they have portrayed their role with gr8 brilliance.another important thin is the movies background score by AR rahman,which i thin one of his special one.even the songs are good and got a different flavour from AR rahman.the song padakaali sung by yesudas and mg sreekumar is one of rahman's most successful experimental songs.the movie is a perfect blend of humour and action.the plus point of Yoda with its original,is this perfect blend.camera work and direction was also good.the humour in this story doesnot put the main plot in to sides,but decorates it like cherry which is a huge more sweeter in a cake.if u are a fan of a cent percent entertainer,this is the movie 4 u.ACTUALLY A MUST WATCH.I HAVE WATCHED THIS MANY TIMES IDONOT KNOW HOWMUCH BUT EVERY TIME THE MOVIE IS AS FRESH AS NEW.

Thorougly entertaining!mohanlal and jagathy with flawless perfomences one of my all time favourites! rahmans music is another plus point

Yoddha (1992) : Brief Review -

Bringing that action-packed Chinese Blockbuster in regional Indian Cinema. The Golden Child gets Action-adventure adaptation. Yoddha is inspired from Eddy Murphy's The Golden Child but has different conflicts to share in commercial entertainer. Mohanlal plays the lead role of Thaiparambil Ashokan, the saviour destined to rescue the Rimpoche of a Nepalese Buddhist monastery from sorcerers practicing black magic. Seeing Mohanlal in such a mass friendly role and especially in a mass friendly movie is a pure delight. Kireedam and Spadikam had action but those films had high philosophies included in the narrative while Yoddha is simply made for out-an-out entertainment and nothing else. If you remember watching those late 70s and 80s Chinese Films which became popular in India too then Yoddha might seem like an Indian Version of those films. Instead of Martial Arts, Karate and other combat forms, you get to see hand-to-hand combats+traditional Nepali/Buddhist Sword fights. It also reminded me of Indiana Jones and Mortal Kombat, rather i would say it looked a mix-up of these two. Bollywood Movie 'Chandni Chowk To China' was spoofy adaption of it but here things looked highly entertaining and engaging considering early 90s of Indian cinema. Actually, we were missing such films, i mean exploring this action-adventure genre didn't really happen as expected. Indian Audience was waiting for film like Indiana Jones to be made in India and Yoddha fulfilled that wish even though it was a decade late. Mohanlal does fine as always, Jagathy is hilarious, Madhu looks beautiful, that child Lama was adorable yet relatable and Puneet Isaar played a great muscular villain. Sangeeth Sivan gives a proper mix of action, Adventure, drama, romance and comedy in this terrific entertainer.

RATING - 8/10*

By - #samthebestest.

Purely a remake of Eddy Murphy's Golden Child, this movie had a minor (yet important) flaw which made it humble at the box office. The 'lovability' of Murphy's character is missing from Asokan, his counterpart played by Mohanlal. Asokan is an arrogant character and is a winner in all the one-on-one competitions he has with his dim-witted cousin while Murphy's character is a humble and innocent one. Viewers tend to sympathise with the cousin instead.

Best thing in this movie is the camera wielded by Santhosh Sivan and the captivating music by none other than A. R. Rehman (his first movie, I believe).

On a positive note, it's more humorous than Golden Child. And the performance of 'Rimpoche' is excellent.

The most important factor in the film is: AR Rahman is the first Malayalam film to be Yodha

Asokan arrives in Nepal, he knows that Apukkutan lives there in his name. Ashokan accidentally sees rim and joins him. Ashokan is trying to inform Aswathy that he is Ashokan and that he is the father of the house. Ashwathy is researching the ancient customs of Nepal. Ashwani, who appears in the camera, knows that Ashokan belongs to Mala Repos. In front of them, the repatriation goes away. Ashokan and Aswathi are trying to stop them. Appukuttan followed by them is in the grip of adivasis