Original Cast Album: Company

It's impressive to watch a gaggle of Broadway's best, at almost the exact moment the clock moved from the 1960s into the '70s, take their places in a featureless recording studio to make history. The original cast, the orchestra players, the sound engineers, composer Stephen Sondheim, and session producer Thomas Shepard demonstrate more than great talent and love for what they're doing. They give a master class in how to listen, how to give and take direction, how to hit the creators' target. Near the end, when Ms. Stritch belts out a solo for the ages at 3 a.m., the producer criticizes her delivery, and I wanted to smack him! But I'm not a theater person, unlike the phenomenal troupers who kept soaking up instructions and doing more, more, more takes till everyone was happy. They did it right.

If you own any original cast recording of a Broadway musical, I recommend this behind-the-scenes look at how one OCR was made.

I memorized this soundtrack and could sing along with every song before I ever saw the play. In the many years since, I try to see this production whenever it appears...such a fun Sondheim musical. Nobobdy will ever compare to Elaine Strich's vocals on the album as a jaded, oft married, oft divorced friend of Bobby's. She is wonderful. Another great number is "Barcelona", when Bobby beds numerous airline stewardesses... very clever. Listen and enjoy!

"Company" is an extraordinary piece of theatre that was ahead of its time. The story themes presented in this seventies Broadway musical, still resonate and feel fresh in our contemporary world. "Original Cast Album: Company" affords us a rare peek into the stakes, tears and process that goes into creating a cast album - which will long outlive the theatrical run and the life of the creators and talent. A soundtrack is how many - most - people will become exposed to a work. This documentary is gripping and compelling, sure to entertain the most fickle of audiences (read: non theater fans). It is a damn shame this series was not expanded to include subsequent productions. I am baffled why no producer has yet to attempt a similar feet, or pick up where this pilot ended.

D.A. Pennebaker got roped into this as the first of a projected series of TV shows showing the recording process. After they wrapped and sold it to Chrysler, Pennebaker called up the guy's office to ask what the next one would be. He was now running MGM.

That's show biz for you. What we have left of the projected series is this one 58-minute piece, in which we get to witness Sondheim and his collaborators gathered in a recording studio to make one for the permanent record. It's from the period when Sondheim was erasing the line between recitiative and and lyrical songs, with Beth Howland singing the impossible patter song "I'm Not Getting Married Today", and that magnificent broad Elaine Stritch leading in "The Little Things"..... and blowing take after take, according to the professionals, of "The Ladies Who Lunch"..... despite the fact that I think the first take on film is the best emotionally.

What I don't understand is how bad the songs sound on on the movie. Certainly my cd of the show seem much better.

Here's a great documentary to remind us that real music is performed by real people and not computers. Not only do we get to see the vocalists recording their tracks, but we get to see various sections of the full orchestra as they play their parts, including warmups and practicing "licks." Stephen Sondheim's coaching of the singers is so wonderful to watch - he understands actors and artists in a way that corporate producers/execs do not. If you love musicals--and want an uplifting experience to re-affirm your love--WATCH THIS!!