A Mighty Wind

In the '60s and '70s, I was a MAJOR folk music fan, and a (very bad) would-be performer; I still have my old Yamaha guitar tucked away in a closet. For years now I've been a second shift engineer at the local PBS TV station... I'm the guy who runs the videotape while the SANE people around here are at home.

EVERY time we run a Pledge (or, as I refer to it, "The Big Beg"), it seems that they come up with ANOTHER nostalgic music reunion program... Doo Wop folks, Rockers, Surfin' music groups, and lately, Folkies.

The folk reunions have been, IMHO, sort of sad. The spirit is willing, but the flesh isn't quite up to recapturing the old glory days.

Judy Collins tries to sing the songs she did when she was 19, and her voice just can't come within a half tone of the high notes she used to hit.

Barry McGuire was an angry, fiery young poet, but now he just goes through the motions with dated stuff like EVE OF DESTRUCTION. It's hard to take him too seriously.

Even my favorites, Peter, Paul & Mary, have seen better days. Peter Yarrow looks like he should be running a pawn shop somewhere, Paul Stookey resembles a college professor who's just counting the days until retirement, and unfortunately Mary Travers hasn't aged very well at all... I remember her as a woman who used to OOZE a sultry, steamy sensuality, but nowadays, on high definition TV, she bears a very unfortunate resemblance to a bulldog!

Just the same tho, I have to admit that Peter, Paul & Mary's musical talent HAS lasted over the years.

When I discovered A MIGHTY WIND I thought I was going to die laughing with absolute joy... SOMEBODY besides ME saw these tries to capture the past in a bottle as a lost cause!!!

Ed Begley is MAGNIFICENT as Lars Olfen, the "PBN" executive producer; he has the Yuppie pseudointellectual pompousness of PBS paper shuffling executives down PERFECTLY!!! I KNOW Lars Olfen VERY well; I happily work the second shift just to AVOID these rancidly arrogant characters, who thankfully LEAVE the station every day at 5 PM!!!

The New Main Street Singers are a mix of THE NEW CHRISTY MINSTRELS and the squeaky clean, Stepford Wife - like automatons of the old UP WITH PEOPLE cast... but with a delicious touch of gameyness that we ALL knew was just below the surface, added by the past exploits of Bohners.

The Folksmen are a hybrid of the old Chad Mitchell Trio (which, incidentally, was a foursome until they dumped Henry John Deutchendorf, later better known as John Denver!), and the Limelighters.

The PBS reunions sort of tacitly ask the question "Whatever happened to...", and A MIGHTY WIND answers it... EXPLICITLY.

LIFE is what happened to them. They became part of reality, just like the rest of us.

I have to admit that the musical performances in the film are EXCELLENT; for a lot of people who weren't really part of the '60s commercialized folk music scene, they do a VERY creditable job with the material. They could have been folkies for real!

The only joker in the deck tho; the musical material, if you listen very closely to the lyrics, is ABSOLUTELY RIDICULOUS!!! Almost ALL of it, especially the song I NEVER DID NO WANDERIN', is a brilliant parody of the stuff we listened to and loved back in the '60's.

For anyone who knew the glory days of Bleeker Street in New York, or Old Town in Chicago, this is a film that will be an absolute joy. It shows both the GOOD parts of those days, and also shows up the silliness of some of the idealism in what we believed.

SPOILERS LIE AHEAD

A Mighty Wind is a film that I loved, and it disappoints me that there were so many critics and filmgoers who were disappointed with it. It seems that quite a few people think that comedies, especially the ones of the mockumentary sort (as this one is), can't go farther then simple mocking. It puzzles me that so many were in agreement that a film about a bittersweet reunion can't be good comedy. I think some moviegoers need quit worrying about smuggling that bag of Milk Duds into the theater and remember to bring an open mind. There may be funnier, more farcical situations (which have been the basis of many, many lesser films), but a bittersweet reunion can inspire comedic moments as well as be the basis for a great film, which A Mighty Wind is.

Christopher Guest, who has championed the film making style that is mockumentary with his role in the classic This Is Spinal Tap, and by directing the hilarious Waiting for Guffman and Best in Show, directs as well as co-writes the story with Eugene Levy (the actual lines are all improvised by the actors).

The film plays as a documentary about the organization of a memorial concert featuring folk groups from the 60's who were managed by the late Irving Steinbloom. The groups featured in the concert are the cheesy "neuftet" The New Main Street Singers, the classic folk trio The Folksmen, and the former sweethearts of the folk music world Mitch and Mickey.

The best performance in the film is that of Catherine O'Hara as Mickey Crabbe. She boldly doesn't go for all the laughs, and creates a complete, full, interesting character. Note the interview scenes where she reminisces about her past as one half of the folk "phenomenon" that was Mitch and Mickey. When she talks about their relationship you can see and hear that this is a woman who loved Mitch and Mickey, but not Mitch. Levy is also superb as Mitch Cohen, clearly still in love with Mickey but also clearly insane. He creates an almost over the top comedic performance that makes great use of his infamous eyebrows. He is in a constant state of uncomfortable quirkiness, except when he is singing with Mickey, and he remembers what their relationship used to be, and how it felt to be loved. Note the scene where the two practice one of their hits, "A Kiss at the End of the Rainbow," and don't know what to do when its time for them to lovingly kiss each other, which was their claim to fame when they were making TV appearances back in the 60's. Without saying a word, they agree that it would be inappropriate and continue to the end of the song. O'Hara's reaction to that moment is perfect. Then note the scene when they perform the song at the concert and, each for different reasons, they decide to do the kiss. When I first saw that moment and the characters' reaction to it, I got goosebumps. I realized that for the first time in any of Guest's mockumentaries, I actually cared for the characters, and I loved it. It's great that instead of going down that road taken by so many other films, where the former lovers find that they have loved each-other all along and have sex to affirm this to the audience, A Mighty Wind gives something far more interesting.

Although the Mitch & Mickey relationship is the heart of the film, it should not be forgotten that this an ensemble movie. There are terrific comedic performances all around, including those of Harry Shearer, Michael McKean, and Guest as the members of The Folksmen, John Michael Higgins and Jane Lynch as the color worshiping Terry and Laurie Bohner, Jennifer Coolidge as the can't-quite-place-her-accent Amber Cole, Fred Willard as the outrageously sad Mike LaFontaine and Ed Begley Jr. the yiddish talking Swede Lars Olfen.

It may not have gotten as many laughs as This Is Spinal Tap, Waiting for Guffman, or Best in Show, but A Mighty Wind bravely goes where those films didn't. It achieves touching, real emotion. It is one of the best films of 2003.

Another in a long list of films that have been recommended to me, `A Mighty Wind' was probably one of the funniest films I've seen this century. The mockumentary style of `This is Spinal Tap' has always been a favorite of mine, and this film, about the reunion of three folk groups after the death of the owner of their former record label is absolutely hilarious. Christopher Guest's usual cast is involved, though Eugene Levy and Harry Shearer stood out for me personally. (Although every time Shearer's character spoke I couldn't get the image of Principal Skinner from `The Simpsons' out of my head.)

Anyone with either an absurdist or dry sense of humor will find this movie funny. Speaking for myself, I rarely laugh out loud when watching films by myself at home and I was in tears from having fits of laughter throughout most of the film. The writing is above brilliant, and the acting and timing are dead on. I haven't seen the other two `recent' films that proceeded this one, `Best in Show' and `Waiting for Guffman', but after seeing `A Mighty Wind' I will definitely check them out in the very near future.

--Shelly

I am continually amazed with how Christopher Guest is able to create a world that's so bizarre, yet so realistic. With A Mighty Wind, he's cultivated a collection of catchy folk songs that are so fun to listen to. I own the soundtrack and I absolutely love it. This film also features an emotional climax that's so simple, yet so effective. This movie is retro, but it feels so now-tro.

We have a duo, a trio, and a group of 9. These three fictitious 'folk' groups from the 60s reunite for a concert in this mockumentary. What makes it so interesting is (1) I was a young adult in the 60s and vividly remember the folk group wave and (2) Guest, Levy and the others do their own singing and playing of songs they wrote for the movie. I think its IMDb ratings which cluster around 7 and 8 are about right. Not everyone will like 'A Mighty Wind' (song from final concert), it has improvised humor and many of the same actors from 'Best in Show'. But for fans of the humor of Guest and Levy it is a very nice little movie. The DVD has interesting extras, and the commentary track by Guest and Levy discuss how, for example, Levy had to take lessons to get is guitar skills back, and how O'Hara learned to play the autoharp for this role.

The movie is 92 minutes long, which includes the 7 minutes of end credits. Of the 85 minutes of actual movie, the first 60 sets up the characters and groups, shows them in rehearsals, covers several back stories, then the final 25 minutes are the concert itself, actually performed before a live audience. There were a few truly outstanding folk groups in the 1960s, but there also were a whole bunch of mediocre ones. The three groups featured in this movie are as good as many of the 1960s groups that actually made a living entertaining. And, as at least one critic said, that's part of the problem with 'A Mighty Wind' - the groups are good enough, and the final concert is real enough, that much of the impact of the humor went away during the last act. The lampooning was gone, replaced by a legitimate set of performances.

Still, I found it thoroughly enjoyable, and my favorite of the 'Guest/Levy' movies.