Lágrimas del sol

'Tears of the Sun' is a movie with a message and an interesting first hour, but contains too many Hollywood clichés to really be something. We start with Lieutenant Waters (Bruce Willis) and his team of SEALS who have to rescue Dr. Lena Kendricks (Monica Bellucci), a priest and two nuns from a missionary post in Nigeria where murdering rebels are about to arrive. The priest and the nuns want to stay, Kendricks only wants to come if the Nigerian refugees can come too. Waters agrees only to leave them behind as soon as Kendricks is on the helicopter. Then, from the helicopter, he witnesses the result of rebels passing by and in an instant he disobeys his orders and turns the helicopter around.

This is the point where the best part of the movie begins. Waters and his team are on their own now, leading the refugees to the border of Cameroon. The way his team not always agrees with his decisions but how they are loyal anyway is one of the interesting things here. Another is the way the movie dares to show the rebels and their actions, things we see parts of on the news in places like Liberia and Sudan. It gives us an impression how hopeless the situation is in some parts of Africa. The distraction here comes from Kendricks who is an obvious Hollywood plot device. She is the possible love interest, or at least the needed female character, and she must annoy Waters by constantly suggesting things that even to her must sound stupid when followed by a lot of rebels. Never mind.

Then the third act starts and the movie fails to deliver what it kind of promised before. Instead of following the dramatic path it changes into the kind of action film Hollywood likes to produce. A lot of gunfire, explosions and bodies flying through the air. That's too bad since an earlier action sequence was able to show both the horrific actions of the rebels and the trained and nuanced way of SEALS dealing with a situation. During that sequence I felt a director (Antoine Fuqua) doing his job the right way, making the movie very intense. He did the same thing for the excellent 'Training Day' from the year before. His third act of 'Tears of the Sun' was sort of like an introduction to his real Hollywood adventure, 'King Arthur'.

7.5 out of 10

Tears of the Sun is hardly perfect. Director Antoine Fuqua's direction can get a bit heavy-handed and most of the characters are one to two-dimensional in development (understandable, given the large cast). But it's a solidly made, often thrilling and sometimes thought-provoking film that aims for serious issues, particularly as a sober outlook of modern warfare and morals. It's not entirely successful at the latter, but to even attempt to stray from typical Hollywood is admirable, and Tears of the Sun is often more hit than miss.

Bruce Willis stars as A.K. Waters, the head of a mission to retrieve a Dr. Lena Hendricks (Monica Bellucci) from the Nigerian jungle, after Muslim rebels have just assassinated the presidential family, and are on a rampage throughout the country. Hendricks is located easily, but she will only leave so long as all able-bodied individuals on her mission can come along. Waters reluctantly agrees, but soon finds that he and his group must trek the jungles with no assistance and with 300 Nigerian soldiers hot on their trail.

Tears of the Sun works as a thoughtful film, but is more successful as a tension-builder. Director Fuqua shows an able hand at building suspense to a feverish pitch, all the way to the concluding battle sequence, a fifteen minute setpiece that rivals any recent war film in both intensity and technical superiority. The other major action setpiece is a tense shootout in a village, the aftermath of which is disturbing in its revelation of the rebels' treatment of civilians. Tears of the Sun is a violent film, but never exploitative in its approach.

The film's two best developed characters belong to Bruce Willis and Monica Bellucci. Willis has always been a fine actor, this understated approach has worked for him before and fits like a glove here. I'm not quite as familiar with Bellucci, who I've only seen in Brotherhood of the Wolf and as one of the brides in Bram Stoker's Dracula, but she's quite good here, easily the film's anchor when it comes to heart and warmth. I'm certainly not exaggerating when I say she's one of the most beautiful (and bodacious) women to ever grace the screen (and I look forward to her in the upcoming Matrix sequels).

There are flaws, such as the rather obtrusive musical score and some pretentious use of slow motion on Fuqua's behalf. The film's biggest narrative stumble comes with a plot twist 3/4's through the movie, when an extraneous plot twist is revealed. Admittedly, without the twist, the film wouldn't have been able to build up as much suspense, much less deliver that final battle. But when all is said and done, Tears of the Sun is highly recommended, a Hollywood film that has more on its mind than explosion and gunfights (which the movie still has an ample amount of).

'Tears of the Sun' is still one of my favorite war movies - not necessarily because of the war elements, but due to the humanistic element, and the amount of emotion the film contains. (Although strictly speaking this is not a war film as such, I suppose).

This is also the time still when Bruce Willis was actually leading a film, and not making small appearances only, yet with his name written bigger than the film's title on the poster. Willis makes a credible hero, with very good character development. The rest of the cast were very good, as well, and the characters didn't have the cliched introductions like most war movies do.

'Tears of the Sun' is refreshingly without comic relief or a romance interest. It is a fast-paced action thriller with feeling. The finale is stunning. This is an incredible film.

Would I watch it again? Yes, and again, and again.

As a person who can speak from a reputable stand point, I have to say this movie is different than many other "war" movies and is generally regarded highly among many different types of members in the U.S. military. This films representation brought forth a perspective that showed a few sides to a mission. Yes there is the desire to finish and get out. But the film also showed that the situation can change on the ground as it always does, and sometimes you have to modify. An seasoned veteran like Lt. Waters who is somewhat seasoned being a Lt. probably would have the foresight to say it is safe to go ahead and try and get these people to a border being that was the only way to drag the doc outta there without hog tying her, even though the orders above were different. A team leader is expected to use some discretion and Lt. did that. Although it was borderline crazy operationally it still worked. Working in that environment is not just like a round of socom. Things happen and you have to do the best you can for the situation if it is feasible and you have the balls to do it. Also, the depiction of the action scenes were practically dead on and impressive. Mr. Fuqua didn't cheese it up, it was kept fairly raw and confusing as is a real engagement. The ethnic cleansing scenes, well it doesn't get any more realistic than that. I can understand why everyone else hates America for doing these films about ourselves but honestly can you see a french film showing specwar going into save a village, nope. They would hand out white flags to everyone. Maybe the Aussies, Israelis, or Brits, but pretty much beyond those three countries thats all ya got. If at the least, this is a reminder that even when you think you know about what our guys are doing in the world, you don't know the half,we lose guys everyday and people should realize that a silent war exists.

Antoine Fuqua's Tears Of The Sun is a brutal, tough war machine of a flick in the tradition of the old 70's war films, kind of like a brooding Dirty Dozen. Bruce Willis stoically heads up a team of special ops soldiers who are sent into a war torn region of Africa to rescue a doctor (Monica Belucci) from a missionary camp. Genocidal maniacs are encroaching into the area and it's no longer safe for locals or relief workers. His orders are simple: locate and extract the doctor, and no one else. However, when he comes face to face with the refugees, and their situation, he simply can't find it in himself to turn his back on them when he can do something to help. He then disobeys his orders, collects both his team, Bellucci and the Africans and makes a run through the jungle for diplomatic protected soil. His team are a grizzled band of warriors, each with their own unique qualities and opinion on his decision. Kelly (a badass, mohawk adorned Johnny Messner) believes it's too much of a risk, and not their concern). Michael 'Slo' Slowenski (Nick Chinlund, excellent and understated) takes a compasionate standpoint. Second in command Red Atkins (Cole Hauser) trusts Willis is making the right call. Soon they are pursued by the extremists, led by a hulking Peter Mensah, before King Leonidas kicked him into the Sarlak pit. The combat scenes are hard hitting, seemingly very well rehearsed and researched. The only problem for me was the overbearing and extended sequences of genocide, which are harrowing and quite tough to watch. When it's combat based it's a damn fine piece, with a rugged, thoughtful band of heroes who are an absolute joy to see in action. Rounding out the team are Eamonn Walker, Charles Ingram, Paul Francis, Chad Smith and a briefly seen Tom Skerritt as Willis's commanding officer. Tough, muscular and no nonsense, with burgeoning compassion that gives that soldiers purpouse beyond the cold lethality of the mission. Fuqua has a terrific collection of lean and mean action flicks under his belt, and this is one of the best.