The Falklands Play

First off, I am particularly interested in this subject as I was serving in the US Air Force in England during these events. As a student of WWII history it was a nearly surreal experience to find myself listening to the war news every evening on the BBC in my local country pub, much as my predecessors would've done during WWII. I well remember the reports of the losses, particularly those of HMS Sheffield, Coventry, Atlantic Conveyor and Sir Galahad. I remember the many conversations with locals old enough to still have memories of that earlier war.

Patricia Hodge was wonderful as "Maggie" and being a big fan of British TV and films many other faces were quite familiar. I was quite struck by how Rt Hon Francis Pym and members of the labor party has so quickly forgotten the lessons and cost of appeasement! At one point I would've loved to hear Mrs. Thatcher respond to those questioning the rightness of fighting over "some small rocks and a handful of people" with "If 1,800 British subjects are not worth fighting for, please tell me, exactly, what is the minimum number that IS? 5,000? 10,000? 100,000? 1,000,000?"

Besides having been there to listen to the daily coverage, I've watch a number of documentaries and read a number of books on the battle including the memoirs of the Battle Group Commander Adm. Sandy Woodward. Everything in this movie tracks closely with everything else that I know about the time, the situation and the battles. The one thing I would take exception with, frankly comes as no surprise to me. The all too familiar anti-American jealousy/prejudice that is very common in British programming. One need only contrast the carefully chosen flattering selection of Patricia Hodge to play Margaret Thatcher with the perhaps equally carefully chosen unflattering selection of Bob Sherman to play President Reagan. Not only did he bear no resemblance beyond an American accent, he played Reagan as a bumbling fool who couldn't even remember the name of the islands rather than the strong leader who helped bring down the Berlin wall and with it the Soviet Union. The most pathetic moment was portraying Reagan as having trouble deciding which tie to wear while discussing the issues. That was simply petty and mean.

Lost in all of this is the reality that the British government had allowed this crisis to develop through apathy, neglect and an unwillingness to sacrifice. The Argentine government was emboldened to act due to the steady decline of the power of the Royal Navy and in fact, had they the patience to simply wait a year or two more, the RN's only two carriers would've been decommissioned and Britain would've been forced to accept the take over of the islands. As it is, the losses of British shipping, especially that of the Sheffield and Coventry were reportedly contributed to a decision to cut costs on construction by reducing the length of the ships eliminating the space required for the anti-missile system they were originally designed to carry. This would seem to be a major deficiency for a ship supposedly designed for radar picket duty to detect and defend incoming missile attack! Oddly enough, another documentary I recently watched about the Eurofighter project disclosed similarly dangerous cost cutting which only proves that even those lessons written in blood are too soon forgotten!

The Falklands Play has got to be one of the most controversial plays never produced of the 1980s.

Originally written by Ian Curteis shortly after the war ended but the BBC declined to produce it, officially because it wasn't good enough, but widely believed to be because it was too pro-Conservative just before a General Election in the UK. Watching it now it's even harder to believe that it wasn't good enough to make years ago.

Telling the story of the British politics immediately before and during the conflict Patricia Hodge is brilliant in her role as Mrs. Thatcher. So scarily like her that during the recreated news clips it's hard to remember which one is the actress. Although some of the other lead characters look and sound nothing like their alter-egos, they still manage to recreate the right atmosphere.

Deliberately supposed to show the conflict from `our side' I'm not sure if the emotional side of Margaret Thatcher isn't over played slightly.

This is a highly watchable political drama which gives a true insight into the anguish brought about by the totally unexpected war in the South Atlantic.

The actor selection is excellent and the writer has put together an excellent script which lends clarity to some of the decisions made at the time.

The direction is crisp and the interweaving of News clips highlights the historical events.

Particularly emphasised are the outstanding efforts made by the American administration led by Ronald Regan and efforted by Secretary Haig to stop the downhill slide into war.

A truly tragic and unnecessary war - but an excellent play.

Can't wait for the DVD to be issued.

A brief war was fought in 1982 over the sovereignty of a few small barren islands in the icy southern pacific. The combatants were Argentina, which had invaded the Falklands, and Britain, which had ruled since 1832.

Britain won the little but costly war and Prime Minister Margaret Thatcher emerged he winner. She was a hard charger and much admired for it. Of course if the victory had been the other way round, a lot of people would be dead for little reason and she would be thrashed. As it was, there was no stopping her in her determination. One American consultant muses, "I wish there were more like her. You always know exactly where you stand." "In the corner," replies another.

There is very little footage of the war itself. The script seems to jump from the landings of the British SAS to the surrender of the Argentinian soldiers. But that's okay because this is, after all, a play, not a big budget feature film. Besides, the general outline of the war's progress is already familiar to some viewers, although by no means all of them. Anyone interested in the engagements should be directed to the concise documentary, "20th-Century battlefields: 1982 The Falkland Islands War." It can be viewed free on YouTube.

The script has sufficient continuity so that we can follow events as they unfold, even though we're confined mostly to a few rooms and a handful of other sets. As Thatcher, Patricia Hodge is quite good, if lacking in heft. And there isn't a dull bulb among the supporting actors. There are a few moments of humor. Someone tells the Defence Minister, Clive Merrison, that this is the first time a British fleet has set sail for an attack since Suez. Merrison replies slowly and deliberately. "Can we keep Suez out of this conversation? Those are two little words that -- irk." The well-meaning Americans provide some ludic relief as well. Thatcher invites the American consultants to dinner and takes aside Alexander Haig, the Defense Secretary before they sit down. Thatcher shows him a large painting of two men -- the Duke of Wellington and Lord Nelson, saying that they were two heroes who put an end to willful aggression by dictators. "I thought you might want to look at them during dinner." Haig mutters into his drink, "Gee, thanks."

The role of the Americans is that of a nation full of good will, anxious to avoid bloodshed, and apparently oblivious to the fact that Argentina is under the thumb of a brutal military junta who has invaded the Falklands -- which they (still) insist on calling Las Malvinas -- in order to distract the population from the catastrophic conditions at home. Haig is a good guy, although ineffective. President Reagan's attitude was that "both of them are our friends," even after the British ambassador reminds him that Britain didn't hesitate for a moment to aid in the extraction of 52 hostages after the embassy takeover in Iran.

Reagan apparently listened less to Haig than to his UN ambassador, Jeanne Kirkpatrick. Kirkpatrick was a pragmatic and ardent anti-communist. As Wikipedia puts it, "She was known for the "Kirkpatrick Doctrine", which advocated supporting authoritarian regimes around the world if they went along with Washington's aims. She believed that they could be led into democracy by example." Argentina fell into that category.

Reagan himself thought it a minor matter, calling them "bleak little islands" and never quite remembering their name. After the British victory, Reagan called on Thatcher to be "magnanimous," and Thatcher blew him off. By the time the war had begun, however, the US came around and placed an embargo on shipments to Argentina and agreed to supply Britain with whatever materiél it required.

Whatever else this fine program does, it illustrates the way that democracy is supposed to work, and of course it will be informative to those whose memories don't extend very far into history.

Detailing how the government of UK Prime Minister Margaret Thatcher dealt with the Falkland Islands War of 1982, The Falklands Play has a long history. One of the most controversial productions ever commissioned by the BBC, The Falklands Play was unproduced for nearly two decades when it was finally aired on BBC Four in 2002. Originally unproduced due to being deemed to be too pro-Thatcher and jingoistic in its tone, The Falklands Play is an intriguing example of historical drama and the controversy it can cause.

The film certainly has a fine cast. Patricia Hodge excels as Thatcher or at the very least playing the Thatcher portrayed in the script. Hodge's Thatcher is a strong willed woman who refuses to back down under any circumstances. The supporting cast includes strong performances from James Fox as Foreign Secretary Lord Peter Carrington, Clive Merrison as Defence Minister John Nott, Colin Stinton as US Secretary of State Alexander Haig, John Woodvine as Admiral Sir Terence Lewin and Tom Chadbon as Admiral Sir John Fieldhouse. Each of their performances, and those of much of the rest of the cast, gives the film a strength that it needs.

The production values of The Falklands Play are strong as well. Melanie Allen's production design captures the real life settings of the film including an excellently done set of the House of Commons. The film's cinematography is exceptional as well with its cinema verite approach. The result is that the film is given a strong documentary feel to the entire film, giving the viewer the sense of watching history unfolding before them. The film also makes strong use of documentary footage from the time as well, mixing it skillfully into the drama. Like the performances, these elements give the film a strength that it needs.

The script by Ian Curteis is at the heart of the film. The script after all was the single most controversial aspect of the production for almost twenty years. Back in the 1980s, the BBC deemed the script to be too pro-Thatcher and jingoistic in its tone. Looking at the film itself, it is very easy to see how that came about. The strong willed portrayal of Thatcher and her handling of her the situation is certainly pro-Thatcher. Also the film's portrayal of the decisions leading to the sinking of the Argentinian warship the General Belgrano, one of the most controversial events of the war, can certainly be seen to be pro-Thatcher. Surprisingly, the script used in the film isn't even the one originally written in the 1980s as it removes all the scenes involving the Argentinian Junta and the Pope. One suspects that the reaction the film would have gotten in the 1980s when it was supposed to have aired would have been similar to the reception that the 2003 Showtime film DC 9/11: Time Of Crisis (a film about President George W. Bush's handling of the 9/11 attacks and the lead up to the invasion of Afghanistan) received when it aired: being seen overwhelmingly as a piece of propaganda. The Falklands Play definitely isn't that but it is all too easy to see how it could have been seen as such.

The Falklands Play is an interesting film. It has strong performances from its entire cast and also features strong productions values especially with its cinematography. The script however is the film's most interesting point as it was the source of controversy that kept the film from originally being made to begin with. With hindsight, it is easy to see why the script proved so controversial at the time and why it could remain so today. The Falklands Play therefore is an interesting film about a controversial war and a intriguing piece of historical drama.